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AI art "いいこいいこ" featuring #Texhnolyze
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いいこいいこ

義手が逆だけど、もう妥協しよう

#Texhnolyze
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A red-haired girl with short hair and yellow eyes, wearing a red coat with white fur trim and segmented pigtails tied with black hair bands, is providing a lap pillow to a black-haired man. She gently strokes his head with her hands while maintaining a neutral, emotionless expression. The man has blue eyes and a tall, slim, muscular build, with a right artificial arm. He wears a blue shirt and white pants, his clothes torn and worn, and his face displays a peaceful expression with his eyes closed. White flowers surround them, creating a serene and melancholic atmosphere reminiscent of anime style, specifically the aesthetic of early 2000s anime.
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赤い髪の少女が黒い髪の男性を膝枕している、少女は男性の頭を撫でている、周囲に白い花、 1girl,ran,TEXHNOLYZE,red hair,short hair,yellow eyes,petite, small breasts,long hair, Segmented Pigtails, 黒いヘアゴム、白いファーが付いた赤いコート、無表情、BREAK ,1boy,ichise,TEXHNOLYZE,black hair,medium-length straight hair covering ears,blue eyes, tall,Slim and muscular, right Artificial arms,全身、青いシャツ、白いズボン、破れた服、目を閉じている、穏やかな表情、 アニメスタイル、2003年アニメスタイル、
Tag jakości
high quality, year_2025, year_2024, ﹝Podpowiedzi﹞
Rozmiar
1024 x 1024
Kroki próbkowania
20
Metoda próbkowania
Euler
Skala CFG
4.5
Niepożądane
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name

Model i LoRA użyte

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AI artwork
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2girls, 1boy, 2 characters total, from side, low angle, cowboy shot, wide shot, completely burned battlefield, ruined blackened brick wall, woman leaning against wall, slumped against wall, blood dripping from head, head wound, blood on face, blood trickling down temple and jaw, injured leg, wounded leg, bloodstained knee, black cropped sleeveless top, light green stripes on shirt, black shorts, light green stripes on shorts, knee pads, green knee pads, cropped jumper, light green jacket, sleeveless jacket slipping off shoulder, man embracing her, man hugging woman from side, grieving, crying, tears, sorrowful expression, white shirt, dirty white clothes, soot stains, ash smudges, torn white fabric, black long pants, orange stripes on pants, jumper with black white and orange panels, sitting on rubble, supporting her weight, head bowed, blood dripping onto ash, dark rim lighting, embers, orange glow from fires, grey ash sky, smoke haze, charred wood beams, silent devastation, despair The shot is a low, wide cowboy framing from the side, taken close to the cracked ground so the ruined wall rises past the two of them and the burned wasteland stretches behind. The woman squad member sits slumped with her back and left shoulder pressed flat to the blackened brick wall, left leg folded under her with the injured one — bloodied at the knee and shin, the knee pad scuffed and hanging off-center — dragged out straight along the rubble-strewn ground; her head lolls toward her own shoulder, a fresh cut at her hairline sending a thin red line down her temple, past her jaw, dripping from her chin onto the ash beneath her. Her black cropped sleeveless top is streaked with soot and the light green stripes catch the ember light; her black shorts and the cropped jumper mixed with light green hang open and torn where the fight went through them. The man squad member kneels beside her right hip, both arms wrapped fully around her shoulders and upper back, pulling her head into the crook of his neck and shoulder, his cheek pressed to her hair; his face is crumpled with grief, eyes squeezed shut and mouth pulled down, a tear track cutting clean lines through the grime on his cheek. His white clothes are smeared brown-black with battlefield filth, one sleeve torn, and the jumper of black, white, and orange panels bunches where his arm crosses her back; his black long pants with orange stripes are dark with ash at the knee that digs into the rubble. The only light is the low, far-off glow of still-burning wreckage behind them, warm and dim, rimming the edges of both figures in orange while the wall's face falls into deep shadow; smoke drifts through the gap between the ruined buildings. Everything behind them is charred skeleton structure, every beam broken at the same downward angle, grey ash settling only on the upward-facing surfaces — on the tops of the wall stumps, on the curled edges of his white sleeve, on her shoulder — while the ground under them stays dark. The palette is held to black char, grey ash, the dull light-green accents of her kit, and the ember orange of his stripes and the distant fires. Quiet devastation.
Len

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