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Cinnie
Pokaż parametry
- Rozmiar
- 768 x 1280
- Kroki próbkowania
- 28
- Metoda próbkowania
- Euler a
- Skala CFG
- 5
- Niepożądane
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
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1girl, solo, long gray hair, silver hair, hair past waist, heterochromia, left eye compound eye, faceted white eye, completely white eye, right eye black, reddish-brown left hand, discolored hand, earth-colored military chest bag, olive-drab canvas bag, strap across torso, black sunglasses on head, sunglasses resting on head, cowboy shot, from above, head tilted up, looking up at viewer, head tilt, reached out arm, outstretched arm, fingers spread, standing on one leg, weight on right foot, tiptoes, open bag flap, other hand on bag flap, :d, open mouth, grin, one eyebrow raised, hand on own hip,
Shot from above and slightly in front, her chin tipped back so she looks straight up into the lens, the whole image organised around that lifted face. She is caught mid-motion, balanced on her right foot with the left toe just leaving the ground, hips swung a little to her left side, so the weight line runs from her right heel up through a shoulder that sits higher than the other. Her left arm, the discolored reddish-brown hand, is flung up and out toward the camera with the fingers spread wide, each finger slightly separated and the palm tipped so the camera catches the flat of it; her right hand is hooked into the open flap of the chest bag at her ribs, thumb pressing the canvas back and two fingers curled over the edge, pulling the flap up so the bag hangs a touch off her sternum. The bag itself is earth-toned military canvas, olive-brown with a faded dusty cast, a wide webbing strap crossing diagonally from her right shoulder down over her chest to her left hip, the strap lying flat against her jacket and squashing the fabric where it crosses; a small buckle sits at her collarbone and a stitched rectangular patch panel is visible on the flap.
Her hair is long and gray, silvered with cooler strands, and it does not hang straight: because her head is tipped back the whole mass slides behind her shoulders, some of it falling over the bag's strap on the far side and the longest ends curling forward past her ribs on the near side, a few loose strands lifted off her temple by the small movement of the hop. Her bangs part to expose both eyes clearly from this angle. The left eye is a compound eye, a curved faceted dome, completely white with fine geometric segmentation catching the light as tiny highlights across its curve, no pupil at all; the right eye is solid black, glossy, with a single hard pinpoint highlight. The sunglasses sit pushed up on the crown of her head, black thick-rimmed frames buried in the gray hair above her forehead, one temple arm disappearing into the strands.
The light comes from above and slightly behind the camera, a cool white shaft that strikes the top of her head, the tops of her shoulders, the upward-facing planes of the bag flap and the flat of her raised palm, leaving her jaw, the underside of her chin and the inside of the bag's mouth in shadow; because the light is from above her lifted face is fully lit while her throat and collarbone fall dark. Behind her is a plain depthless field of dusty warm gray, empty, no horizon line, no objects, so the light has nowhere to fall except on her. The palette is narrow: silver-gray hair, olive-brown earth canvas, the rust-red of the discolored hand, and the absolute black and absolute white of the two eyes, with nothing else admitted. Her expression is a wide open-mouthed grin, one brow arched above the black eye, the corners of the mouth pulled up unevenly, cheerful and a little sharp. Playful, sunlit.
いぬがめ
1girl, solo, long gray hair, silver hair, hair past waist, heterochromia, left eye compound eye, faceted white eye, completely white eye, right eye black, reddish-brown left hand, discolored hand, earth-colored military chest bag, olive-drab canvas bag, strap across torso, black sunglasses on head, sunglasses resting on head, cowboy shot, from above, head tilted up, looking up at viewer, head tilt, reached out arm, outstretched arm, fingers spread, standing on one leg, weight on right foot, tiptoes, open bag flap, other hand on bag flap, :d, open mouth, grin, one eyebrow raised, hand on own hip,
Shot from above and slightly in front, her chin tipped back so she looks straight up into the lens, the whole image organised around that lifted face. She is caught mid-motion, balanced on her right foot with the left toe just leaving the ground, hips swung a little to her left side, so the weight line runs from her right heel up through a shoulder that sits higher than the other. Her left arm, the discolored reddish-brown hand, is flung up and out toward the camera with the fingers spread wide, each finger slightly separated and the palm tipped so the camera catches the flat of it; her right hand is hooked into the open flap of the chest bag at her ribs, thumb pressing the canvas back and two fingers curled over the edge, pulling the flap up so the bag hangs a touch off her sternum. The bag itself is earth-toned military canvas, olive-brown with a faded dusty cast, a wide webbing strap crossing diagonally from her right shoulder down over her chest to her left hip, the strap lying flat against her jacket and squashing the fabric where it crosses; a small buckle sits at her collarbone and a stitched rectangular patch panel is visible on the flap.
Her hair is long and gray, silvered with cooler strands, and it does not hang straight: because her head is tipped back the whole mass slides behind her shoulders, some of it falling over the bag's strap on the far side and the longest ends curling forward past her ribs on the near side, a few loose strands lifted off her temple by the small movement of the hop. Her bangs part to expose both eyes clearly from this angle. The left eye is a compound eye, a curved faceted dome, completely white with fine geometric segmentation catching the light as tiny highlights across its curve, no pupil at all; the right eye is solid black, glossy, with a single hard pinpoint highlight. The sunglasses sit pushed up on the crown of her head, black thick-rimmed frames buried in the gray hair above her forehead, one temple arm disappearing into the strands.
The light comes from above and slightly behind the camera, a cool white shaft that strikes the top of her head, the tops of her shoulders, the upward-facing planes of the bag flap and the flat of her raised palm, leaving her jaw, the underside of her chin and the inside of the bag's mouth in shadow; because the light is from above her lifted face is fully lit while her throat and collarbone fall dark. Behind her is a plain depthless field of dusty warm gray, empty, no horizon line, no objects, so the light has nowhere to fall except on her. The palette is narrow: silver-gray hair, olive-brown earth canvas, the rust-red of the discolored hand, and the absolute black and absolute white of the two eyes, with nothing else admitted. Her expression is a wide open-mouthed grin, one brow arched above the black eye, the corners of the mouth pulled up unevenly, cheerful and a little sharp. Playful, sunlit.
いぬがめ
1girl, solo, long gray hair, silver hair, hair past waist, heterochromia, left eye compound eye, faceted white eye, completely white eye, right eye black, reddish-brown left hand, discolored hand, earth-colored military chest bag, olive-drab canvas bag, strap across torso, black sunglasses on head, sunglasses resting on head, cowboy shot, from above, head tilted up, looking up at viewer, head tilt, reached out arm, outstretched arm, fingers spread, standing on one leg, weight on right foot, tiptoes, open bag flap, other hand on bag flap, :d, open mouth, grin, one eyebrow raised, hand on own hip,
Shot from above and slightly in front, her chin tipped back so she looks straight up into the lens, the whole image organised around that lifted face. She is caught mid-motion, balanced on her right foot with the left toe just leaving the ground, hips swung a little to her left side, so the weight line runs from her right heel up through a shoulder that sits higher than the other. Her left arm, the discolored reddish-brown hand, is flung up and out toward the camera with the fingers spread wide, each finger slightly separated and the palm tipped so the camera catches the flat of it; her right hand is hooked into the open flap of the chest bag at her ribs, thumb pressing the canvas back and two fingers curled over the edge, pulling the flap up so the bag hangs a touch off her sternum. The bag itself is earth-toned military canvas, olive-brown with a faded dusty cast, a wide webbing strap crossing diagonally from her right shoulder down over her chest to her left hip, the strap lying flat against her jacket and squashing the fabric where it crosses; a small buckle sits at her collarbone and a stitched rectangular patch panel is visible on the flap.
Her hair is long and gray, silvered with cooler strands, and it does not hang straight: because her head is tipped back the whole mass slides behind her shoulders, some of it falling over the bag's strap on the far side and the longest ends curling forward past her ribs on the near side, a few loose strands lifted off her temple by the small movement of the hop. Her bangs part to expose both eyes clearly from this angle. The left eye is a compound eye, a curved faceted dome, completely white with fine geometric segmentation catching the light as tiny highlights across its curve, no pupil at all; the right eye is solid black, glossy, with a single hard pinpoint highlight. The sunglasses sit pushed up on the crown of her head, black thick-rimmed frames buried in the gray hair above her forehead, one temple arm disappearing into the strands.
The light comes from above and slightly behind the camera, a cool white shaft that strikes the top of her head, the tops of her shoulders, the upward-facing planes of the bag flap and the flat of her raised palm, leaving her jaw, the underside of her chin and the inside of the bag's mouth in shadow; because the light is from above her lifted face is fully lit while her throat and collarbone fall dark. Behind her is a plain depthless field of dusty warm gray, empty, no horizon line, no objects, so the light has nowhere to fall except on her. The palette is narrow: silver-gray hair, olive-brown earth canvas, the rust-red of the discolored hand, and the absolute black and absolute white of the two eyes, with nothing else admitted. Her expression is a wide open-mouthed grin, one brow arched above the black eye, the corners of the mouth pulled up unevenly, cheerful and a little sharp. Playful, sunlit.
いぬがめ
1girl, solo, long gray hair, silver hair, hair past waist, heterochromia, left eye compound eye, faceted white eye, completely white eye, right eye black, reddish-brown left hand, discolored hand, earth-colored military chest bag, olive-drab canvas bag, strap across torso, black sunglasses on head, sunglasses resting on head, cowboy shot, from above, head tilted up, looking up at viewer, head tilt, reached out arm, outstretched arm, fingers spread, standing on one leg, weight on right foot, tiptoes, open bag flap, other hand on bag flap, :d, open mouth, grin, one eyebrow raised, hand on own hip,
Shot from above and slightly in front, her chin tipped back so she looks straight up into the lens, the whole image organised around that lifted face. She is caught mid-motion, balanced on her right foot with the left toe just leaving the ground, hips swung a little to her left side, so the weight line runs from her right heel up through a shoulder that sits higher than the other. Her left arm, the discolored reddish-brown hand, is flung up and out toward the camera with the fingers spread wide, each finger slightly separated and the palm tipped so the camera catches the flat of it; her right hand is hooked into the open flap of the chest bag at her ribs, thumb pressing the canvas back and two fingers curled over the edge, pulling the flap up so the bag hangs a touch off her sternum. The bag itself is earth-toned military canvas, olive-brown with a faded dusty cast, a wide webbing strap crossing diagonally from her right shoulder down over her chest to her left hip, the strap lying flat against her jacket and squashing the fabric where it crosses; a small buckle sits at her collarbone and a stitched rectangular patch panel is visible on the flap.
Her hair is long and gray, silvered with cooler strands, and it does not hang straight: because her head is tipped back the whole mass slides behind her shoulders, some of it falling over the bag's strap on the far side and the longest ends curling forward past her ribs on the near side, a few loose strands lifted off her temple by the small movement of the hop. Her bangs part to expose both eyes clearly from this angle. The left eye is a compound eye, a curved faceted dome, completely white with fine geometric segmentation catching the light as tiny highlights across its curve, no pupil at all; the right eye is solid black, glossy, with a single hard pinpoint highlight. The sunglasses sit pushed up on the crown of her head, black thick-rimmed frames buried in the gray hair above her forehead, one temple arm disappearing into the strands.
The light comes from above and slightly behind the camera, a cool white shaft that strikes the top of her head, the tops of her shoulders, the upward-facing planes of the bag flap and the flat of her raised palm, leaving her jaw, the underside of her chin and the inside of the bag's mouth in shadow; because the light is from above her lifted face is fully lit while her throat and collarbone fall dark. Behind her is a plain depthless field of dusty warm gray, empty, no horizon line, no objects, so the light has nowhere to fall except on her. The palette is narrow: silver-gray hair, olive-brown earth canvas, the rust-red of the discolored hand, and the absolute black and absolute white of the two eyes, with nothing else admitted. Her expression is a wide open-mouthed grin, one brow arched above the black eye, the corners of the mouth pulled up unevenly, cheerful and a little sharp. Playful, sunlit.
いぬがめ
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