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AI art "Glamarai Tsubaki Jacqi"
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Glamarai Tsubaki Jacqi

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W PixAI prompty są domyślnie publiczne, ale twórcy mogą je ukryć w każdej opublikowanej pracy. Autor tej pracy zdecydował się to zrobić, więc słowa użyte do wygenerowania obrazu pozostają prywatne — widzi je wyłącznie autor. Ukrycie promptu nie zmienia niczego więcej: praca nadal jest publiczna, a Ty możesz ją polubić, skomentować i udostępnić jak zwykle.
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A medium shot from a low-angle perspective captures an adult female vampire falling backward from a roof, her arms spread wide to her sides in a graceful, floating pose. She has a smug expression on her cute face, featuring sharp red eyes with slit pupils, pointed ears, and a visible vampire fang. Her short white hair has bangs swept to the right. She is dressed in an intricate outfit consisting of a long black cropped jacket with a high collar and red inner cotton, a black corset that emphasizes her big round chest, a short red ruffle skirt, a black choker, and black thighhighs that hug her thick thighs. The background is a dark cityscape where she is descending from a rooftop. The scene is defined by atmospheric cinematic lighting, featuring dramatic backlighting with a cool cyan ambient light contrasted by a warm golden glow. High contrast creates deep shadows and sharp rim lights, with wet reflective specular highlights and sharp outlines accentuating the character's form against the faded colors of the environment.
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koh+ style, limited palette, dynamic angle, kawaii, [[nude]], 1girl, solo, ((noface, al13ng0d, solo, black skin)), black body, middle hair, white hair, messy hair, lone nape hair, short hair with long locks, locks, blue eyes, slit eyes, (((biceps, muscle, obliques, muscle veins, veiny, thighs, fit, abs, leg muscles, arm muscles))), (masterpiece:1.2), (best quality:1.2), (very aesthetic:1.2), (absurdres:1.2), (detailed background), newest, perfect anatomy, anime screencap, intricate details, highly detailed, beautiful eyes, big eyes, detailed eyes, detailed pupils, perfect body, deep crimson cape, oversized pointed black velvet collar, ribbed turtleneck, black leather vest, denim skirt, belt, burgundy tights, combat boots, black choker, cross earrings, small coffin bag, fake fang, claw pose, open mouth.
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artist: ratatatat74 1girl, solo, vampire, long hair, short hair, asymmetrical bob, three-tone hair, multicolored hair, black hair, white hair, red hair, black streaks, streaked hair, hair between eyes, black eyes, red pupils, symbol-shaped pupils, x-shaped pupils, beautiful face, elegant, malevolent expression, seductive look, detached look, half-closed eyes, looking at viewer, head tilt, coat, jacket, shirt, dress, long sleeves, black gloves, black hands, colored extremities, jewelry, standing, one hand raised, curtain of glass behind her, several desiccated male bodies lying on the floor, desiccated corpses, skyscraper high-rise interior, night, floor-to-ceiling window, city lights, volumetric lighting, ominous lighting, rim lighting, backlighting, depth of field, white outline, sharp cel-shading, high contrast, wide-angle perspective, cinematic composition, from below, cowboy shot, dark palette, deep black, bone white, arterial red, moody atmosphere, masterpiece, best quality, absurdres The camera sits low and close, tilted up from floor level so the vampire girl towers over the lens in a cowboy shot from mid-thigh to the top of her head. She stands just off-centre on the right of the frame, weight sunk onto her left hip and left leg, right knee relaxed and slightly bent, shoulders tipped a few degrees off square so her silhouette cuts a long diagonal against the window. Her chin is lowered and turned a fraction toward her right shoulder, giving a three-quarter view of a beautiful face held in flat, detached calm — lids heavy and half-closed over black eyes, the red x-shaped symbols in her pupils glinting flat and graphic, one dark brow lifted a hair's breadth while her mouth stays closed and unsmiling, the corner barely dented. She looks straight down the lens with a seductive, malevolent stillness, holding the viewer's gaze without warmth. Her hair is three tones cut as an asymmetrical bob: the longer side, her left, falls in a blunt black curtain past the jaw, the cropped right side cut high and sharp; white and black streaks run through it, a red streak catches the rim light along the crown, and a single lock drops between her brows to the bridge of her nose. The low backlight behind the glass lifts a few strands into a thin hot halo. She wears a layered dark outfit: a pale shirt buttoned high, a black dress falling to mid-thigh over it, and a long-sleeved coat-jacket of structured techwear tailoring — high collar, sharp seams, matte black with a faint sheen — hanging open from her shoulders. Long sleeves end in black gloves fitted over black hands, the fingers of her right hand lifted to shoulder height, wrist slack, one gloved fingertip resting against the collar edge, the other fingers curled and spread; thin silver jewelry at her throat and one slim band at her wrist catch the city light as small cold points. Her left hand hangs loose at her side, knuckles grazing the coat hem. Behind her the interior of a skyscraper high-rise opens out: a wall of floor-to-ceiling glass, the dark grid of the city far below, a bare polished concrete floor. Several desiccated male bodies lie sprawled across that floor in the midground — three of them, limbs at wrong angles, skin drawn tight and grey over bone, clothing sunken and slack, one arm across another's shin — shallow and out of focus under a thin fall of dust. The only light source is the cold blue-white city glow and the hard backlight spilling in through the glass behind her: it rims her hair, her shoulders and the coat's outer edges in white, drops the front of her face into low-key shadow that keeps only her eyes readable, and throws her long shadow forward toward the camera across the concrete and across the nearest body's outflung sleeve. The white outline traces her whole silhouette against the dark glass. Palette discipline: deep black, bone white and arterial red, nothing else admitted — black in the hair's long side, the coat, the gloves and the shadow; white in the cropped hair, the shirt and the rim light; red only in her pupils, one hair streak, and the thin red seam running along the coat's inner lining. The scene is quiet dread, effortlessly elegant.
nyx20

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