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Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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AI artwork
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John Nelson

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John Nelson

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Komentarze

epic landscapes, lake, desert, coast, prairie, masterpiece, ultra detailed, vast horizon, dramatic lighting, cinematic composition, isolation, atmospheric perspective, surreal beauty, otherworldly scenery
Pokaż parametry
Oryginalny prompt
The Last house on the edge of the world, viewed from space.,epic landscapes,lake,desert,coast,prairie,
Rozmiar
768 x 1280
Kroki próbkowania
50
Metoda próbkowania
DPM++ 2M Karras
Skala CFG
6
Niepożądane
none, 3d animated, nsfw

Model i LoRA użyte

Epic Landscapes - AI Model cover image

SD

Epic Landscapes
12
Epic Landscapes-Realistic - AI Model cover image

LoRA użytkownika

Epic Landscapes-Realistic
1

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wave-like cloud bands, undulating cloud pattern, vast expansive sky, full-frame sky only, no horizon line, no focal point, no central feature, distributed evenly across the entire frame, gradually increasing spacing between bands, gradually increasing amplitude of undulation, billowing stratified cloud, soft volumetric edges, wide shot, atmospheric depth, no sun disc, no ground, no characters The whole frame is sky and nothing else -- no horizon, no land, no silhouetted object, no sun disc, no bird, nothing that could serve as a center. The cloud bands run in parallel undulating striations that read as one continuous atmospheric fabric spanning edge to edge and corner to corner, each band a long trough-and-crest ripple of vapour that never closes into a knot, a swirl or an eye. The gradient is the composition: near one edge of the frame the bands are packed tight and shallow, almost flat filaments of haze, and they loosen steadily outward -- the spacing between successive bands widening, the crests rising higher and dipping deeper -- until the arrangement drifts out of frame on every side still mid-progression, so that the pattern implies a continuation beyond the borders and refuses to resolve into a single dominant band. Each band is lit on its upper, upward-facing face and shadowed in the trough beneath it, and because the crests stand proud of the troughs the light strikes them at a shallow grazing angle that leaves the undersides in cool blue-grey and the crest tops in warm pallid cream, the value contrast strongest where the amplitude is largest and quietest where the bands are packed tight. The cloud volumes are soft, with feathered torn edges on the thinner filaments and heavier, denser body on the deep crests; air haze increases the pallor of the furthest-looking strata so the eye reads atmosphere rather than a flat printed sheet. The palette is held to cream, warm ivory, dusty blue-grey and a pale slate that never reaches black -- an open, high-key sky with the only darkness living in the trough shadows. No single bright patch anywhere; the light is a diffuse, unlocalised sky illumination that arrives from everywhere at once, so no cast shadows point and no highlight draws the gaze. The angle of the undulations shifts slightly across the frame so the bands cross the picture on a gentle diagonal rather than perfectly parallel, giving the field motion without giving it a subject -- serene, boundaryless, quietly hypnotic.
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2#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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