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これで痩せられたらなぁ...と思うヒシアマ姐であった
Sztuka AI „これで痩せられたらなぁ...と思うヒシアマ姐であった” autorstwa un endroit reposant na PixAI. Tagi: Hishi Amazon, Umamusume: Pretty Derby. Utworzono z Haruka v2.
W PixAI prompty są domyślnie publiczne, ale twórcy mogą je ukryć w każdej opublikowanej pracy. Autor tej pracy zdecydował się to zrobić, więc słowa użyte do wygenerowania obrazu pozostają prywatne — widzi je wyłącznie autor. Ukrycie promptu nie zmienia niczego więcej: praca nadal jest publiczna, a Ty możesz ją polubić, skomentować i udostępnić jak zwykle.
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delicate, 1girl, embarrassed, wavy mouth, looking at viewer, half-closed eyes, jitome, bath towel, sitting, crossed legs, onsen, umamusume, horse ears, horse girl, animal ears, black hair, long hair, white ahoge, yellow eyes
teddy
character: air_shakur_(umamusume), copyright: umamusume
1girl, solo, air shakur \(umamusume\), black hair, long hair, straight black hair past the waist, yellow eyes, horse ears, black horse ears, horse tail, black tail, bath towel, white bath towel worn as clothing, towel wrapped around the torso, bare shoulders, bare arms, bare legs, bare feet, no other clothing, posing, sexy, standing on one leg, crossed legs, tiptoes, one arm raised, hand in hair, hip out, head tilt, looking at viewer, half-closed eyes, smug, lopsided grin, blush, from below, cowboy shot, warm bathroom, steam, low angle
Seen from below at a steep upward angle, the frame cropped at mid-thigh as she stands in a private bathhouse, one leg crossed in front of the other with only the toes of her back foot touching the wet tile, her weight carried on the near hip, her torso in a lazy S-curve away from the lens. A single white bath towel is her only garment, wrapped high under her arms and tucked at the left side of her chest so the upper edge cuts a straight horizontal line under her collarbones, leaving both shoulders, both arms and both legs bare; her right arm is raised and her hand disappears into the black fall of her hair behind her ear, the lifted elbow pulling the towel taut over her ribs, while her left hand rests flat on the knot at her hip and holds it. Her black horse ears stand tall out of her wet hair, one pitched forward, and the black tail hangs heavy and damp behind her hip with its ends trailing across the tile. Her chin is down and her yellow eyes come up under lowered lids straight at the viewer with a slow lopsided smirk, one eyebrow lifted, a blur of heat flush across her cheeks.
Steam curls through the whole frame; the bathhouse is small and warm, tongue-and-groove wooden walls darkened by moisture, a low slatted bench and a metal stool to her right, a tall brass shower pipe on the wall behind her left shoulder, everything past her silhouette sinking into soft grey haze. The only light source is a warm lamp high on the back wall behind her head, so it rims her hair and her ears in gold and lays a long bright stripe down the near edge of the towel, while the front of her body sits in warm shadow and the darkness gathers under the bench. Her cast shadow falls forward across the tile toward the lens and breaks where her toes touch the wet floor; the tile she stands on reflects her dark and soft, and each bead of water on her skin carries a pinprick of that lamp.
The palette is closed: warm amber lamplight, damp brown wood, the clean cold white of the towel, and the black of her hair, ears and tail, nothing else admitted. Quiet heat, unhurried confidence.
Nathalia luna
s1
混浴
senki1000
character: air_shakur_(umamusume), copyright: umamusume
1girl, solo, air shakur \(umamusume\), black hair, long hair, straight black hair past the waist, yellow eyes, horse ears, black horse ears, horse tail, black tail, bath towel, white bath towel worn as clothing, towel wrapped around the torso, bare shoulders, bare arms, bare legs, bare feet, no other clothing, posing, sexy, standing on one leg, crossed legs, tiptoes, one arm raised, hand in hair, hip out, head tilt, looking at viewer, half-closed eyes, smug, lopsided grin, blush, from below, cowboy shot, warm bathroom, steam, low angle
Seen from below at a steep upward angle, the frame cropped at mid-thigh as she stands in a private bathhouse, one leg crossed in front of the other with only the toes of her back foot touching the wet tile, her weight carried on the near hip, her torso in a lazy S-curve away from the lens. A single white bath towel is her only garment, wrapped high under her arms and tucked at the left side of her chest so the upper edge cuts a straight horizontal line under her collarbones, leaving both shoulders, both arms and both legs bare; her right arm is raised and her hand disappears into the black fall of her hair behind her ear, the lifted elbow pulling the towel taut over her ribs, while her left hand rests flat on the knot at her hip and holds it. Her black horse ears stand tall out of her wet hair, one pitched forward, and the black tail hangs heavy and damp behind her hip with its ends trailing across the tile. Her chin is down and her yellow eyes come up under lowered lids straight at the viewer with a slow lopsided smirk, one eyebrow lifted, a blur of heat flush across her cheeks.
Steam curls through the whole frame; the bathhouse is small and warm, tongue-and-groove wooden walls darkened by moisture, a low slatted bench and a metal stool to her right, a tall brass shower pipe on the wall behind her left shoulder, everything past her silhouette sinking into soft grey haze. The only light source is a warm lamp high on the back wall behind her head, so it rims her hair and her ears in gold and lays a long bright stripe down the near edge of the towel, while the front of her body sits in warm shadow and the darkness gathers under the bench. Her cast shadow falls forward across the tile toward the lens and breaks where her toes touch the wet floor; the tile she stands on reflects her dark and soft, and each bead of water on her skin carries a pinprick of that lamp.
The palette is closed: warm amber lamplight, damp brown wood, the clean cold white of the towel, and the black of her hair, ears and tail, nothing else admitted. Quiet heat, unhurried confidence.
Nathalia luna
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Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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