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AI artwork featuring #Zmarszczone brwi, #obojczyk, #Zaciśnięte zęby, #wrogie spojrzenie, #Włosy zaczesane do tyłu and #Bokser
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Zmarszczone brwi, obojczyk

#Zmarszczone brwi#obojczyk#Zaciśnięte zęby#wrogie spojrzenie#Włosy zaczesane do tyłu#Bokser
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A muscular tomboyish woman with a feminine face stands in a fighting stance, wearing red boxing gloves and a black sports bra that contrasts with her toned physique. Her short ponytail swings slightly as she glares intensely at the viewer, her narrowed eyes and curled lip conveying clear disgust. A single silver hoop earring catches the light as beads of sweat roll down her flushed face and defined shoulders. Her fists are raised in a classic boxing guard position, muscles tensed and ready to strike. The close-up composition emphasizes her aggressive expression and the physical power in her stance, with dramatic lighting highlighting every contour of her athletic form. The image has a hyper-detailed style that captures individual strands of hair escaping her ponytail and the texture of her boxing gloves.
Pokaż parametry
Oryginalny prompt
Buff girl that is wearing boxing gloves and a sports bra, tomboy, sneer, curled lip, disgust, narrow eyes, glaring at viewer, fighting stance, feminine face, single earring, sweat, short ponytail, fists up, closeup,
Tag jakości
high quality, year_2025, year_2024, ﹝Podpowiedzi﹞
Rozmiar
1024 x 1024
Kroki próbkowania
41
Metoda próbkowania
Euler
Skala CFG
4.5
Ziarno
2930554049666546
Niepożądane
short hair, belly, legs, stomach, masculine, white background, blank background, bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name

Model i LoRA użyte

Podobne obrazy

Pokaż więcej
AI artwork
f
1girl, solo, light brown skin, dark skin, black hair, brown streaks, streaked hair, bangs, brown eyes, wolf cut, shaggy layered hair, blue sports bra, boxing gloves, red boxing gloves, fists up, both hands up, guard up, exhausted, tired, beaten up, bruises, bruise on cheek, bruise on shoulder, cut on lip, sweat, sweat drops, looking tired, half-closed eyes, upper body, cowboy shot, close-up, boxing ring, leaning at turnbuckle, corner post, ring ropes, fitness gym, training equipment, punching bags, sandbags, background, from below, dutch angle, looking down, dark gym interior, Shot from below on a slight dutch tilt, framing her from the waist up inside the ring: she stands wedged into the far-left corner, her upper back pressed flat against the padded turnbuckle, the top rope crossing the frame diagonally just behind her right shoulder blade while the two lower ropes sag behind her hips and run out of frame. Her trunk leans back into the pad so her spine is arched and her chest is open, but her guard is still up: both elbows tucked tight to her ribs, both red boxing gloves lifted to brow height and held slightly apart, the left glove forward and higher, the right drawn back near her cheek so the two gloves frame the lower half of her face. Her weight rests on her back foot planted somewhere off-frame below, hips shifted back, front knee eased forward and relaxed. Her face is turned toward the camera but her chin dips, so she looks down her nose at the lens from under a heavy brow, half-lidded brown eyes barely open, mouth closed and slack, a dark purple bruise blooming over her left cheekbone and a split in her lower lip she has stopped licking. Sweat beads at her temples and runs in a single line down her neck; her shaggy wolf-cut hair is crushed flat where it meets the pad and the brown streaks are darkened and stuck together at the ends, with a few loose strands pasted to her damp forehead under the bangs. Above her, one harsh overhead work lamp is the only real source, throwing a hot rim of light along the top of her shoulder, the crown of her head and the upper curve of both gloves while everything beneath her jaw falls into shadow; the ropes catch a thin repeated highlight. Behind the ring, out of focus, the gym recedes in cool grey-green darkness: two hanging sandbags with worn leather creases, a heavy bag chained to a ceiling beam, the dark steel uprights of a rack and the diagonal of a bench, their silhouettes reading as shapes rather than objects. Palette is restricted to her light brown skin, the blue of the sports bra, the red gloves and the bruised violet on her cheek against a desaturated grey-green gym and one warm amber pool of lamp light, with the floor below the ropes catching the lamp through the ring's gaps in a scatter of bright oblong patches and darkness everywhere else. Quiet exhaustion, worn down but still standing.
faitan
AI artwork
f
1girl, solo, light brown skin, dark skin, black hair, brown streaks, streaked hair, bangs, brown eyes, wolf cut, shaggy layered hair, blue sports bra, boxing gloves, red boxing gloves, fists up, both hands up, guard up, exhausted, tired, beaten up, bruises, bruise on cheek, bruise on shoulder, cut on lip, sweat, sweat drops, looking tired, half-closed eyes, upper body, cowboy shot, close-up, boxing ring, leaning at turnbuckle, corner post, ring ropes, fitness gym, training equipment, punching bags, sandbags, background, from below, dutch angle, looking down, dark gym interior, Shot from below on a slight dutch tilt, framing her from the waist up inside the ring: she stands wedged into the far-left corner, her upper back pressed flat against the padded turnbuckle, the top rope crossing the frame diagonally just behind her right shoulder blade while the two lower ropes sag behind her hips and run out of frame. Her trunk leans back into the pad so her spine is arched and her chest is open, but her guard is still up: both elbows tucked tight to her ribs, both red boxing gloves lifted to brow height and held slightly apart, the left glove forward and higher, the right drawn back near her cheek so the two gloves frame the lower half of her face. Her weight rests on her back foot planted somewhere off-frame below, hips shifted back, front knee eased forward and relaxed. Her face is turned toward the camera but her chin dips, so she looks down her nose at the lens from under a heavy brow, half-lidded brown eyes barely open, mouth closed and slack, a dark purple bruise blooming over her left cheekbone and a split in her lower lip she has stopped licking. Sweat beads at her temples and runs in a single line down her neck; her shaggy wolf-cut hair is crushed flat where it meets the pad and the brown streaks are darkened and stuck together at the ends, with a few loose strands pasted to her damp forehead under the bangs. Above her, one harsh overhead work lamp is the only real source, throwing a hot rim of light along the top of her shoulder, the crown of her head and the upper curve of both gloves while everything beneath her jaw falls into shadow; the ropes catch a thin repeated highlight. Behind the ring, out of focus, the gym recedes in cool grey-green darkness: two hanging sandbags with worn leather creases, a heavy bag chained to a ceiling beam, the dark steel uprights of a rack and the diagonal of a bench, their silhouettes reading as shapes rather than objects. Palette is restricted to her light brown skin, the blue of the sports bra, the red gloves and the bruised violet on her cheek against a desaturated grey-green gym and one warm amber pool of lamp light, with the floor below the ropes catching the lamp through the ring's gaps in a scatter of bright oblong patches and darkness everywhere else. Quiet exhaustion, worn down but still standing.
faitan

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