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Pokaż parametry
- Oryginalny prompt
- shiranui flare (1st costume), shiranui flare, dark skin, orange eyes, blonde hair,full body, piece sign, double v, big smile, Spread your legs, standing, (leaning forward:0.4),white background,
- Rozmiar
- 768 x 1280
- Kroki próbkowania
- 20
- Metoda próbkowania
- Euler a
- Skala CFG
- 4
- Niepożądane
- worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
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totsushi_77229#0
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character: shiranui_flare_(1st_costume), artist: alp
1girl, solo, full body, standing figure, character sprite, tachie, shiranui flare \(1st costume\), dark-skinned female, dark elf, elf, pointy ears, long hair, blonde hair, multicolored hair, streaked hair, white streaks, high ponytail, ponytail, sidelocks, hair bow, red bow, blue bow, ribbon, red eyes, orange eyes, white dress, white shirt, halterneck, clothing cutout, detached sleeves, wide sleeves, long sleeves, white sleeves, white skirt, skirt, dress, shirt, red bowtie, bowtie, white gloves, gloves, half gloves, white thighhighs, thighhighs, shadow at feet, plain white background, empty background, simple background, no scenery, alp style, clean linework, delicate strokes, structured anatomy, voluptuous curves, soft cel-shading, smooth airbrushed finish, glossy specular highlights, luminous atmosphere, dramatic backlighting, rim lighting, vibrant palette, warm-toned dominant, high-key skin, expressive glossy eyes, subtle blushing, looking at viewer, light smile, half-closed eyes, head tilt, hand on own hip, contrapposto, weight on one leg, arms at side, from below, vertical composition
A single standing figure rendered as a character sprite on a completely empty, seamless plain white field — no scenery, no horizon, no props, nothing in the ground plane except the mark her body makes. The camera looks up from slightly below knee-height, a vertical full-body frame that runs from the crown of her bow to the soles of her white thighhighs with a sliver of white margin above and below, so the whole silhouette reads at once and the slight upward angle gives her presence rather than smallness. She stands in contrapposto: her weight settled into the right leg, right hip pushed out and right foot flat and load-bearing, the left knee bent and the left toe turned out and taking no weight, a small cool gap of air under the left arch. Her right hand rests flat against her right hip, fingers spread and pressing into the white skirt so the fabric puckers in short radiating creases under four fingertips; her left arm hangs free, loose at the shoulder, the half glove's low cuff ending below the wrist joint so a band of dark bare wrist shows between cuff and sleeve edge. Her ponytail is gathered high at the back of her skull, its long blonde mass falling to the middle of her back, and the small static of standing has carried it slightly to the left of her centerline, sidelocks framing both cheeks and swinging forward past the jaw. Her chin tips a few degrees toward her raised shoulder, and her eyes — warm orange at the inner edge grading toward red at the iris rim, wet and glossy with a single sharp specular catch each — look straight at the viewer while one eyelid sits lower than the other and one lip corner lifts, a light closed-mouth smile that reads more knowing than polite.
The outfit is built in white and punctuated at exactly three places. The halterneck white shirt closes at the nape in the red bowtie, steps down over the collarbones, and leaves the shoulders and upper back bare; a clothing cutout opens at the sternum in a clean edged slit that shows a slice of dark skin above the white dress bodice. The wide detached sleeves begin below the shoulder with a gap of bare upper arm between hem and skin, then billow down over the forearms to swallow the hands nearly to the knuckles, the white fabric compressed into soft elbow-crease folds where the arms bend; the sleeves are long and white throughout. The white skirt flares from the waist and is gathered at her right hip by her gripping hand. Below the hem the white thighhighs climb her dark thighs, their top edges leaving a bare band of skin before the skirt. The blue bow is pinned at the front waist of the skirt where the fabric gathers; the red bow is the large hair bow at the back of her high ponytail, and the ribbon tails of the same red fall away from it over the blonde and white streaks so that the streaked strands curl out from under them. Her dark elf's pointed ears stand clear of the sidelocks, the right one catching light along its upper ridge.
A single hard backlight sits low behind her and just off her right, so a bright rim runs down the outer contour of her left shoulder, the outer edge of the sleeve, the crest of her hip and the outside of her right thigh, while her front stays in high-key diffuse light that keeps the dark skin luminous rather than muddy — a warm glow at the rim grading to a warm neutral on the front planes, and the great sweep of empty white around her staying clean and shadowless. The light throws a short, soft, low-contrast shadow directly under her: it begins at the ball of her right foot, spreads forward and left beneath the left toe, and thins to nothing before it can become a second shape — the sole place in the image where the empty white is disturbed. Her stockings are faintly sheer: the white thins slightly at the knee and the front of the thigh where the fabric pulls over the leg, and the shadow edge of the skirt falls across the very top of them.
Every element is built with clean confident linework and delicate strokes, a smooth airbrushed finish over soft cel-shaded planes, glossy highlights along the sleeve hems, hair ribbon and the high sheen of the thighhighs, the eyes rendered with dense wet-looking detail and a faint blush across the cheekbones, the whole figure drawn with structured anatomy and lush exaggerated curves in a vibrant, warm-toned palette dominated by cream white and the deep brown of her skin, broken only by the red of bow and bowtie and the single cool blue at her waist. Effortlessly stylish, softly luminous.
まいまい
ま
character: shiranui_flare_(1st_costume), artist: alp
1girl, solo, full body, standing figure, character sprite, tachie, shiranui flare \(1st costume\), dark-skinned female, dark elf, elf, pointy ears, long hair, blonde hair, multicolored hair, streaked hair, white streaks, high ponytail, ponytail, sidelocks, hair bow, red bow, blue bow, ribbon, red eyes, orange eyes, white dress, white shirt, halterneck, clothing cutout, detached sleeves, wide sleeves, long sleeves, white sleeves, white skirt, skirt, dress, shirt, red bowtie, bowtie, white gloves, gloves, half gloves, white thighhighs, thighhighs, shadow at feet, plain white background, empty background, simple background, no scenery, alp style, clean linework, delicate strokes, structured anatomy, voluptuous curves, soft cel-shading, smooth airbrushed finish, glossy specular highlights, luminous atmosphere, dramatic backlighting, rim lighting, vibrant palette, warm-toned dominant, high-key skin, expressive glossy eyes, subtle blushing, looking at viewer, light smile, half-closed eyes, head tilt, hand on own hip, contrapposto, weight on one leg, arms at side, from below, vertical composition
A single standing figure rendered as a character sprite on a completely empty, seamless plain white field — no scenery, no horizon, no props, nothing in the ground plane except the mark her body makes. The camera looks up from slightly below knee-height, a vertical full-body frame that runs from the crown of her bow to the soles of her white thighhighs with a sliver of white margin above and below, so the whole silhouette reads at once and the slight upward angle gives her presence rather than smallness. She stands in contrapposto: her weight settled into the right leg, right hip pushed out and right foot flat and load-bearing, the left knee bent and the left toe turned out and taking no weight, a small cool gap of air under the left arch. Her right hand rests flat against her right hip, fingers spread and pressing into the white skirt so the fabric puckers in short radiating creases under four fingertips; her left arm hangs free, loose at the shoulder, the half glove's low cuff ending below the wrist joint so a band of dark bare wrist shows between cuff and sleeve edge. Her ponytail is gathered high at the back of her skull, its long blonde mass falling to the middle of her back, and the small static of standing has carried it slightly to the left of her centerline, sidelocks framing both cheeks and swinging forward past the jaw. Her chin tips a few degrees toward her raised shoulder, and her eyes — warm orange at the inner edge grading toward red at the iris rim, wet and glossy with a single sharp specular catch each — look straight at the viewer while one eyelid sits lower than the other and one lip corner lifts, a light closed-mouth smile that reads more knowing than polite.
The outfit is built in white and punctuated at exactly three places. The halterneck white shirt closes at the nape in the red bowtie, steps down over the collarbones, and leaves the shoulders and upper back bare; a clothing cutout opens at the sternum in a clean edged slit that shows a slice of dark skin above the white dress bodice. The wide detached sleeves begin below the shoulder with a gap of bare upper arm between hem and skin, then billow down over the forearms to swallow the hands nearly to the knuckles, the white fabric compressed into soft elbow-crease folds where the arms bend; the sleeves are long and white throughout. The white skirt flares from the waist and is gathered at her right hip by her gripping hand. Below the hem the white thighhighs climb her dark thighs, their top edges leaving a bare band of skin before the skirt. The blue bow is pinned at the front waist of the skirt where the fabric gathers; the red bow is the large hair bow at the back of her high ponytail, and the ribbon tails of the same red fall away from it over the blonde and white streaks so that the streaked strands curl out from under them. Her dark elf's pointed ears stand clear of the sidelocks, the right one catching light along its upper ridge.
A single hard backlight sits low behind her and just off her right, so a bright rim runs down the outer contour of her left shoulder, the outer edge of the sleeve, the crest of her hip and the outside of her right thigh, while her front stays in high-key diffuse light that keeps the dark skin luminous rather than muddy — a warm glow at the rim grading to a warm neutral on the front planes, and the great sweep of empty white around her staying clean and shadowless. The light throws a short, soft, low-contrast shadow directly under her: it begins at the ball of her right foot, spreads forward and left beneath the left toe, and thins to nothing before it can become a second shape — the sole place in the image where the empty white is disturbed. Her stockings are faintly sheer: the white thins slightly at the knee and the front of the thigh where the fabric pulls over the leg, and the shadow edge of the skirt falls across the very top of them.
Every element is built with clean confident linework and delicate strokes, a smooth airbrushed finish over soft cel-shaded planes, glossy highlights along the sleeve hems, hair ribbon and the high sheen of the thighhighs, the eyes rendered with dense wet-looking detail and a faint blush across the cheekbones, the whole figure drawn with structured anatomy and lush exaggerated curves in a vibrant, warm-toned palette dominated by cream white and the deep brown of her skin, broken only by the red of bow and bowtie and the single cool blue at her waist. Effortlessly stylish, softly luminous.
まいまい
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