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Pokaż parametry
- Rozmiar
- 768 x 1280
- Kroki próbkowania
- 9
- Metoda próbkowania
- Euler a
- Skala CFG
- 5
- Niepożądane
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, (nsfw:1.2), (nude:1.6), (nipple:1.2), naked
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Dragon Soul's Producciones
1boy, solo, large man, muscular, broad shoulders, dark red hair, ponytail, thick ponytail, tied-back hair, short beard, clean-shaven beard, facial hair, two horns, blue horns, wispy horns, bright green eyes, sharp pupils, slit pupils, tan skin, dark skin, sharp features, masculine, pointed fingers, claws, no nails, narrow pupils, blue and red royal suit, military uniform, silver accents, silver trim, epaulettes, tight clothing, clinging clothes, arms crossed, crossed arms, thick tail, long tail, silver tail, blue tail accents, spiked tail, spikes, spade tail tip, pointed tail, from below, cowboy shot, dutch angle, three-quarter view, head tilt, looking down at viewer, half-closed eyes, light smirk, raised eyebrow, standing, weight on one leg, shadow, dark background
The camera sits low and close, tilted a few degrees off level, and looks up: a crisp cowboy shot from mid-thigh up, the man's body angled three-quarter to the frame with his left shoulder nearer the lens, so the crossed arms ride toward the viewer and the tail sweeps away into the darkness behind his right hip. He is large — the chest and shoulders fill most of the frame width, straining the strict blue and red royal suit, the silver-trimmed coat drawn taut across the pectorals and bunching at the armpits, silver buttons and a silver-edged high collar catching the key light. His arms are locked over his chest, the right forearm laid flat across the left, each clawed hand gripping the opposite sleeve: the long pointed fingers with no nails press dents into the fabric, no rounded nails anywhere on them, the fingertips tapered to hard points. His head tips down toward the low lens, chin lowered, but his bright green eyes with their sharp slit pupils stay fixed on the viewer from under the brow; the right eyebrow is lifted, one lid half closed, and one corner of his mouth has pulled into a thin knowing smirk just above the short clean-shaven beard that hugs his jaw and chin in even dark stubble against the tan skin.
His dark red hair is pulled hard back into one thick ponytail that falls behind his neck and swings slightly to the right, a few loose strands escaping at the temple; the two wispy blue horns rise from his forehead above the hairline, pale translucent blue, their tips drifting in a down-draft. The thick long silver tail curls behind him in a slow S, its body scaled silver with blue accents along the underside, a row of sharp spikes standing along its top edge, and the tip flattened into a pointed spade blade that lifts level with his belt and curls back toward his calves.
A single hard key light comes from the upper left, front of the frame: it carves his forehead, the near cheekbone, the silver trim and one horn, and drops the far side of his face and the tail into deep shadow, with a second cooler rim of blue light outlining the horns and the spine of the tail from behind. He stands on nothing visible; the ground is a seamless near-black sweep that swallows his boots, the only evidence of the floor a soft pool of contact shadow beneath him that stretches long and blue-black away from the key. Palette is limited to dark red, royal blue, cold silver and the warm tan of skin, all against black. Detail budget sits on the face, the crossed hands and the tail's spade. Imposing, coldly amused.
wencemel2026
1boy, solo, large man, muscular, broad shoulders, dark red hair, ponytail, thick ponytail, tied-back hair, short beard, clean-shaven beard, facial hair, two horns, blue horns, wispy horns, bright green eyes, sharp pupils, slit pupils, tan skin, dark skin, sharp features, masculine, pointed fingers, claws, no nails, narrow pupils, blue and red royal suit, military uniform, silver accents, silver trim, epaulettes, tight clothing, clinging clothes, arms crossed, crossed arms, thick tail, long tail, silver tail, blue tail accents, spiked tail, spikes, spade tail tip, pointed tail, from below, cowboy shot, dutch angle, three-quarter view, head tilt, looking down at viewer, half-closed eyes, light smirk, raised eyebrow, standing, weight on one leg, shadow, dark background
The camera sits low and close, tilted a few degrees off level, and looks up: a crisp cowboy shot from mid-thigh up, the man's body angled three-quarter to the frame with his left shoulder nearer the lens, so the crossed arms ride toward the viewer and the tail sweeps away into the darkness behind his right hip. He is large — the chest and shoulders fill most of the frame width, straining the strict blue and red royal suit, the silver-trimmed coat drawn taut across the pectorals and bunching at the armpits, silver buttons and a silver-edged high collar catching the key light. His arms are locked over his chest, the right forearm laid flat across the left, each clawed hand gripping the opposite sleeve: the long pointed fingers with no nails press dents into the fabric, no rounded nails anywhere on them, the fingertips tapered to hard points. His head tips down toward the low lens, chin lowered, but his bright green eyes with their sharp slit pupils stay fixed on the viewer from under the brow; the right eyebrow is lifted, one lid half closed, and one corner of his mouth has pulled into a thin knowing smirk just above the short clean-shaven beard that hugs his jaw and chin in even dark stubble against the tan skin.
His dark red hair is pulled hard back into one thick ponytail that falls behind his neck and swings slightly to the right, a few loose strands escaping at the temple; the two wispy blue horns rise from his forehead above the hairline, pale translucent blue, their tips drifting in a down-draft. The thick long silver tail curls behind him in a slow S, its body scaled silver with blue accents along the underside, a row of sharp spikes standing along its top edge, and the tip flattened into a pointed spade blade that lifts level with his belt and curls back toward his calves.
A single hard key light comes from the upper left, front of the frame: it carves his forehead, the near cheekbone, the silver trim and one horn, and drops the far side of his face and the tail into deep shadow, with a second cooler rim of blue light outlining the horns and the spine of the tail from behind. He stands on nothing visible; the ground is a seamless near-black sweep that swallows his boots, the only evidence of the floor a soft pool of contact shadow beneath him that stretches long and blue-black away from the key. Palette is limited to dark red, royal blue, cold silver and the warm tan of skin, all against black. Detail budget sits on the face, the crossed hands and the tail's spade. Imposing, coldly amused.
wencemel2026
Dragon Soul's Producciones
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Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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