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View detailsSasuke uchiha
Pokaż parametry
- Rozmiar
- 768 x 1280
- Kroki próbkowania
- 22
- Metoda próbkowania
- Euler a
- Skala CFG
- 5
- Niepożądane
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
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character: uchiha_sasuke
1boy, solo, black hair, spiky hair, short spiky black hair swept back, black eyes, handsome face, neutral expression, stoic, unbothered, sideways glance, looking to the side, gray shirt, short sleeves, popped collar, zipper on shirt, black arm guard, light purple belt, blue skirt, black pants, shimenawa, purple rope, white background, simple background, cel shading, sharp shadows, high contrast, (thin lines:1.2), cowboy shot, from below, standing
Seen from a low three-quarter angle, a single young man stands on a seamless white field, his weight settled on his left leg with the right hip dropped, the boy angled slightly away from the lens so his head turns and his eyes cut sideways past the frame edge in a flat, unhurried sideways glance; his brow stays level and his lips stay closed and even, nothing in the face moving at all, chin a touch lifted by the low camera. His short spiky black hair rises in stiff backward-swept spikes, the tips catching the light along their upper faces; one spike at the temple juts forward over the brow. The short-sleeved gray shirt sits on his shoulders with the popped collar standing up around his neck and the zipper climbing the chest to the collar; the short sleeve on his near right arm ends mid-upper-arm where the black arm guard begins, its fitted edge pressed to the skin and following the muscle down over the forearm to the wrist, the arm hanging loose with the fingers relaxed and slightly curled, no tension in the hand. Below, a light purple belt binds the waist, and over the black pants a blue skirt hangs, its front panel dropping in a flat plane that breaks open over the black fabric at his thigh as the near leg takes the load; the far leg is partly hidden behind it. Coiled at his waist as a purple rope, the shimenawa hangs heavy on one side, its thick braid sagging in a shallow arc and its ends swaying toward the near hip with the small shift of his stance, the pale fibers of the rope showing where the twist turns away from the light. The light comes from high at the front-left as one single source, laying a hard bright edge down the left side of his face, the shoulder of the gray shirt and the upper rungs of the arm guard, and dropping a hard-edged shadow on the right cheek, the underside of the jaw and the inner half of the skirt; a crisp cast shadow spreads across the white floor under his feet and to the right. Sharp cel shading cuts each form into two flat values with hard boundaries, thin ink lines define the face, the spikes and the zipper, and high-contrast flat color holds the palette tight to the white ground, the gray, the black, the blue and the light purple, nothing else. Effortlessly cool, quiet.
Kratos Awara
ka
character: uchiha_sasuke
1boy, solo, black hair, spiky hair, short spiky black hair swept back, black eyes, handsome face, neutral expression, stoic, unbothered, sideways glance, looking to the side, gray shirt, short sleeves, popped collar, zipper on shirt, black arm guard, light purple belt, blue skirt, black pants, shimenawa, purple rope, white background, simple background, cel shading, sharp shadows, high contrast, (thin lines:1.2), cowboy shot, from below, standing
Seen from a low three-quarter angle, a single young man stands on a seamless white field, his weight settled on his left leg with the right hip dropped, the boy angled slightly away from the lens so his head turns and his eyes cut sideways past the frame edge in a flat, unhurried sideways glance; his brow stays level and his lips stay closed and even, nothing in the face moving at all, chin a touch lifted by the low camera. His short spiky black hair rises in stiff backward-swept spikes, the tips catching the light along their upper faces; one spike at the temple juts forward over the brow. The short-sleeved gray shirt sits on his shoulders with the popped collar standing up around his neck and the zipper climbing the chest to the collar; the short sleeve on his near right arm ends mid-upper-arm where the black arm guard begins, its fitted edge pressed to the skin and following the muscle down over the forearm to the wrist, the arm hanging loose with the fingers relaxed and slightly curled, no tension in the hand. Below, a light purple belt binds the waist, and over the black pants a blue skirt hangs, its front panel dropping in a flat plane that breaks open over the black fabric at his thigh as the near leg takes the load; the far leg is partly hidden behind it. Coiled at his waist as a purple rope, the shimenawa hangs heavy on one side, its thick braid sagging in a shallow arc and its ends swaying toward the near hip with the small shift of his stance, the pale fibers of the rope showing where the twist turns away from the light. The light comes from high at the front-left as one single source, laying a hard bright edge down the left side of his face, the shoulder of the gray shirt and the upper rungs of the arm guard, and dropping a hard-edged shadow on the right cheek, the underside of the jaw and the inner half of the skirt; a crisp cast shadow spreads across the white floor under his feet and to the right. Sharp cel shading cuts each form into two flat values with hard boundaries, thin ink lines define the face, the spikes and the zipper, and high-contrast flat color holds the palette tight to the white ground, the gray, the black, the blue and the light purple, nothing else. Effortlessly cool, quiet.
Kratos Awara
ka
sasuke xix
Kratos Awara
ka
character: uchiha_sasuke
1boy, solo, black hair, spiky hair, short spiky black hair swept back, black eyes, handsome face, neutral expression, stoic, unbothered, sideways glance, looking to the side, gray shirt, short sleeves, popped collar, zipper on shirt, black arm guard, light purple belt, blue skirt, black pants, shimenawa, purple rope, white background, simple background, cel shading, sharp shadows, high contrast, (thin lines:1.2), cowboy shot, from below, standing
Seen from a low three-quarter angle, a single young man stands on a seamless white field, his weight settled on his left leg with the right hip dropped, the boy angled slightly away from the lens so his head turns and his eyes cut sideways past the frame edge in a flat, unhurried sideways glance; his brow stays level and his lips stay closed and even, nothing in the face moving at all, chin a touch lifted by the low camera. His short spiky black hair rises in stiff backward-swept spikes, the tips catching the light along their upper faces; one spike at the temple juts forward over the brow. The short-sleeved gray shirt sits on his shoulders with the popped collar standing up around his neck and the zipper climbing the chest to the collar; the short sleeve on his near right arm ends mid-upper-arm where the black arm guard begins, its fitted edge pressed to the skin and following the muscle down over the forearm to the wrist, the arm hanging loose with the fingers relaxed and slightly curled, no tension in the hand. Below, a light purple belt binds the waist, and over the black pants a blue skirt hangs, its front panel dropping in a flat plane that breaks open over the black fabric at his thigh as the near leg takes the load; the far leg is partly hidden behind it. Coiled at his waist as a purple rope, the shimenawa hangs heavy on one side, its thick braid sagging in a shallow arc and its ends swaying toward the near hip with the small shift of his stance, the pale fibers of the rope showing where the twist turns away from the light. The light comes from high at the front-left as one single source, laying a hard bright edge down the left side of his face, the shoulder of the gray shirt and the upper rungs of the arm guard, and dropping a hard-edged shadow on the right cheek, the underside of the jaw and the inner half of the skirt; a crisp cast shadow spreads across the white floor under his feet and to the right. Sharp cel shading cuts each form into two flat values with hard boundaries, thin ink lines define the face, the spikes and the zipper, and high-contrast flat color holds the palette tight to the white ground, the gray, the black, the blue and the light purple, nothing else. Effortlessly cool, quiet.
Kratos Awara
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