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Pokaż parametry
- Oryginalny prompt
- 特写，白色厚裤袜，抬起腿，交叠在一起
- Tag jakości
- high quality, year_2025, year_2024, ﹝Podpowiedzi﹞
- Rozmiar
- 768 x 1280
- Kroki próbkowania
- 25
- Metoda próbkowania
- Euler
- Skala CFG
- 4.5
- Niepożądane
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
Model i LoRA użyte
Podobne obrazy
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sm
close-up, feet, bare feet, barefoot, white painted toenails, ten toenails, toes, soles, arch of the foot, skin texture, soft curves, resting on pale linen, from above, foreshortening, warm light, shallow depth of field, no shoes, no socks, no nail polish other than white, no anklet, no tattoo, no text
From directly above, a close-up fills the frame with a single pair of bare feet, seen from the crown of the shot looking down the length of the legs; the near foot lies diagonally across the lower third with its toes toward the right edge, the far foot tucked behind and slightly higher, half in shadow. Ten toenails are painted a crisp opaque white, each one a small flat lacquered plane that catches a thin highlight along its curve; the polish stops cleanly at the cuticle, the surrounding skin left bare. The soles rest on rumpled pale linen that creases into the arch of the near foot, and the toes press down into the fabric, denting it into shallow valleys that run away from each toe. Every toe is articulated -- the big toe longest and squared at the tip, the little toe curled slightly inward -- and each nail shows its own angle to the light: the left-foot nails catch the source full-face and read bone white, the right-foot nails, turned away, settle to a cooler grey white but never lose their white; no colour creeps into them. A soft warm key light falls from the upper left, grazing the top plane of each nail and the ridge of each toe, so the toes cast short soft shadows across one another and the feet cast a diffuse shadow that bunches the linen on their lower right. Beneath and behind, the sheet recedes out of focus into a seamless pale off-white field, no horizon, no object. The palette is held to skin, white lacquer and the paper-pale linen, nothing else admitted; the lacquer is the coolest, hardest surface in the frame and reads as a deliberate small bright note against warm living skin. The skin's texture -- fine pores at the ball of the foot, faint creases at the knuckles of the toes, a dry pale edge at the heel -- carries the detail budget, and the fabric's soft grain answers it. The camera sits at a close range with shallow depth of field: the near foot's toes razor-sharp, the far foot just softening, the linen behind melting away. Intimate and quiet.
Sanic Monia
sm
close-up, feet, bare feet, barefoot, white painted toenails, ten toenails, toes, soles, arch of the foot, skin texture, soft curves, resting on pale linen, from above, foreshortening, warm light, shallow depth of field, no shoes, no socks, no nail polish other than white, no anklet, no tattoo, no text
From directly above, a close-up fills the frame with a single pair of bare feet, seen from the crown of the shot looking down the length of the legs; the near foot lies diagonally across the lower third with its toes toward the right edge, the far foot tucked behind and slightly higher, half in shadow. Ten toenails are painted a crisp opaque white, each one a small flat lacquered plane that catches a thin highlight along its curve; the polish stops cleanly at the cuticle, the surrounding skin left bare. The soles rest on rumpled pale linen that creases into the arch of the near foot, and the toes press down into the fabric, denting it into shallow valleys that run away from each toe. Every toe is articulated -- the big toe longest and squared at the tip, the little toe curled slightly inward -- and each nail shows its own angle to the light: the left-foot nails catch the source full-face and read bone white, the right-foot nails, turned away, settle to a cooler grey white but never lose their white; no colour creeps into them. A soft warm key light falls from the upper left, grazing the top plane of each nail and the ridge of each toe, so the toes cast short soft shadows across one another and the feet cast a diffuse shadow that bunches the linen on their lower right. Beneath and behind, the sheet recedes out of focus into a seamless pale off-white field, no horizon, no object. The palette is held to skin, white lacquer and the paper-pale linen, nothing else admitted; the lacquer is the coolest, hardest surface in the frame and reads as a deliberate small bright note against warm living skin. The skin's texture -- fine pores at the ball of the foot, faint creases at the knuckles of the toes, a dry pale edge at the heel -- carries the detail budget, and the fabric's soft grain answers it. The camera sits at a close range with shallow depth of field: the near foot's toes razor-sharp, the far foot just softening, the linen behind melting away. Intimate and quiet.
Sanic Monia
c2
feet, female feet, foot focus, on bed, feet on bed, legs bent at the knees, legs together, glossy body, high detailed feet, long toenails, perfect toenails shape, egyptian feet, slim foot shape, cute feet, sexy feet, long slim toes, toenails, close-up, barefoot, feet close-up, feet together, red toenails, flat color and clean geometric lines. simplified, with little texture or shading. Soft pastel palettes
cajiger254
character: yamashiro_ren
1girl, solo, feet focus, extreme close-up, macro, barefoot, bare feet, bare soles, toes, instep, arch (anatomy), slender ankles, bare legs, polished floor, dark fabric, red lining, soft lighting, depth of field, sharp focus
An extreme close-up macro shot from a high angle, tightly framing a pair of slender, pale bare feet resting against a polished dark wooden floor. One foot is planted flat with its heel pressing lightly against the glossy surface, while the other foot tilts slightly on its outer edge to reveal the smooth curve of the arch and neatly relaxed, unadorned toes. Slender ankles and the lower calves rise into the crop, framed in the immediate shallow background by the soft folds of deep black uniform cloth and the vibrant crimson inner lining of a pooled cape. Diffuse side lighting skims across the pale insteps, producing soft highlights along the contours of each toe and casting subtle, clean contact shadows beneath the heels and the ball of each foot, mirrored by faint, softened reflections in the floorboards. Pristine, tranquil.
꧁✿ 𝑮𝒐𝒐𝒅 𝑳𝒊𝒇𝒆 ✿꧂
Polecani użytkownicy
Może Ci się spodobać
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
1
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
...
Tofu
1
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
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