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Maya Feet
#Komiks#skarpety#stopy#rumieniec#siedzący#skrót perspektywiczny#Podeszwy stóp#fokus na stopy#bluza z kapturem#Czarne włosy#z dołu#włosy zasłaniające jedno oko#rozczochrane włosy#zielone oczy#białe skarpetki#skarpetki w paski#Bez butów#1 dziewczyna#szeroko otwarte oczy#w pomieszczeniu#Latające krople potu#kaptur#zamknięte usta
Pokaż parametry
- Rozmiar
- 720 x 1280
- Kroki próbkowania
- 28
- Metoda próbkowania
- Euler a
- Skala CFG
- 5
- Niepożądane
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
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Podobne obrazy
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solo, 1girl, young girl, black hair, short hair, bob cut, inward-curving ends, straight-cut bangs, blunt bangs, hair between eyes, black leggings, short leggings, tight leggings, oversized white t-shirt, barefoot, lying on stomach, prone, prone on stomach, on floor, from behind, ultra-low angle, from below, floor-level camera, foreshortening, soles visible, legs bent up, feet raised, looking ahead, looking to the side, head turned slightly, relaxed, soft afternoon light, shadow on floor, empty room, wooden floorboards, tatami-free bare floor
Seen from behind at floor level, the camera lies flat on the boards and looks straight along the floor at a slight upward tilt, so the whole frame is dominated by the underside of a girl lying prone: the forward sole of her bent-up foot is the nearest, largest thing in the picture, and her body shrinks away from it toward the far end of the room. She lies on her stomach on bare, pale wooden floorboards, chin propped on her folded left forearm, right hand resting loose on the floor beside her shoulder, fingers curled. Her legs are bent up at the knee so both feet lift off the boards, shins rising toward the camera, and the soles of her bare feet face back at the lens, the near one sharply foreshortened and the far one partly hidden behind it. She wears short-length black spandex leggings that end mid-calf, the fabric stretched taut over her raised thighs and creasing in a soft fold behind each knee, and an oversized white cotton t-shirt that bunches and rides up over her lower back, its hem twisted sideways. Her short black bob hangs forward over her turned-away face, and at the back of her head the inward-curving ends of the bob sit low against her nape, with straight-cut bangs visible only as a dark fringe at the far silhouette where her cheek is turned three-quarters away from the camera; one eye shows at the edge of that turn, looking off to the side across the floorboards, not at the lens. Late-afternoon light comes in low from the left through an unseen window, laying a warm rectangle across the boards and a long soft shadow of her raised legs stretching to the right; the soles of her feet catch the brightest light, and her hair holds a dull sheen along its curve. The palette is warm honeyed wood, white cotton, black hair and leggings, with the room's far wall falling into cool dim shadow. Quiet, suspended.
黒
solo, 1girl, young girl, black hair, short hair, bob cut, inward-curving ends, straight-cut bangs, blunt bangs, hair between eyes, black leggings, short leggings, tight leggings, oversized white t-shirt, barefoot, lying on stomach, prone, prone on stomach, on floor, from behind, ultra-low angle, from below, floor-level camera, foreshortening, soles visible, legs bent up, feet raised, looking ahead, looking to the side, head turned slightly, relaxed, soft afternoon light, shadow on floor, empty room, wooden floorboards, tatami-free bare floor
Seen from behind at floor level, the camera lies flat on the boards and looks straight along the floor at a slight upward tilt, so the whole frame is dominated by the underside of a girl lying prone: the forward sole of her bent-up foot is the nearest, largest thing in the picture, and her body shrinks away from it toward the far end of the room. She lies on her stomach on bare, pale wooden floorboards, chin propped on her folded left forearm, right hand resting loose on the floor beside her shoulder, fingers curled. Her legs are bent up at the knee so both feet lift off the boards, shins rising toward the camera, and the soles of her bare feet face back at the lens, the near one sharply foreshortened and the far one partly hidden behind it. She wears short-length black spandex leggings that end mid-calf, the fabric stretched taut over her raised thighs and creasing in a soft fold behind each knee, and an oversized white cotton t-shirt that bunches and rides up over her lower back, its hem twisted sideways. Her short black bob hangs forward over her turned-away face, and at the back of her head the inward-curving ends of the bob sit low against her nape, with straight-cut bangs visible only as a dark fringe at the far silhouette where her cheek is turned three-quarters away from the camera; one eye shows at the edge of that turn, looking off to the side across the floorboards, not at the lens. Late-afternoon light comes in low from the left through an unseen window, laying a warm rectangle across the boards and a long soft shadow of her raised legs stretching to the right; the soles of her feet catch the brightest light, and her hair holds a dull sheen along its curve. The palette is warm honeyed wood, white cotton, black hair and leggings, with the room's far wall falling into cool dim shadow. Quiet, suspended.
黒
solo, 1girl, black hair, short hair, bob cut, inward-curving ends, straight-cut bangs, blunt bangs, short-length leggings, black leggings, lying on stomach, prone, from behind, ultra-low angle, from below, floor-level camera, extreme close-up on lower body, rear view, foot focus, bare feet, looking back, over-shoulder glance, floor, wooden floorboards, indoor,
The camera is on the floor itself, the lens resting essentially at ground level behind her, pushed in so close that her hips and the taut black spandex across them fill the lower two-thirds of the frame in huge, soft-focus foreground scale, and the perspective races away along her prone body toward her head at the far end. She lies flat on her stomach on a bare wooden floor, legs stretched straight back toward the lens, ankles loose and slightly apart, toes of both bare feet resting on the boards with the soles tipped up a little; the black short-length leggings end mid-calf, their elastic hems biting faintly into her calves. Her weight sinks into the floor through her chest and hips, the spandex stretched smooth and glossy over the curve of her rear with a shallow crease where the fabric folds between, and her forearms are folded under her chin at the far end so her upper body is propped just barely off the boards. Her head is turned in three-quarter profile back over her left shoulder, chin resting near her folded hands, one dark eye finding the viewer down the length of her own body with a flat, unimpressed sideways glance and one brow faintly arched; her straight-cut bangs hang forward and sweep slightly across her forehead from the turn, and the inward-curving ends of the black bob tuck against her cheek and the nape in two clean hooks. Behind her the room is reduced to nothing but floorboards running in long parallel lines to a shadowed baseboard, a single low window light coming in from the left side, grazing the boards and laying a long soft highlight along the left edge of her leggings and hair while her right side and the hollow under her ribs fall into dim brown shadow, her body casting a small tight shadow directly beneath itself. Palette held to black hair and black spandex against the warm honey-brown of the floor, no other colour admitted. Quiet, lazily defiant.
黒
solo, 1girl, young girl, black hair, short hair, bob cut, inward-curving ends, straight-cut bangs, blunt bangs, hair between eyes, black leggings, short leggings, tight leggings, oversized white t-shirt, barefoot, lying on stomach, prone, prone on stomach, on floor, from behind, ultra-low angle, from below, floor-level camera, foreshortening, soles visible, legs bent up, feet raised, looking ahead, looking to the side, head turned slightly, relaxed, soft afternoon light, shadow on floor, empty room, wooden floorboards, tatami-free bare floor
Seen from behind at floor level, the camera lies flat on the boards and looks straight along the floor at a slight upward tilt, so the whole frame is dominated by the underside of a girl lying prone: the forward sole of her bent-up foot is the nearest, largest thing in the picture, and her body shrinks away from it toward the far end of the room. She lies on her stomach on bare, pale wooden floorboards, chin propped on her folded left forearm, right hand resting loose on the floor beside her shoulder, fingers curled. Her legs are bent up at the knee so both feet lift off the boards, shins rising toward the camera, and the soles of her bare feet face back at the lens, the near one sharply foreshortened and the far one partly hidden behind it. She wears short-length black spandex leggings that end mid-calf, the fabric stretched taut over her raised thighs and creasing in a soft fold behind each knee, and an oversized white cotton t-shirt that bunches and rides up over her lower back, its hem twisted sideways. Her short black bob hangs forward over her turned-away face, and at the back of her head the inward-curving ends of the bob sit low against her nape, with straight-cut bangs visible only as a dark fringe at the far silhouette where her cheek is turned three-quarters away from the camera; one eye shows at the edge of that turn, looking off to the side across the floorboards, not at the lens. Late-afternoon light comes in low from the left through an unseen window, laying a warm rectangle across the boards and a long soft shadow of her raised legs stretching to the right; the soles of her feet catch the brightest light, and her hair holds a dull sheen along its curve. The palette is warm honeyed wood, white cotton, black hair and leggings, with the room's far wall falling into cool dim shadow. Quiet, suspended.
黒
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