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スクスト ティエラ先生
W PixAI prompty są domyślnie publiczne, ale twórcy mogą je ukryć w każdej opublikowanej pracy. Autor tej pracy zdecydował się to zrobić, więc słowa użyte do wygenerowania obrazu pozostają prywatne — widzi je wyłącznie autor. Ukrycie promptu nie zmienia niczego więcej: praca nadal jest publiczna, a Ty możesz ją polubić, skomentować i udostępnić jak zwykle.
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veneto: OL3
ok100002
veneto: OL2
ok100002
1girl, solo, simple background, aged up, adult woman, fair skin, collared shirt, white collared shirt, pencil skirt, charcoal grey pencil skirt, hair intakes, white hair, long hair, half-crown braid, hair ribbon, low ponytail, yellow eyes, medium breasts, correct anatomy, cowboy shot, from below, three-quarter view, standing, weight on one leg, leaning forward, hand on own hip, head tilt, looking at viewer, light smile, one eye closed, seamless pale grey studio sweep
The camera sits low and slightly to her left, a cowboy shot cropping just below the knee, so her hips and shoulders read as a long diagonal rising into the frame. She is turned three-quarters away and then swings her face back over her left shoulder toward the lens, chin dipped, torso leaning forward from the waist so that the plumb line of her body runs from her planted left foot up through the charcoal skirt to her right shoulder. Her weight is all on the left leg; the right knee is bent and slid forward, the right toe resting on the ground with the heel lifted, calf angled across the frame. The right hand is planted flat on her right hip, fingers spread over the waistband where the white shirt disappears into the skirt, thumb hooked under the fabric and pulling a small taut fold across the hip; the left arm hangs loose and slightly behind her, knuckles lightly grazing the back of her skirt. Her expression is playful and one-sided: the near eye (her left) is squeezed shut in a wink, the far eye half-lidded and fixed on the viewer, the corner of her mouth pulled up in a lopsided closed-lip smile, one brow arched higher than the other, lips parted just enough to show a sliver of teeth.
Hair: white, dense and long, parted so that two thick locks spring in rounded intakes at the temples before sweeping back. A half-crown braid runs from the left temple curving over the crown to the right ear, tight even plaits with a faint sheen on every lobe; behind it the remaining hair is gathered low at the nape into a ponytail bound by a simple ribbon, and the tail drops over her left shoulder toward the camera, its end swaying free in the air a hand's breadth from her collarbone. The right side of the ponytail falls behind her shoulder, hidden from this angle, and the loose strands at the nape lift slightly as her head turns. Ribbon: a plain narrow band of pale ivory satin in a single flat bow at the nape, tails lying along the top of the ponytail and catching the key light.
Outfit and body: a crisp white collared shirt with the top button open and the collar points left standing wide, sleeves buttoned at the wrists, the fabric pulling into three thin tension creases from the bust down to where the hem is tucked flat into the skirt, following the natural curve of medium breasts without exaggeration. The pencil skirt is a solid charcoal grey wool, high-waisted, cut close and tapering to just below the knee, with a straight side seam drawing a clean vertical through the crop and a single kick pleat closing at the back of the hem. Fair skin with a faint warmth at the cheeks, sharp but soft jawline, correct and natural anatomy throughout — the waist narrows above the hip, arms read as one continuous limb each, both hands have five separate fingers, and nothing overlaps incorrectly.
Background: a completely plain, seamless pale cool-grey studio sweep, no objects, no horizon line, no props, no other figure. Lighting: one large soft key from the upper left of the frame, warmth-neutral, laying a gentle highlight along the left plane of her face, the left shoulder of the shirt and the round of the braid, while the right side of her jaw, the right side of the skirt and the far arm settle into soft grey modelling shadow; a faint contact shadow pools beneath the planted left shoe and stretches slightly to the right, and the far right of the sweep fades a half-step darker. Palette is disciplined to white, charcoal and a single warm yellow: white hair and shirt, charcoal skirt, yellow irises the only saturated note in the image. Quiet, effortlessly stylish, a little teasing.
非理性マッターホルン
5
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