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Pokaż parametry
- Oryginalny prompt
- ghost custom,bara,male Focus,dilf,male silhouette,invisible and intangible body,mischievous smile,censored,ghost male,ghost plasma body,body passing through different objects,kotoyoshi_yumisuke (style),1990s (style),female wire frame,faceless female,s,long ponytail,wireframe body skin,wireframe,colored skin,multicolored skin,forehead,
- Rozmiar
- 768 x 1280
- Kroki próbkowania
- 8
- Metoda próbkowania
- DDIM
- Skala CFG
- 3
- Niepożądane
- bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, censored, artist name, signature, watermark
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(masterpiece best quality 1.2) ultra-detailed eldritch deity character design low angle zoomed in up close front view camera positioned extremely low tilted sharply upward full body framing 1creature solo The Parasitic Constellation a god that is a colony of living stars arranged in the shape of a person the body is not solid it is a constellation — dozens of burning stellar nodes connected by filaments of visible cosmic energy the stellar nodes are tiny suns each one a different color — blue-white and gold and crimson and violet and searing white — each one burning at a different temperature the filaments between them are bridges of stellar plasma arcing between the nodes in constant flow the energy flows in both directions simultaneously like a nervous system made of solar flares the overall shape is humanoid — the arrangement of stars suggests a torso and limbs and a head but the shape is not stable the constellation shifts the stars drift in their positions the filaments disconnect and reconnect the body rearranges itself constantly like a puzzle that refuses to be solved the face is the densest cluster — a tight grouping of seven burning stars arranged in an approximation of features two brighter stars for eyes a row of smaller stars for teeth the stellar face shifts constantly the eye-stars flare and dim in patterns that suggest blinking but the blinking is not regular it is predatory the face rearranges when observed each observation changes the arrangement and the changes make the face more recognizable more human more relatable more approachable and the approachability is the trap because the stars are not eyes they are mouths each stellar node is a mouth and each mouth feeds and the feeding is the worship the god's body is not wearing anything the god's body is a network of burning stars and the stars are naked and the nakedness is cosmic the god's hands are clusters of smaller stars — binary pairs and triple systems grouped into hand-shapes with energy filaments connecting them as fingers the hands reach outward and the reaching is the hunting and the hunting is the religion the god does not hunt food the god hunts light the god consumes photons the god eats the electromagnetic spectrum the god feeds on illumination itself and the darkness that follows the god is not shadow it is starvation the god is always hungry because there is always more light to eat and the hunger is the god and the god is the hunger body language the constellation-creature drifts and pulses and the body expands and contracts in stellar-breathing patterns the god inhales and the stars draw closer together the god exhales and the filaments stretch outward reaching for new light to consume environment shown as a nebula — a cosmic nursery of infant stars the god drifts through it consuming the newborn light the god eats the unborn the god is a predator of stellar genesis the god does not kill stars the god eats their cradle rim light along stellar-node bodies each burning at different temperatures rim light catching cosmic energy filaments bridging between nodes in constant plasma flow rim light catching shifting constellation-body rearranging in constant drift rim light catching seven-star face cluster with flaring predatory eye-stars rim light catching binary-pair hand clusters reaching outward rim light catching nebula environment being consumed rim light catching the god's shadow — not darkness but absence-of-light shadow the god's shadow is a void where light cannot exist because the god ate it shadow cosmic predator shadow with consumed nebula environment chiaroscuro eldritch divine lighting with multi-spectral stellar-node illumination and cosmic-plasma filament ambient highly detailed 8K cinematic composition detailed Parasitic Constellation god of stellar consumption texture
Grim
✨
みゃ
あ
Maintain the face of the original image completely, without changing the shape of the eyes, nose, and mouth, the facial features, the balance of the face, or the person's identity. Reconstruct all other elements into a complete, ultimate 7D single illustration that transcends even the existing concepts of 3D, 4D, 5D, and 6D.
A one-of-a-kind transcendental work of art depicting the existence of the seventh dimension itself. The human body, outlines, hair, skin, space, background, light, color, matter, gravity, time, and perspective are all constructed according to the laws of the seventh dimension. Use Vivid Color generously, fusing colors that cannot coexist by common sense, infinitely changing hues, polychromatic light, iridescent interference, and ultra-high-density color structures. Vivid coloration, overwhelming depth of color, and a torrent of light expanding across dimensions.
The body is not merely human, but transforms into an unknown form where 7D geometry, flowing concepts, non-Euclidean structures, infinitely overlapping spaces, and the boundary between existence and non-existence merge. On the surface of the skin, otherworldly crystal structures, liquid-metal-like reflections, transparent membranes of light, kaleidoscopic patterns, and constantly changing geometric motifs intersect complexly. The outline of the body is not fixed, extending simultaneously into multiple dimensions and merging with space itself.
The concept of clothing does not exist. It completely transcends existing costume categories such as cloth, fiber, decoration, armor, and dresses. What covers the body is an unknown 7D structure—it is impossible to discern whether it is matter, light, space, or a concept. Flowing polychromatic membranes, three-dimensional fragments floating in mid-air, ribbon-like structures that seem to fold space, curved surfaces that should not exist, and infinitely linking rings of light integrate with the body, changing into different entities depending on the viewing angle or dimension. Though the meaning is incomprehensible, it conveys overwhelming beauty and perfection.
The background is also constructed in 7D. A dimensional space where up, down, left, right, depth, time, and unknown axes beyond human perception exist simultaneously. Infinitely overlapping universes, inverted perspective, space where inside and outside are swapped, floating abstract celestial bodies, corridors of light where countless colors intersect, and massive structures inexplicable by real-world physical laws. Erase the boundary between the background and the figure, merging everything into a single, massive 7D entity.
The expression is a teasing, voluptuous, and composed smile, as if seeing through all of the viewer's reactions. A mischievous smile at the mouth, and intellectual provocation and fathomless confidence in the eyes. An elegant and seductive expression that only a being who understands and transcends everything could wear. Strictly adhere to the facial structure of the original image, delicately directing only the nuance of the expression.
Fill the entire screen with overwhelming information density, ultra-precise depiction, complex optical expressions, coloration pushed to the limit, and otherworldly three-dimensional structures. Every element interferes with one another yet is integrated as a single completed work of art. Transcend all existing genres, art styles, physical laws, dimensional representations, and artistic common sense. Not merely 7D-style decoration, but an ultimate, one-of-a-kind illustration where the background, body, light, color, and existence itself are all established in the seventh dimension.
あてぃし
あ
【Ultimate Seven-Dimensional Existence · Transcendent Full-Body Portrait】
9:16 vertical composition. A full-body standing portrait. The face must completely maintain the features of the original image, with no modifications to the eyes, nose, mouth, outline, facial structure, or the likeness of the person. Every other element—the rest of the body, hair, structures corresponding to clothing, background, light, color, and space—is to be reconstructed according to the complete laws of a seven-dimensional existence that transcends existing dimensional concepts.
A complete seven-dimensional single image. An ultimate, one-of-a-kind masterpiece of art that transcends everything. Use abundant Vivid Color, deploying intense polychromatic hues, iridescent interference light, infinitely shifting hues, otherworldly gradients, torrents of luminous colors, and complex optical phenomena across the entire screen. Color itself becomes space, light becomes matter, and matter transforms into concepts. Overwhelming color density, ultra-precise depiction, and an amount of information that exceeds the limits of imagination.
The expression is a seductive, composed smile of someone skilled at teasing, as if seeing through all the observer's reactions. A mischievously upturned corner of the mouth, an intelligent and provocative gaze, and a bottomless confidence as if holding everything in their grasp. While strictly adhering to the original facial structure, only the nuance of the expression is delicately portrayed.
The body transcends the concepts of normal human anatomy, skeleton, joints, muscles, and outlines. An unknown existence that cannot be classified as either biological or mechanical, fusing seven-dimensional geometry, non-Euclidean structures, infinitely folding hyperspace, self-intersecting multidimensional surfaces, fluidity like liquid metal, transparent crystal structures, membranes of light, and floating abstract fragments. Parts of the body connect to different spaces, outlines extend into multiple dimensions, and non-existent surfaces simultaneously form the inside and outside of the body.
The concept of "clothing" does not exist. It completely transcends existing categories such as fabric, fiber, dresses, armor, or ornaments. Rather than something covering the body, it is an unidentified seven-dimensional structure that originates and integrates with the body simultaneously. A complex intertwining of flowing polychromatic membranes, ribbon-like structures that fold space, three-dimensional fragments floating in mid-air, infinitely linking rings of light, and organic surfaces that cannot be distinguished between matter and energy. The shape itself changes depending on the viewing angle, and it possesses no common sense or function as clothing. An unknown form that is incomprehensible yet possesses overwhelming beauty and perfection.
Completely transcends the spatial concepts of up/down, left/right, front/back, depth, perspective, inside/outside, front/back (obverse/reverse), center, and boundary. Instead of simply distorting three-dimensional space, it depicts a realm where the very cognitive system of three dimensions does not apply. Space exists inside the body, the body exists inside the background, and the background is outside the body while simultaneously being a part of it. Definitions of direction and distance vanish, and the huge and the minute, the finite and the infinite, and the starting and ending points coexist without contradiction.
While maintaining a full-body standing portrait, it does not follow normal upright posture or the laws of gravity. An extremely unbalanced and unpredictable posture where the axis of the body is boldly tilted, and the shoulders, hips, limbs, and head are directed toward different spatial axes. A torso twisted diagonally, limbs extending in different directions, joint positions that would normally be impossible, and a body structure where perspective inverts midway. Express a presence that seems to stand while floating within space itself, without the need for stable ground or a horizon.
Furthermore, incorporate a structure that remains valid even if the screen or the person is flipped upside down. Blur the distinction between top and bottom, head and feet, and front and back, so that a 180-degree rotation does not feel like a collapse of composition, but rather as if a different spatial law has revealed itself. Rotation does not change the direction of gravity; instead, the concept of gravity itself loses meaning. Multiple directions are established simultaneously, making it impossible to judge which orientation is "correct." Despite this, the facial structure and the presence of the person remain clear.
The background is also constructed in complete seven dimensions. An infinitely overlapping universe, inverting spaces, massive self-intersecting structures, hyperspace made of color, light flowing without direction, multidimensional corridors where inside and outside are swapped, and non-existent geometric patterns complexly fusing with the person. The background and person are not placed as separate elements, but are drawn as a single, massive seven-dimensional existence where each gives birth to the other.
It does not rely on normal perspective, horizons, vertical lines, gravity, light source positions, shadow directions, or human anatomical perspective. Light shines without direction, shadows form where there is no light source, and color itself establishes the space. The edges of the screen are not boundaries of space, but give the feeling that the structure continues infinitely beyond the frame.
Utilizing the entire 9:16 vertical screen, integrate the full-body standing figure with the background. Render with extreme precision the unbalanced angles, unpredictable spatial compositions, torrents of polychromatic colors, ultra-high-density geometric structures, and otherworldly optical expressions. This is not merely a quirky pose or seven-dimensional-style decoration, but an expression where existence, space, color, and the body are all established by seven-dimensional laws.
The face alone is kept as an absolute reference to the original image, while everything else is transformed into the seventh dimension. An unknown existence with a seductive smile, transcending up, down, left, right, and depth, and remaining valid even when inverted. A complete, ultimate seven-dimensional standing portrait boasting overwhelming Vivid Color and information density, condensed into a 9:16 vertical composition.
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Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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