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AI art "Nonna & Klara" featuring #Girls und Panzer, #Nonna and #Klara
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Nonna & Klara

#Girls und Panzer#Nonna#Klara
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W PixAI prompty są domyślnie publiczne, ale twórcy mogą je ukryć w każdej opublikowanej pracy. Autor tej pracy zdecydował się to zrobić, więc słowa użyte do wygenerowania obrazu pozostają prywatne — widzi je wyłącznie autor. Ukrycie promptu nie zmienia niczego więcej: praca nadal jest publiczna, a Ty możesz ją polubić, skomentować i udostępnić jak zwykle.
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character: ichijou_ririka, rindo_chihaya 2girls, ichijou_ririka, rindo_chihaya, lying on back, supine, on back, arms outstretched, legs outstretched, spread arms, spread legs, limbs stretched out, restrained, bound wrists, bound ankles, restraints, rope, arms up, bound together, long hair, orange hair, pink hair, gradient hair, multicolored hair, ahoge, hairclip, hairpin, orange eyes, multicolored hair, black hair, white hair, aqua streaked hair, medium hair, red eyes, beret, earrings, jewelry, pink shirt, sleeveless shirt, skirt, black shirt, thigh strap, from above, high angle, full body, wide shot, looking up, parted lips, blush, sweat, heavy breathing, trembling, tension, dim room, closed space The camera looks straight down from above the two of them, high angle, both women flat on their backs on a dark mat, filling the frame head to foot. Ichijo Ririka lies on the left of the composition, Rindo Chihaya on the right, heads toward the top, feet toward the bottom, shoulders almost touching at the centre line so their inner arms nearly overlap. Ririka's long gradient hair, orange at the crown shading through pink to a soft orange at the tips, fans out loose across the mat around her head, her ahoge springing up; a small hairclip and a hairpin hold a strand back at her temple. Her orange eyes are wide open, angled toward Chihaya, mouth parted on a quick breath, a pink sleeveless shirt riding up at her waist, her skirt flattened against the mat. Chihaya's medium-length black hair, streaked white and aqua, is crushed sideways against the mat behind her ear, one loose strand crossing her cheek; her red eyes turn up toward the lens with a hard, unreadable stare, jaw set. She wears a black shirt, its sleeves dark against her arms, one thigh strap visible where her leg is pulled taut, her beret knocked to one side on the mat beside her head, both ears bearing small earrings, a ring on her finger. Both have their arms stretched up and out past their heads and their legs stretched long and wide, wrists bound to the corners near their heads, ankles bound toward the far corners, the ropes pulling every limb tight and straight, shoulders pressed down into the mat, the fabric of their shirts strained across the chest with each shallow breath. Neither can touch the other: their fingertips reach toward nothing, their own bodies held just apart. Their heads are the only free parts, and each turns a fraction toward the other, eyes meeting across the small gap of mat. Cold, dim overhead light comes down hard from the single lamp above the mat, throwing deep shadows into the hollows of their collarbones and under their chins, the ropes biting small dark lines into the skin at wrists and ankles, and beyond the mat the rest of the room sinks into black. The palette is restricted: black mat and black shadows, the orange-pink of Ririka's hair and shirt, Chihaya's black-and-aqua hair and dark clothing, and the pale rope. A sheen of sweat sits on both foreheads, catching the light in a thin bright line. Quiet dread.
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