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- 1boy, oc ( mushoku tensei ), humano,usando una armadura completa, armadura cubre todo el cuerpo, armadura de placas,armadura negra cenizas, falda muy larga de placas de armadura, hombreras anchas, casco completo, yelmo que cubre toda la cabeza , cuernos largos, armadura negra puramente negra, armadura delgada y ligera, armadura estilo trench crusade, cuerpo delgado, cuerpo androgino, la máscara cubre todo el rostro , hombreras muy anchas ,torso muy delgado, brazos muy delgados,cuernos muy largos negros , generando con una mano una enorme magia de fuego, magia de fuego con forma de ojiva nuclear(bomba), mascara con algunos agujeros pequeños ,artillerywitch
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- 1024 x 1024
- Kroki próbkowania
- 7
- Metoda próbkowania
- Euler a
- Skala CFG
- 1.4
- Niepożądane
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, simple background, twitter username
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1girl, solo, female knight, full black plate armor, intricately detailed solemn majestic armor, ornate engraved pauldrons, black cape, long black skirt, deep black hood over helmet, black knight helmet, face fully covered, visor closed, long black steel greatsword, magic sword, holding sword in right hand, one-handed grip on hilt, sword extended horizontally to the side, mid-swing stance, arm outstretched, blade point straight sideways, twisting torso, wide stance, black and crimson energy, energy torrent, aura, lightning and flames mixed, crackling arcs, vivid clear colors, dark background, from below, low angle, dutch angle, full body, dynamic composition, wind, cape billowing, hood blown back, glowing accents, high contrast, dramatic lighting
The camera sits low and tilted: a from-below, slightly dutch full-body view of a single female knight, seen against an almost entirely dark field. She is planted in a wide stance, weight sunk into her back leg, hips and shoulders counter-twisted away from the swing so her body reads as one long helical line from the trailing foot up through the turning waist into the throwing arm. Her right arm is thrust out to the side, elbow near-straight, fist wrapped around the hilt so the long black steel greatsword lies almost exactly horizontal, its point hurled out past the right edge of the frame; the flat of the blade catches the light as a single thin cold edge, since a polished flat facing the camera returns only a sliver of highlight. Her left hand is pulled back near her hip, fingers curled, guarding the line of the swing. A deep black hood is drawn far over her head, its front edge overlapping the crown of a black knight helmet whose closed visor leaves no face: no skin, no eyes, nothing but dark slotted steel, and the shadow of the hood falls across the top of the helmet. Over her shoulders sits the intricate, solemn, majestic black plate: layered, engraved pauldrons whose edges are picked out in thin crimson; a cuirass of close-set ridges and rivets; a long black skirt falling from the waist in heavy rigid folds that swing outward with the turn of her hips, and a black cape streaming off to the left, its hem torn upward by the drag of the motion.
The whole body is swallowed inside a torrent of black and deep crimson energy, and this is where the palette lives: saturated crimson lightning arcs and black flame lick along every contour, crimson running down the engraved channels of the armor, black fire rising in tongues off the cape's edge, arcs leaping from the sword's spine and forking around the helmet and hood. The colors are vivid and hard-edged against a dark background that is nearly pure black, so the crimson reads as a raw hot saturated red rather than a glow: bright veins on a black silhouette. The only light source is the aura itself, crimson and hot, thrown upward from below and from the sword's line, rimming the underside of the pauldrons, the jaw of the helmet, the inner folds of the skirt and the leading edge of the cape, while everything the aura does not strike — the inside of the hood, the far side of the torso, the space beyond her — stays in absolute darkness with no visible horizon.
Where the aura's arcs touch her armor, small contact flashes bloom at the rivets and the raised engravings; the air around the greatsword distorts the dark behind it with a faint heat ripple. The cape and skirt both bell away from the arc of the strike, and a scatter of loose black ash-like particles is dragged in the same direction, caught mid-flight. A cold, menacing, overwhelming presence.
島村陽向
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