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AI artwork for keywords 1girl, masterpiece, looking at viewer, heart_hands, school_uniform, pleated_skirt, seductive_smile
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Sadicofil

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Sadicofil

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Komentarze

1girl, masterpiece, looking at viewer, heart_hands, school_uniform, pleated_skirt, seductive_smile
Pokaż parametry
Oryginalny prompt
Cómo la imagen
Rozmiar
709 x 1024
Kroki próbkowania
28
Metoda próbkowania
Euler a
Skala CFG
5
Niepożądane
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

Model i LoRA użyte

Haruka v2 - AI Model cover image

PixAI XL

Haruka v2
25.26k

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AI artwork
lg
1girl, solo, late teen, full body, standing, looking at viewer, serious, expressionless, (masterpiece:1.2), (best quality:1.2), (very aesthetic:1.2), (absurdres:1.2), (simple background:1.2), white background, no background, solid plain white field, ash gray hair, bowl cut, blunt bangs, red headband, single braid on right side, red hair streak in middle of hair, red eyes, black and red v-neck cropped camisole, buttoned camisole, high collar, bare midriff, ash gray sport mini tube skirt, red sneakers, white long socks, red thighband on both legs, straight-on view, eye-level camera, subtle contrapposto, arms relaxed at sides, hands loose, faint head tilt, lips pressed flat, brows level, gaze locked forward A single late-teen woman stands alone against a completely empty, seamless solid white field -- pure blank paper white from edge to edge, with no floor line, no wall, no scenery, no furniture, no props, no shadow-casting surface, nothing but her; the camera is at eye level and dead straight-on, a full-body framing that runs from the crown of her head to the soles of her red sneakers with a margin of white above and below, so the white reads as negative space pressed around her silhouette rather than as a room. Her body is not square to the lens: her weight settles onto her left leg, the hip under the ash gray skirt pushed very slightly out, the right knee soft and slightly forward, both feet planted flat and parallel at shoulder width, so the pose is a standing stillness with one small asymmetry keeping it alive -- her shoulders are level, her arms hang close to her body with the elbows a finger's width from her waist, and the fingers of both hands curl loosely inward just touching the outer seam of the skirt, the right thumb resting on the skirt's hem band. Her head is upright with a faint tilt of a degree or two toward her right shoulder, chin level, and her gaze goes straight out of the frame into the viewer's eyes and holds there, unblinking. Her hair is ash gray, pale and cool, cut in a bowl cut: a blunt fringe sliced level across her forehead just above the brows, the sides falling in a smooth even curve past her temples to the jaw, the ends cut flat. A red headband sits over the crown, its band pressing the hair down around it so the strands flatten and kink slightly where they emerge beneath its edge, and the band's width carries the eye up from her face. From the right side of the bowl cut a single narrow braid drops -- tight, even plaits gathered close to the skull and falling to about the collarbone, its tail tipped plain -- while the rest of the hair stays loose and blunt. Down the exact center of her head, parting the fringe into two equal halves, runs a streak of vivid red hair from the crown to the hairline, the red slightly coarser and catching more light than the ash gray around it. Her eyes are red, clear and cool-toned, set under straight ash gray brows, the whites clean, the lids relaxed at a neutral aperture, and her expression is serious: lips shut in a flat line with the corners neither raised nor pulled down, jaw set, the small muscle at the hinge of her jaw just visible, no smile anywhere in her face. Her top is a cropped black and red camisole with a high collar and a deep V at the chest -- the standing collar closes snug at her throat in black, the V opens beneath it edged in red piping, small black buttons march down the center placket, and the hem stops high enough to leave a band of bare midriff between the top and the skirt, the fabric a matte knit with a soft nap that absorbs light rather than shining. The skirt is an ash gray sport mini tube skirt, straight and close, sitting low on her hips with a plain elastic waistband and a short vertical seam at the front, its hem ending at upper thigh. Below it, white long socks rise to just under the knee, their cuffs a ribbed band that dimples the skin beneath, and a red thighband circles each leg high on the thigh -- elastic, flat, a finger's width, the left one sitting a touch higher than the right, both gripping the skin enough to leave a shallow soft crease above and below the band. Her sneakers are red with white soles and white laces, the toe boxes faintly scuffed, the sole edges picking up a thin gray line of wear. The light is a broad, even, directional studio light from above and slightly in front of her left shoulder at a low intensity ratio, so the illumination falls off gently down her body: the tops of her shoulders, the crown of her head, the top plane of the red headband and the upper surfaces of the sneakers' toe caps are the brightest passages, soft highlights sliding down the curve of the ash gray bowl cut; beneath her chin and under the high collar a small shaded pocket forms, the undersides of the braid, the inner edges of the skirt hem and the shadowed under-curve of the thighbands deepen, and a diffuse contact shadow pools small and soft directly under each sneaker, hugging the soles tightly without spreading. The palette is disciplined and narrow: cool ash grays in hair and skirt, black in the top and its buttons, and red as the single sharp accent in the headband, the center streak, the eyes, the V-piping, the thighbands and the sneakers, all of it floating on pure white. Every edge is crisp cel-style linework with clean two-tone shading and no texture noise on the white, the figure rendered at high resolution with fine detail concentrated in the face, the braid's plaits, the knit of the camisole and the ribbing of the socks. Still, cool, and quietly severe.
LinkGenius Browser
AI artwork
g
A full-body digital anime illustration of the character from image1 standing against a plain white background. She strikes a pose with one hand resting on her hip and the other hand raised making a peace sign, paired with a playful wink. She has her original bright blue eyes and long blonde twin-tails tied with big red bows. She is dressed in the uniform from image2: a navy blue blazer with white piping trim on the lapels and gold buttons on the cuffs, layered over a white collared shirt with a blue ribbon bow tie underneath. The outfit is completed with a matching navy blue pleated mini skirt, white thigh-high socks, and black loafers. The image features soft, even lighting. The style is changed to a clean anime illustration.
glbzero

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Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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