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lord232
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- 768 x 1280
- Kroki próbkowania
- 25
- Metoda próbkowania
- Euler a
- Skala CFG
- 6
- Niepożądane
- NSFW, worst quality, bad quality, low quality, lowres, scan artifacts, jpeg artifacts, sketch, (worst quality, bad quality:1.1), lowres, jpeg, artifacts, signature, username, text, logo, bad anatomy, artist name, artist logo, extra limbs, extra digit, extra legs, extra legs and arms, disfigured, missing arms, too many fingers, fused fingers, missing fingers, unclear eyes, blur, film grain, noise,
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1girl, solo, full body, standing, game character portrait, tachi-e, from below, full-length shot, toes to top of head, no crop, smiling, gentle reassuring smile, half-closed eyes, looking at viewer, motherly, beautiful mature woman, voluptuous, large breasts, large butt, wide hips, very long hair, jet-black hair, chonmage, topknot, hime cut, princess-cut bangs, center-parted intake bangs, blunt bangs, thick eyebrows, maro eyebrows, black eyes, miko, japanese clothes, white haori, red hakama, sarashi, fundoshi, cleavage, visible collarbone, bare shoulders, white tabi, zori, red sandal straps, japanese armor, point armor, forehead protector, kote, suneate, sode, shoulder guards, lamellar plates, tachi, sheathed sword, sword at waist, sash, hand on hilt, shrine, training ground, wooden dojo, bright daylight, shiny skin, glossy skin, specular highlights, sweat, vibrant colors, high contrast, sharp linework, clear outlines, cel shading, rich shading, sensual, seductive_smile, half-closed_eyes, sweat, breathing
Shot from a low, upward-tilted angle in a bright full-length standing portrait: a mature swordswoman-exorcist stands on the packed earth of a shrine training ground, framed head to toe with the very tips of her white tabi and the red thong of her zori inside the frame at the bottom and the knotted peak of her topknot just clearing the top edge with a thin margin of sky.
Her hair is lacquer-black and falls to below her knees, heavy and straight, gathered up at the crown into a small folded topknot; the front is cut in a blunt princess line just above the brows with a clean center part feeding into the forehead, and a few strands escape at her temples. Her brows are thick, dark and swept high in a bold arch; her eyes are solid black, half-lidded and warm, aimed straight at the viewer with the corners creasing into a calm, reassuring smile that only lifts one side of the mouth a fraction higher.
She stands with her weight sunk into her right leg, left knee eased forward and left toes turned out, one hip pushed up so the red hakama breaks in a diagonal fold across her thigh. Her right hand rests on the wrapped hilt of the single tachi that hangs sheathed at her left hip, threaded through the waist sash; the sheath is glossy black lacquer with a dull brass fitting at the mouth and its tip angles back behind her calf, out of the way of her stance. Her left arm hangs easy, fingers loose. A sarashi wrap binds her chest under the white kosode and the deep V of the collar shows the tight wrapped band and the shadowed line of her cleavage; the white haori hangs open over the red hakama, tied at the waist. A fundoshi line sits low and hidden beneath the hakama's folds.
Over the miko layers she wears armor as separate point pieces: a dark lacquered forehead protector banded with a small metal plate across her brow, sode shoulder sleeves of laced lamellar plates capping each shoulder and flaring out over her upper arms, kote guard sleeves of plates and chainmail over her forearms down to the backs of her hands, and suneate shin guards of vertical steel splints strapped over the hakama at each shin. The plates are dark iron and oxblood lacquer with brass rivets and silk lacing.
The ground under her is raked sand and trodden earth bounded by a low wooden rail; behind her, the deep shade of a shrine veranda and a stone lantern, and beyond that the bright haze of a summer sky between cedar trunks. Sunlight comes from high left, striking the planes of her face, the tops of her shoulders and the armor plates; the specular highlights burn small and hard on her cheekbone, nose bridge, collarbone and the sheen of sweat at her throat, while the shadows under her jaw, under the sode and between her breasts fall in crisp cel shapes. Her cast shadow lies short and sharp on the sand at her feet, and the plates catch a second, tiny reflection of the sky.
Palette restricted to deep black hair, white cloth, vermilion red hakama and sandal thongs, dark iron and oxblood armor, and warm sand — everything else reads as light and shade. Sharp black outlines, flat saturated cel fills, high-contrast lighting, glossy wet-looking skin. Serene, reassuring.
whitekopper
w
1girl, solo, full body, toes to head-top, standing, shrine training ground, game character sprite, tachie, expressionless, calm serious face, dignified, voluptuous, wide hips, large breasts, deep cleavage, very long jet black hair, chonmage topknot, hime cut bangs, center-parted intake bangs, thick eyebrows, maro eyebrows, black eyes, sarashi chest wrap, fundoshi loincloth, pelvic curtain, white tabi socks, zori sandals with red straps, japanese armor as point armor, forehead protector, kote gauntlets, suneate leg guard, kusazuri, sode shoulder armor, single odachi great katana taller than her, holding weapon, sheathed katana at back, looking at viewer, sharp linework, clear outlines, high-contrast cel shading, vivid saturated colors, rich anime shading, glossy skin, shiny skin, moist highlights, high-contrast lighting,
A single woman stands full-length in the shrine training ground, framed head-top to toes with her feet planted on the packed dirt, her body angled in a three-quarter turn toward the viewer so that the width of her hips and the swell of her chest read at once. Her weight is carried on her back leg, the front foot turned slightly outward, and both soles press flat in white tabi socks over zori sandals whose red straps bite into the instep. Her long jet-black hair falls in a heavy straight curtain past the hips, gathered at the crown into a chonmage topknot; the hime cut side locks hang level at the jaw while the center-parted intake bangs split cleanly at the brow. Her expression is blank and expressionless, eyes black and level, brows thick and maro-shaped, chin raised a degree. One gloved hand rests at the waistband of the fundoshi and pelvic curtain, forearm braced across the hip; the other hand grips the great katana taller than she is, its butt end grounded beside her sandal, the long blade angled up past her shoulder and out of the top of the frame. The sarashi chest wrap bandages her torso tightly, leaving the inner swell of the breasts exposed in a deep cleavage line, and the Japanese armor sits in scattered points over the body: forehead protector, kote gauntlets, suneate leg guards, kusazuri plates at the hips, and sode shoulder pieces flaring wide at both shoulders. High-contrast key light comes from the upper right, striking her cheekbone, the top of one breast, and the polished plates of the armor while the opposite side of her body drops into deep cel shadow; a specular shine sits along the swell of her thigh and the rim of the sode. The training ground behind her is a shallow band of raked gravel, a low wooden fence, and a weathered shrine hall with a dark tiled roof, pushed back and simplified so the figure dominates the composition. The colors are saturated and bright: the black of her hair and the red of the zori straps against the white tabi, the muscle-grey of the armor, and the warm ochre of the ground. Serene, formidable.
whitekopper
w
1girl, solo, full body, head to toe, standing, game character sprite, tachie, shrine training ground, female samurai, part-time shrine maiden, exorcist, japanese-style exorcist, very long hair, chonmage topknot, hime cut, center-parted intake bangs, jet-black hair, thick eyebrows, maro eyebrows, black eyes, large breasts, big ass, voluptuous, arranged miko outfit, female warrior, red pelvic-curtain hakama, fundoshi, sarashi, cleavage, white tabi, zori with red straps, japanese armor as point armor, forehead protector, kote, suneate, sode on shoulders, tachi, sheathed sword at left hip, straight-on ground-level view, neutral expression, true face, dignified beauty, looking at viewer, sharp linework, clear outlines, vivid colors, rich anime shading, high-contrast lighting, glossy skin, shiny skin, sharp cell shading, high-contrast cel-shading, crisp defined linework, saturated palette, moist lustrous skin highlights,
A single woman stands alone at the shrine training ground, seen straight on from ground level in an unbroken full-body frame that runs from the top of her head to the soles of her zori — a game standing sprite with nothing cropped and a lot of clear air left above the crown of her head and below her feet. She stands at a slight three-quarter turn to her left, weight resting on her back right leg, right hip pushed out so the red pelvic-curtain hakama panels hang in separate pleats down that side and swing free on the other; her left knee is soft, her left toes angled outward. Her left hand hangs loosely beside the hip with the fingers curled, and her right hand grips the saya of a single tachi at her left hip, thumb pressed flat against the top of the mouth of the scabbard in the beginning of a draw that never quite starts. Her shoulders are square and low, chin level, gaze fixed straight out at the viewer with black eyes and no tilt of the head — brows thick and high and dark, the central strokes of the ink-like maro-eyebrows lifted and tapering at the outer ends, mouth closed in a flat, unsmiling line, no blush and no curve at the corners.
Her jet-black hair is very long, falling straight past her waist and past her hips to the backs of her thighs, with a heavy hime-cut curtain of side locks cut blunt at the level of her jawline in front of her ears, oily-black and shining where the light catches each strand. The front bangs are parted cleanly at the center with a sharp intake of skin visible between the two curtains, and the crown above is gathered tight and swept back into a tall chonmage topknot that rises above the skull and flips back at its tip. A forehead protector is bound across her brow just under the hairline, its flat metal plate resting over her temples, the black cloth ties running back into the hair and fluttering a little at each side of her head.
The top garment is the plain white miko haori and kosode kept exactly as it is, sleeves long and square, collar crossing over the throat; inside it a white sarashi wraps her chest and leaves a deep, clean-edged V of cleavage open in the center, and the miko collar falls on either side of it. The lower body is a red pelvic-curtain hakama — no front panel, just separate long panels of stiff red cloth hanging from the hips like a curtain split down each side — worn over a white fundoshi knotted at the hip below it, the top edge cinched at her waist. White tabi sheathes her feet and her big toes are separated from the rest by the tabi split, and on her feet sit zori with braided bright-red thong straps that run back between the toes.
Japanese armor rides on her as small point armor rather than a shell: a pair of sode plates hang at each shoulder over the haori, laced lamellar with red silk braid; kote arm guards sheathe her forearms from wrist to elbow in dark leather and small iron plates; a short solid cuirass piece sits at the small of her back and a matching guard hangs on her left hip; suneate shin guards are strapped over the hakama on both shins, black-laced plates over the red cloth. The single tachi hangs at her left side in a black lacquered saya with a dark braided hilt, no second sword anywhere on her.
Behind her the shrine training ground opens out: hard-packed sand, a low wooden fence, a straw practice target, a rack of wooden swords, and a weathered stone lantern at mid-distance on the right; the shrine's dark cypress veranda and a pennant with illegible faded brush lettering sit blurred behind it. Strong high-contrast key light comes in from the upper left as low, warm late-afternoon sun, striking the left side of her face and the tops of her breasts and shoulders in a hard key while deep, clean shadow swallows her right side and the backs of her hakama panels, and a single crisp cast shadow of her body and the tachi stretches back and to the lower right across the packed sand. The sun makes a thin specular line along the metal of the forehead protector, the rims of the sode and the lacquer of the saya, and the glossy skin highlights rise as small moist glints at the collarbone and the upper breast, catching only on the surfaces turned up to the light while everything turned away stays matte in shadow. The red of the hakama and the thongs, the white of haori, sarashi and tabi, the black of hair, lacquer, lacing and brows are the whole palette, saturated hard against the warm sand ground. She holds the look a beat past comfortable, unimpressed and absolutely composed. Quiet, imposing resolve.
whitekopper
r
Liko samurai
Ramdom
Polecani użytkownicy
Może Ci się spodobać
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
1
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
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