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AI artwork featuring #Brudny, #Brudne stopy, #Skupienie na pośladkach, #dół podkolanowy, #Miasto, #Zaułek, #tyłem, #Dolna część ciała and #Czarne spodnie
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Brudny, Brudne stopy

#Brudny#Brudne stopy#Skupienie na pośladkach#dół podkolanowy#Miasto#Zaułek#tyłem#Dolna część ciała#Czarne spodnie
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Komentarze

a very skinny woman in tight leggings, standing in a building, 1girl, ass, long hair, pants, black hair, solo, sleeveless,socks, dirty socks,Senshion,flared leggings
Pokaż parametry
Rozmiar
1024 x 1024
Kroki próbkowania
24
Metoda próbkowania
Euler a
Skala CFG
5
Niepożądane
(bad quality,worst quality,worst detail,bad, low quality,low details, poorly drawn, bad anatomy:1.2), (extra fingers, bad hands, bad fingers, split fingers, fused arms, fused hands, fused fingers:1.2),

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AI artwork
Avatar image of 黒
solo, 1girl, young girl, black hair, bob cut, short hair, inward-curving hair ends, straight-cut bangs, seen from behind, from behind, ultra-low-angle shot from the floor, from below, extreme foreshortening, crouching, full squat, leggings, black leggings, opaque leggings, fitted t-shirt, short sleeves, bare feet, looking down, head turned slightly to the side, profile of cheek visible, no accessories, hair completely unadorned, bare ears, empty earlobes, empty floor, wall-to-floor corner, hard concrete floor, low-key interior light The camera sits flat on the floor, lens almost touching the concrete, tilted steeply upward, so the girl's crouched body towers over the frame: the soles of her bare feet fill the bottom foreground, huge and nearest the lens, toes curled and gripping the ground for balance, the balls of both feet pressed firmly down, heels lifted just off the concrete. Above them the matte black opaque leggings rise in a long taut stretch of fabric over her calves and thighs, catching a faint sheen along the shin bone and darkening in the crease behind each knee where the cloth folds and compresses against itself. She is in a deep full squat, knees bent sharply and splayed slightly outward, hips lowered almost to her heels, weight settled back over her feet, her torso folded forward and down so her back rounds toward the camera as a broad dark shape. The fitted charcoal grey short-sleeved t-shirt pulls tight across her rounded back, riding up a little at the hem where it meets the waistband of the leggings, the thin cotton showing the ridge of her spine and the shift of her shoulder blades. Her arms hang forward and down out of sight beyond her knees, only the elbows visible as small grey points tucked in at her sides. Her black bob sits at the very top of the frame, its straight-cut bangs hidden beyond the crown from this angle, and what the camera sees is the back of the head: the dense black hair swinging forward and down as she tips her head, the inward-curving ends flicking in toward the nape of her neck and closing on the skin there in a clean curved line, a few fine strands lifted away by the air. The back of her head is turned away; only a sliver of her cheek and the corner of one eye are caught at the right edge of the silhouette as she glances down and slightly aside, lashes lowered, a soft closed-mouth calm on the little that shows of her face, no smile aimed at the lens. Her hair and the loose hem of the shirt hang toward the floor under gravity even as her body rises over the camera, the only movement in the still air. The setting is a bare interior corner: a scuffed hard concrete floor filling the bottom of the frame with faint dust and a hairline crack running diagonally toward her toes, a plain pale grey wall rising behind her, nothing else in the room. A single low light source sits somewhere behind and above her, off to the left, so the top of her black hair and the upper curve of her back catch a narrow rim of cool light while the underside of her thighs, the crease behind her knees and the wall behind her fall into soft, deep shadow; her cast shadow pools on the floor beneath her feet, tight and dark where the body is closest to the ground and blurring out toward the frame edges. The palette is held to black hair and black leggings, warm mid-grey skin tones and the cool pale grey of wall and floor, nothing else admitted. Crisp cel-shaded anime rendering with clean linework and flat-to-flat shadow shapes. Quiet, grounded, faintly tender.
黒
AI artwork
g
(masterpiece best quality 1.2), ultra-detailed, character design, full body, solo, 1girl, tall voluptuous woman, long parted brown hair styled in an upside-down V-shape part with the hair sweeping down on either side of the center part creating a sharp V silhouette at the crown, long straight bangs framing her forehead, dark brown eyes, facial expression blending multiple emotions simultaneously — interested, intrigued, uneasy, calm, curious, serious, nervous, one eyebrow slightly raised in intrigue, lips pressed together in a calm but tense line, dark brown eyes sharp and watchful, a complex unreadable expression, wearing a brown sports bra hugging her voluptuous figure, wide hips, thick thighs, wearing tight black spandex leggings hugging her wide hips and thick thighs, the spandex stretching taut across her curves, athletic voluptuous build, standing in a dark narrow alleyway, wet brick walls on both sides, dim streetlight casting a harsh amber glow from above, puddles on the cracked concrete ground, dumpsters and fire escapes visible in the background, standing with her weight shifted to one leg, hip cocked slightly, one hand resting on her hip, other hand hanging loosely at her side, posture composed but subtly tense, medium height, detailed realistic skin texture, harsh alleyway lighting mixing amber streetlight with cool shadow, the wet brick walls reflecting dim light, natural skin tones, highly detailed fabric textures on the spandex and sports bra, the spandex fabric visible sheen and compression, the sports bra fabric textured and sporty, her brown hair catching the dim alleyway light, her dark brown eyes reflecting the amber glow, standing alone in the alley, highly detailed, 8K, cinematic composition
Grim
AI artwork
Avatar image of 黒
solo, 1girl, young girl, black hair, bob cut, short hair, inward-curving hair ends, straight-cut bangs, seen from behind, from behind, ultra-low-angle shot from the floor, from below, extreme foreshortening, crouching, full squat, leggings, black leggings, opaque leggings, fitted t-shirt, short sleeves, bare feet, looking down, head turned slightly to the side, profile of cheek visible, no accessories, hair completely unadorned, bare ears, empty earlobes, empty floor, wall-to-floor corner, hard concrete floor, low-key interior light The camera sits flat on the floor, lens almost touching the concrete, tilted steeply upward, so the girl's crouched body towers over the frame: the soles of her bare feet fill the bottom foreground, huge and nearest the lens, toes curled and gripping the ground for balance, the balls of both feet pressed firmly down, heels lifted just off the concrete. Above them the matte black opaque leggings rise in a long taut stretch of fabric over her calves and thighs, catching a faint sheen along the shin bone and darkening in the crease behind each knee where the cloth folds and compresses against itself. She is in a deep full squat, knees bent sharply and splayed slightly outward, hips lowered almost to her heels, weight settled back over her feet, her torso folded forward and down so her back rounds toward the camera as a broad dark shape. The fitted charcoal grey short-sleeved t-shirt pulls tight across her rounded back, riding up a little at the hem where it meets the waistband of the leggings, the thin cotton showing the ridge of her spine and the shift of her shoulder blades. Her arms hang forward and down out of sight beyond her knees, only the elbows visible as small grey points tucked in at her sides. Her black bob sits at the very top of the frame, its straight-cut bangs hidden beyond the crown from this angle, and what the camera sees is the back of the head: the dense black hair swinging forward and down as she tips her head, the inward-curving ends flicking in toward the nape of her neck and closing on the skin there in a clean curved line, a few fine strands lifted away by the air. The back of her head is turned away; only a sliver of her cheek and the corner of one eye are caught at the right edge of the silhouette as she glances down and slightly aside, lashes lowered, a soft closed-mouth calm on the little that shows of her face, no smile aimed at the lens. Her hair and the loose hem of the shirt hang toward the floor under gravity even as her body rises over the camera, the only movement in the still air. The setting is a bare interior corner: a scuffed hard concrete floor filling the bottom of the frame with faint dust and a hairline crack running diagonally toward her toes, a plain pale grey wall rising behind her, nothing else in the room. A single low light source sits somewhere behind and above her, off to the left, so the top of her black hair and the upper curve of her back catch a narrow rim of cool light while the underside of her thighs, the crease behind her knees and the wall behind her fall into soft, deep shadow; her cast shadow pools on the floor beneath her feet, tight and dark where the body is closest to the ground and blurring out toward the frame edges. The palette is held to black hair and black leggings, warm mid-grey skin tones and the cool pale grey of wall and floor, nothing else admitted. Crisp cel-shaded anime rendering with clean linework and flat-to-flat shadow shapes. Quiet, grounded, faintly tender.
黒

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