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AI art "オリキャラ「ドリーム・ガーディアン桃華」3｡"
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オリキャラ「ドリーム・ガーディアン桃華」3｡

こちらもポージングが上手くいって惹かれます。

へ

へるちゃん

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Komentarze

1girl, long black hair, white thighhighs, black and pink thigh-high boots, side skirt (black and white color-blocked), fantasy battle costume, standing pose, white thighhighs, pink thigh-high boots, pink miniskirt, pink blazer (school uniform-style battle costume), black long hair, pink uniform-style costume, ultra-miniskirt, absolute territory, pink ribbon at neck, yellow ribbon at knees, high-neck boots, fighting pose (protecting master's dream), curvy body, school rooftop at dawn, devoted expression, gentle smile, brushing hair aside, defensive stance, masterpiece, detailed, dynamic angle
Pokaż parametry
Oryginalny prompt
黒髪のロングヘアーに白のニーソックスと黒とピンクのサイハイブーツにサイドスカート付きの色分けサイド黒の中央白のファンタジー風バトルコスチューム姿の女の子の立ち姿の様子｡, 純白のニーソックスにピンクのサイハイブーツとピンクのミニスカートのピンクのブレザー制服風バトルコスチュームの黒髪のロングヘアの女の子｡, 黒のロングヘアーにピンクの制服風コスチュームと超ミニスカート絶対領域に首元はピンクのリボンに膝に黄色のリボンをあしらったハイニーブーツ姿で主人の夢を護るために戦う女の子｡むっちりタイケイ夜明け前の校舎の屋上にて一途で健気、穏やかな笑顔で髪を掻き分けてファイティングポーズをとる様子｡防御するポージング
Rozmiar
512 x 768
Kroki próbkowania
28
Metoda próbkowania
Euler a
Skala CFG
5
Niepożądane
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Atak Tytanów#Mikasa Ackerman
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