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W PixAI prompty są domyślnie publiczne, ale twórcy mogą je ukryć w każdej opublikowanej pracy. Autor tej pracy zdecydował się to zrobić, więc słowa użyte do wygenerowania obrazu pozostają prywatne — widzi je wyłącznie autor. Ukrycie promptu nie zmienia niczego więcej: praca nadal jest publiczna, a Ty możesz ją polubić, skomentować i udostępnić jak zwykle.
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single subject, one goat head sculpture, ancient weathered goat skull-head carved in stone, large sweeping horns curling back in wide arcs, smooth polished white marble on the left half, rough fractured dark obsidian on the right half, floating in a dark void, glowing symmetrical geometric circle surrounding the head, thin luminous ring, sacred geometry mandala of light, halo ring, no text, no letters, no watermark, no signature, unmarked clean image, cinematic lighting, deep shadows, dark fantasy, from below, centered symmetrical composition, three-quarter upward view, high detail, dramatic key light from lower left
The camera looks up from below at a single goat's head held in empty space, its chin lifted so the long muzzle points slightly down toward the lens and the crown tips away -- a low, reverent angle that makes the sculpture tower even as it floats. The head is ancient and majestic, not a living animal: the bone of the face carved in long planar facets, the eye sockets hollowed and shadow-filled, the brow ridge heavy, a short carved beard hanging under the jaw. Large sweeping horns rise from the crown and arc back and outward on both sides in wide near-symmetrical curves, ridged with age rings near the base and smoothing toward their tips; their span defines the top third of the frame.
The midline of the face is exact. To the left of it the head is cold smooth white marble -- polished, faintly translucent at the cheekbone, the carved facets crisp and clean, a pale cool highlight running along the muzzle's left edge. To the right of it the head is dark obsidian -- matte, chipped and rough, its facets broken and glassy, swallowing most of the light with only thin hard glints on the sharpest ridges. On the crown and along the midline the two materials meet in a jagged interlocking seam, white crystals jutting into black, black shards biting into white, never blended, never soft.
Behind and around the head a perfectly symmetrical geometric circle glows -- a thin luminous ring, concentric with a faint inscribed polygonal figure and radial spokes meeting at exact angles, drawn in pale gold-white light that hangs in the air with no visible lamp. The ring passes behind the horns, and where the horns cross in front of it the glow is occluded and gilded along their upper edges. The head occludes the near arc of the ring at the bottom.
The void around it is absolute black with no floor, no horizon and no architecture; the only light is the ring's own cold emission plus a single raking key from lower left that models the marble side and drops the obsidian side into near-blackness. The obsidian side therefore carries almost no visible surface information except its silhouette and a few specular chips, while the marble side reads in full relief -- a deliberate asymmetry of information that keeps the two halves balanced as masses. Fine stone dust motes drift in the ring's light, brightest inside the circle and gone beyond it. Palette is restricted to cold white, deep black, and the pale gold-white of the geometric light, nothing else. Sacred, occult, balanced, nondual.
C9I
single subject, one goat head sculpture, ancient weathered goat skull-head carved in stone, large sweeping horns curling back in wide arcs, smooth polished white marble on the left half, rough fractured dark obsidian on the right half, floating in a dark void, glowing symmetrical geometric circle surrounding the head, thin luminous ring, sacred geometry mandala of light, halo ring, no text, no letters, no watermark, no signature, unmarked clean image, cinematic lighting, deep shadows, dark fantasy, from below, centered symmetrical composition, three-quarter upward view, high detail, dramatic key light from lower left
The camera looks up from below at a single goat's head held in empty space, its chin lifted so the long muzzle points slightly down toward the lens and the crown tips away -- a low, reverent angle that makes the sculpture tower even as it floats. The head is ancient and majestic, not a living animal: the bone of the face carved in long planar facets, the eye sockets hollowed and shadow-filled, the brow ridge heavy, a short carved beard hanging under the jaw. Large sweeping horns rise from the crown and arc back and outward on both sides in wide near-symmetrical curves, ridged with age rings near the base and smoothing toward their tips; their span defines the top third of the frame.
The midline of the face is exact. To the left of it the head is cold smooth white marble -- polished, faintly translucent at the cheekbone, the carved facets crisp and clean, a pale cool highlight running along the muzzle's left edge. To the right of it the head is dark obsidian -- matte, chipped and rough, its facets broken and glassy, swallowing most of the light with only thin hard glints on the sharpest ridges. On the crown and along the midline the two materials meet in a jagged interlocking seam, white crystals jutting into black, black shards biting into white, never blended, never soft.
Behind and around the head a perfectly symmetrical geometric circle glows -- a thin luminous ring, concentric with a faint inscribed polygonal figure and radial spokes meeting at exact angles, drawn in pale gold-white light that hangs in the air with no visible lamp. The ring passes behind the horns, and where the horns cross in front of it the glow is occluded and gilded along their upper edges. The head occludes the near arc of the ring at the bottom.
The void around it is absolute black with no floor, no horizon and no architecture; the only light is the ring's own cold emission plus a single raking key from lower left that models the marble side and drops the obsidian side into near-blackness. The obsidian side therefore carries almost no visible surface information except its silhouette and a few specular chips, while the marble side reads in full relief -- a deliberate asymmetry of information that keeps the two halves balanced as masses. Fine stone dust motes drift in the ring's light, brightest inside the circle and gone beyond it. Palette is restricted to cold white, deep black, and the pale gold-white of the geometric light, nothing else. Sacred, occult, balanced, nondual.
C9I
single subject, one goat head sculpture, ancient weathered goat skull-head carved in stone, large sweeping horns curling back in wide arcs, smooth polished white marble on the left half, rough fractured dark obsidian on the right half, floating in a dark void, glowing symmetrical geometric circle surrounding the head, thin luminous ring, sacred geometry mandala of light, halo ring, no text, no letters, no watermark, no signature, unmarked clean image, cinematic lighting, deep shadows, dark fantasy, from below, centered symmetrical composition, three-quarter upward view, high detail, dramatic key light from lower left
The camera looks up from below at a single goat's head held in empty space, its chin lifted so the long muzzle points slightly down toward the lens and the crown tips away -- a low, reverent angle that makes the sculpture tower even as it floats. The head is ancient and majestic, not a living animal: the bone of the face carved in long planar facets, the eye sockets hollowed and shadow-filled, the brow ridge heavy, a short carved beard hanging under the jaw. Large sweeping horns rise from the crown and arc back and outward on both sides in wide near-symmetrical curves, ridged with age rings near the base and smoothing toward their tips; their span defines the top third of the frame.
The midline of the face is exact. To the left of it the head is cold smooth white marble -- polished, faintly translucent at the cheekbone, the carved facets crisp and clean, a pale cool highlight running along the muzzle's left edge. To the right of it the head is dark obsidian -- matte, chipped and rough, its facets broken and glassy, swallowing most of the light with only thin hard glints on the sharpest ridges. On the crown and along the midline the two materials meet in a jagged interlocking seam, white crystals jutting into black, black shards biting into white, never blended, never soft.
Behind and around the head a perfectly symmetrical geometric circle glows -- a thin luminous ring, concentric with a faint inscribed polygonal figure and radial spokes meeting at exact angles, drawn in pale gold-white light that hangs in the air with no visible lamp. The ring passes behind the horns, and where the horns cross in front of it the glow is occluded and gilded along their upper edges. The head occludes the near arc of the ring at the bottom.
The void around it is absolute black with no floor, no horizon and no architecture; the only light is the ring's own cold emission plus a single raking key from lower left that models the marble side and drops the obsidian side into near-blackness. The obsidian side therefore carries almost no visible surface information except its silhouette and a few specular chips, while the marble side reads in full relief -- a deliberate asymmetry of information that keeps the two halves balanced as masses. Fine stone dust motes drift in the ring's light, brightest inside the circle and gone beyond it. Palette is restricted to cold white, deep black, and the pale gold-white of the geometric light, nothing else. Sacred, occult, balanced, nondual.
C9I
get in we're going slaying
Pilgrimm
Polecani użytkownicy
Może Ci się spodobać
🖤🍴🩸
(mai)
detective anya and bond (˶>⩊<˶)
^( aricat )^
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
Love live! School idol maid - Hanayo koizumi
AMnatsu
character: tenma_tsukasa
"", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
character: kagamine_rin, copyright: vocaloid
lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
໒꒱· ﾟ◼️
生魚2(Raw Fish 2)
✦ ₊ ⊹ 🌑
(mai)
🎵Surtur
helanx
✦ ₊ 🪞 🗝️ 🫧 ₊ ✦
(mai)
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
Mine / 私のもの
みーちゃん
⋆𐙚 🎃 🫖 🍁 ✧
(mai)
![AI art "Ceres [41]"](https://images-ng.pixai.art/ji/thumb/0654320c-4126-41e2-b133-d4998b21982f)
Ceres [41]
snow
2
🩵🪽.⋆𝜗𝜚
生魚2(Raw Fish 2)
32
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
dz
Midnight Aesthetic: Monochrome Vibe
DxZ
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
The Enchantress of the Violet Blossomsーシャンプー
moon221B
👁️🗨️🦇🗝️🕯️
(mai)
Halloween
生魚2(Raw Fish 2)
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