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Kuchiki Rukia
Sztuka AI „Kuchiki Rukia” autorstwa Jorazor na PixAI. Utworzono z Artia2.
W PixAI prompty są domyślnie publiczne, ale twórcy mogą je ukryć w każdej opublikowanej pracy. Autor tej pracy zdecydował się to zrobić, więc słowa użyte do wygenerowania obrazu pozostają prywatne — widzi je wyłącznie autor. Ukrycie promptu nie zmienia niczego więcej: praca nadal jest publiczna, a Ty możesz ją polubić, skomentować i udostępnić jak zwykle.
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character: ryougi_shiki, copyright: tsukihime
1girl, solo, ryougi shiki, short hair, black hair, brown hair, ahoge, blue eyes, grey eyes, brown eyes, kimono, japanese clothes, long sleeves, sash, obi, from side, profile, cowboy shot, standing, head tilt, looking down, dutch angle, serious, closed mouth, night, alley, stone wall, atmospheric perspective, high contrast, deep shadows, cool palette, blue moonlight, warm amber lantern glow, film grain, depth of field
A cowboy-shot profile view from the side, tilted slightly by a dutch angle: a single young woman stands in a narrow stone-paved alley at night, her body turned in profile toward the left of the frame while her chin is lifted a fraction and her eyes, half-lidded and calm, look down and away past the edge of the alley — not at the viewer. Her short black hair falls just past her jaw with a faint brown warmth in the strands the moonlight catches, one small ahoge springing loose at her crown and stirred by a thin draft. She wears a dark kimono of Japanese cut with long sleeves that hang heavy past her wrists; the fabric is gathered and bound at her waist by a broad obi sash tied flat, its cloth compressed into a soft crease where the knot pulls. Her weight rests on the back foot, the front foot placed slightly forward and flat on the paving, one hand drawn up to her opposite sleeve cuff, fingers curled loosely around the cloth; the other hand hangs at her side, relaxed. A few strands of hair lift toward her cheek. The walls of the alley rise close on both sides, wet-damp stone with mortar lines running away toward a vanishing point behind her, and the paving beneath her reflects the sky light in broken patches where the stones' seams hold water. The one strong light is cool blue moonlight falling from high and behind her right shoulder: it rims the crown of her hair, the edge of her sleeve and the outer line of her jaw in pale silver, and leaves her face, the front of the kimono and the near wall in deep shadow. A single warm amber lantern burns far down the alley behind her at mid-height, small and out of focus, its glow grazing one stone course and putting a faint amber bead on the damp paving; beyond these two sources the darkness is close to absolute. Palette is restricted to cold blue-grey stone and moonlight, black and deep indigo cloth, a warm brown warmth in her hair, and that one amber point down the alley. Her head and shoulders are sharp; the far alley, the lantern and the receding wall soften into shallow depth of field. A thin film grain sits over the whole frame. Quiet, poised menace.
nanpan
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rayzo192
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