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Agus Libert
Pokaż parametry
- Rozmiar
- 399 x 1023
- Kroki próbkowania
- 25
- Metoda próbkowania
- Euler a
- Skala CFG
- 5.5
- Niepożądane
- no excessive wrapping around the throat, no vetwrap covering the lower part of the chin or neck, no tight wrapping around the face that obscures the neck, no wrapping that covers the throat or jawline, no sloppy wrapping, no uneven or messy layers, no loose or uneven wrapping around the neck or chin area, no covering the collarbone, no unnatural neck proportions, no distortion of the vetwrap texture, no unrealistic or unnatural body proportions, no visible injuries or damage, no off-model elements, no exaggerated features, no incomplete or inconsistent vetwrap coverage, no wrong or uneven color application, no off-model colors, no arms behind back, no arms in front, arms fully wrapped at sides only, no distorted or misshapen vetwrap folds, no loose ends, no NSFW content
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余
character: akiyama_mio
1girl, solo, akiyama_mio, black_hair, long_hair, straight_hair, hime_cut, blue_ribbon, black_eyes, full-body black canvas sack, sack fitted to body contours, only head visible, neck tied with cord, excess cloth protruding toward face, duct tape over mouth, tape gag, standing, knees slightly bent, arms bound inside sack, arms at sides inside canvas, full body, from side, profile, cowboy shot, looking to the side, sweatdrop, furrowed brow, strained expression, blush, canvas texture, coarse weave, studio void, single overhead light
Seen from the side in a full-length three-quarter shot, a girl with long straight black hair cut in a blunt hime fringe and a blue ribbon at the crown stands alone in an empty dark-grey void. Her whole body from the collarbones down is sealed inside a heavy black canvas sack, the fabric so closely tailored that it reads her shape through it: the slope of her shoulders pressing two soft ridges into the cloth, the inward curve of her waist, the slight outward push of her hips, the length of her thighs and the shape of her calves. It is neither baggy nor skin-tight — the canvas sits a hand's width from her body, stiff with its own weight, and each contour is drawn by tension lines radiating from where the fabric is pulled rather than by clinging. The sack runs unbroken to the floor, swallowing her feet entirely; only the faint forward point of her toes shows through the canvas as two rounded bumps at the very hem, and the hem pools with a small crease where it meets the ground. Her knees are bent a little, both of them, so the sack's front face bulges slightly forward at the thighs and the whole figure sinks a centimetre lower than a straight stand, weight settled unevenly onto her back leg.
At the throat the canvas gathers into a tight cinch, bound with a thin dark cord knotted twice; above the knot about ten centimetres of extra canvas stands up free of the neck and flares toward her face like a stiff open collar, its raw edge cutting a small shadow across her jaw and framing her chin. A strip of grey duct tape crosses her mouth corner to corner, its edges slightly wrinkled and lifting at one end, pressed flat over her lips so the line of her mouth disappears beneath it. Her cheeks are flushed, one brow drawn down and the other lifted, and a single sweatdrop runs at her temple; her eyes are turned hard to the side, away from the camera, staring at nothing in the empty air.
The light comes from directly overhead and slightly behind her, so the canvas's coarse weave catches a dull grey sheen on the crown of the sack, on the ridge of each shoulder and along the protruding collar of cloth, while the front of the sack and the underside of her chin fall into deep charcoal. Her long black hair, the only gloss in the frame, spills over the top of the cinch and hangs in a straight dark curtain down her back, and a loose strand at her cheek lifts slightly as she breathes. A soft contact shadow pools under the pooled hem, anchoring her to the seamless ground. The palette holds black canvas, a cold grey ground, her pale skin and the one small flag of blue ribbon — restrained, claustrophobic, quietly tense.
余命一万一日
余
character: akiyama_mio
1girl, solo, akiyama_mio, black_hair, long_hair, straight_hair, hime_cut, blue_ribbon, black_eyes, full-body black canvas sack, sack fitted to body contours, only head visible, neck tied with cord, excess cloth protruding toward face, duct tape over mouth, tape gag, standing, knees slightly bent, arms bound inside sack, arms at sides inside canvas, full body, from side, profile, cowboy shot, looking to the side, sweatdrop, furrowed brow, strained expression, blush, canvas texture, coarse weave, studio void, single overhead light
Seen from the side in a full-length three-quarter shot, a girl with long straight black hair cut in a blunt hime fringe and a blue ribbon at the crown stands alone in an empty dark-grey void. Her whole body from the collarbones down is sealed inside a heavy black canvas sack, the fabric so closely tailored that it reads her shape through it: the slope of her shoulders pressing two soft ridges into the cloth, the inward curve of her waist, the slight outward push of her hips, the length of her thighs and the shape of her calves. It is neither baggy nor skin-tight — the canvas sits a hand's width from her body, stiff with its own weight, and each contour is drawn by tension lines radiating from where the fabric is pulled rather than by clinging. The sack runs unbroken to the floor, swallowing her feet entirely; only the faint forward point of her toes shows through the canvas as two rounded bumps at the very hem, and the hem pools with a small crease where it meets the ground. Her knees are bent a little, both of them, so the sack's front face bulges slightly forward at the thighs and the whole figure sinks a centimetre lower than a straight stand, weight settled unevenly onto her back leg.
At the throat the canvas gathers into a tight cinch, bound with a thin dark cord knotted twice; above the knot about ten centimetres of extra canvas stands up free of the neck and flares toward her face like a stiff open collar, its raw edge cutting a small shadow across her jaw and framing her chin. A strip of grey duct tape crosses her mouth corner to corner, its edges slightly wrinkled and lifting at one end, pressed flat over her lips so the line of her mouth disappears beneath it. Her cheeks are flushed, one brow drawn down and the other lifted, and a single sweatdrop runs at her temple; her eyes are turned hard to the side, away from the camera, staring at nothing in the empty air.
The light comes from directly overhead and slightly behind her, so the canvas's coarse weave catches a dull grey sheen on the crown of the sack, on the ridge of each shoulder and along the protruding collar of cloth, while the front of the sack and the underside of her chin fall into deep charcoal. Her long black hair, the only gloss in the frame, spills over the top of the cinch and hangs in a straight dark curtain down her back, and a loose strand at her cheek lifts slightly as she breathes. A soft contact shadow pools under the pooled hem, anchoring her to the seamless ground. The palette holds black canvas, a cold grey ground, her pale skin and the one small flag of blue ribbon — restrained, claustrophobic, quietly tense.
余命一万一日
余
character: hirasawa_yui
1girl, hirasawa_yui, brown_hair, short_hair, hair_between_eyes, hairclip, blue_ribbon, brown_eyes, canvas_body_bag, white_canvas_bag, full_body_bag, head_out_only, no_visible_arms_in_bag, knees_bent, standing, duct_tape_over_mouth, tape_gag, neck_tied_with_string, cloth_flap_over_face, taut_fabric_following_body_contour, feet_fully_encased, from_side, full_body, dutch_angle, looking_at_viewer, blush, worried_eyes, bare_face, indoor, wooden_floor, soft_window_light,
A slightly low dutch-angled side view of a single girl standing on a bare pale wooden floor, caught in a small off-balance shift of weight: her knees are softly bent, both heels still flat, thighs pressed together so the taut white fabric pulls in a straight diagonal from hip to knee. Her whole body from the shoulders down — torso, arms, hips, thighs, calves, ankles, and every toe — is sealed inside one continuous bag of thick sturdy white canvas, cut so close to her body line that it reads as a second skin and not a sack: the weave is plainly visible, the fabric strains pale over the swell of her chest, creases in short tension folds behind the bent knees, and a bulge at the shoulder where her arms are trapped flat against her sides and elbows pressed to her ribs. The bag is neither too big nor too small — it stops exactly at the base of her throat, where a length of thin cord is wound twice and knotted tight, cinching the cloth into a puckered ring of gathered pleats so nothing shows beneath it. Above that knot the top edge of the canvas has been left long and stands up in a stiff 10-centimetre collar of cloth that flares forward past her jaw and leans out over her face, its cut edge slightly frayed and casting a thin shadow across her cheek and the bridge of her nose. Only her head is exposed: short brown hair falling to her jaw, a small hairclip and a blue ribbon at the side of her head, brows drawn up and inward, brown eyes wide and tilted down toward the tape at her mouth. A single strip of grey-silver duct tape is laid flat across her lips and sealed onto both cheeks, its ends pressed down with visible thumb-creased wrinkles, the tape's glossy surface catching the light while strands of hair are trapped under its lower edge. Her gaze is aimed at the viewer, chin slightly lifted, a faint blush high on both cheeks; the small unsteadiness of her stance shows in a tiny scuff of displaced dust under her left heel.
Single light source: a window off to the left, cool daylight at a low angle, striking the left side of the bag so the canvas goes bright to near-white and throwing the side away from the window into soft cool grey shadow; the light rims the stiff protruding cloth collar and leaves a crisp small shadow of the collar on her forehead. No other lighting: the far corner of the room falls away dark. Palette is restricted to white and off-white canvas, warm pale-brown floorboards and her brown hair, the blue of the ribbon and the grey of the tape — nothing else admitted. The room is otherwise empty and quiet. Tender, faintly uneasy.
余命一万一日
Polecani użytkownicy
Może Ci się spodobać
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
2
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
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