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Kobeni aftermath wedgie
Sztuka AI „Kobeni aftermath wedgie” autorstwa auraowneromega na PixAI. Utworzono z Persona Style Checkpoint.
Pokaż parametry
- Oryginalny prompt
- 1 girl, solo, aftermath wedgie, crunched up underwear, sagging underwear, exposed underwear,wedgie, hanging wedgie, large wedgie, underwear pull, large underwear, underwear focus, kobeni higashiyama, budding, black hair,black eyes,short hair,one side up, jeans, black pants, sitting at desk, looking back a view, back view, pink patterned panty,kobeni higashiyama, black hair, hair ornament, hairclip, mole, mole under eye, ponytail, short hair, brown eyes,
- Rozmiar
- 768 x 1280
- Kroki próbkowania
- 10
- Metoda próbkowania
- Euler a
- Skala CFG
- 1.5
- Niepożądane
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Model i LoRA użyte
Podobne obrazy
Pokaż więcej
bs
character: nagatoro_hayase
1girl, solo, nagatoro hayase, black hair, long hair, hairclip, brown eyes, tan skin, dark-skinned female, white shirt, pleated skirt, school uniform, farting, flatulence gas cloud, from behind, over-shoulder composition, looking back, squatting, half-closed eyes, smug, embarrassed blush, dutch angle, classroom, after school, sunlight through window, dusty air
Shot from behind and slightly below in a slight dutch tilt, the girl with long black hair and a hairclip holding the hair back off her shoulder crouches low on the balls of her feet in the aisle between classroom desks, knees apart, school skirt hiked and bunched over her thighs, white shirt untucked at the back and pulling across her shoulders; her dark-skinned back is to the camera, her chin twisted over her right shoulder so one brown eye catches the lens with a narrowing, lopsided look, one brow arched, lip pressed into a tight smug line while a hot flush sits high on her cheek. Weight is carried on her left foot, the right heel lifted; her left hand braces flat on a desk corner, forearm locked, and her right hand grips her skirt hem down at the hip. Behind the seat of her skirt a puffy, semi-transparent pale-green gas cloud curls upward in a lazy billow, its near edge catching the low sun so the vapour glows in a soft rim while the denser core stays opaque; dust motes jump aside as the cloud pushes through them. Late-afternoon light rakes in through the window at frame right, laying a long bright bar across the floorboards and the desk tops, throwing her shadow forward and left with the cloud's own wavering shadow drifting loose beside it, and the rest of the room falls into warm brown shadow. Empty classroom, chalkboard gone illegible, late sun, warm amber and pale green palette over tan skin and white fabric, quiet mischief.
Brawl Stars
JK Nagi
Silvercrows
1girl, solo, office lady, from behind, looking back, face turned back toward viewer, looking at viewer, from below, low angle, close-up, cowboy shot, morning, office interior, see-through, sheer white blouse, translucent fabric, black pencil skirt, smooth glossy skin, glossy skin, soft lighting, blush, embarrassed, gentle smile, closed-mouth smile, half-closed eyes, head tilt, long dark brown hair, hair over one shoulder, arm at side, hand resting on desk edge, papers on desk, monitor glow, window blinds, warm dawn light
The camera sits low behind her and looks up: the frame is dominated by her back and shoulders, and her head is turned over her shoulder so that only her face comes back toward the lens, the chin tilted down, one cheek pressed near her own shoulder. She leans slightly forward onto a desk edge, weight on her left hip and left forearm, right arm hanging loosely, fingers curled against the lip of the desktop. Her long dark brown hair has slipped forward over her shoulder on the side she is turning away from, and a few strands lie across her cheek. Her eyes are half-lidded and cast down toward the viewer at a shy slant, not a full stare, and her lips hold a small closed gentle smile while a warm blush spreads across both cheeks and the bridge of her nose; her brows pinch faintly at the inner ends, embarrassed.
She wears an office lady's white blouse whose fabric is genuinely sheer: the weave lets the dawn light pass through it, the blouse's outlines and the shadow of her back reading dimly behind the cloth, its collar and cuffs crisper and more opaque than the body of the shirt, the hem tucked into a black pencil skirt that hugs her hips and creases across the back of her thighs where she leans. Her skin is smooth and glossy, a soft sheen along her cheekbone, the bridge of her nose and the exposed back of her neck where the light grazes.
Behind and around her the office is legible but secondary: a desk with loose papers fanned under her forearm, the edge of a monitor at frame left with a dim idle glow, a rolling chair pushed back, a filing cabinet and a run of window blinds in the background, all softened by shallow depth of field. The light source is the morning sun coming through those blinds from frame right; it lays warm stripes across her shoulder, the desk and the papers, catches the fine fibers of the sheer blouse to make them glow, and leaves the left side of her face and the underside of her jaw in cooler shadow. The palette stays gentle: warm cream and pale gold morning light, clean whites, deep black of the skirt, warm skin, dusty blue-grey office behind.
Clean linework, gentle color tones, high detail with sharp focus on her face and the sheer fabric at her shoulder, background falling away softly. Quiet, tender embarrassment.
uru
1girl, solo, office lady, from behind, looking back, face turned back toward viewer, looking at viewer, from below, low angle, close-up, cowboy shot, morning, office interior, see-through, sheer white blouse, translucent fabric, black pencil skirt, smooth glossy skin, glossy skin, soft lighting, blush, embarrassed, gentle smile, closed-mouth smile, half-closed eyes, head tilt, long dark brown hair, hair over one shoulder, arm at side, hand resting on desk edge, papers on desk, monitor glow, window blinds, warm dawn light
The camera sits low behind her and looks up: the frame is dominated by her back and shoulders, and her head is turned over her shoulder so that only her face comes back toward the lens, the chin tilted down, one cheek pressed near her own shoulder. She leans slightly forward onto a desk edge, weight on her left hip and left forearm, right arm hanging loosely, fingers curled against the lip of the desktop. Her long dark brown hair has slipped forward over her shoulder on the side she is turning away from, and a few strands lie across her cheek. Her eyes are half-lidded and cast down toward the viewer at a shy slant, not a full stare, and her lips hold a small closed gentle smile while a warm blush spreads across both cheeks and the bridge of her nose; her brows pinch faintly at the inner ends, embarrassed.
She wears an office lady's white blouse whose fabric is genuinely sheer: the weave lets the dawn light pass through it, the blouse's outlines and the shadow of her back reading dimly behind the cloth, its collar and cuffs crisper and more opaque than the body of the shirt, the hem tucked into a black pencil skirt that hugs her hips and creases across the back of her thighs where she leans. Her skin is smooth and glossy, a soft sheen along her cheekbone, the bridge of her nose and the exposed back of her neck where the light grazes.
Behind and around her the office is legible but secondary: a desk with loose papers fanned under her forearm, the edge of a monitor at frame left with a dim idle glow, a rolling chair pushed back, a filing cabinet and a run of window blinds in the background, all softened by shallow depth of field. The light source is the morning sun coming through those blinds from frame right; it lays warm stripes across her shoulder, the desk and the papers, catches the fine fibers of the sheer blouse to make them glow, and leaves the left side of her face and the underside of her jaw in cooler shadow. The palette stays gentle: warm cream and pale gold morning light, clean whites, deep black of the skirt, warm skin, dusty blue-grey office behind.
Clean linework, gentle color tones, high detail with sharp focus on her face and the sheer fabric at her shoulder, background falling away softly. Quiet, tender embarrassment.
uru
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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