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W PixAI prompty są domyślnie publiczne, ale twórcy mogą je ukryć w każdej opublikowanej pracy. Autor tej pracy zdecydował się to zrobić, więc słowa użyte do wygenerowania obrazu pozostają prywatne — widzi je wyłącznie autor. Ukrycie promptu nie zmienia niczego więcej: praca nadal jest publiczna, a Ty możesz ją polubić, skomentować i udostępnić jak zwykle.
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純斗
character: cure_prism
1girl, solo, cure_prism, long pink hair, braid, pink hair ribbon, white ribbon bow, hair bow, green eyes, white dress, frills, elbow gloves, white gloves, aqua ascot ribbon, earrings, spread eagle, arms up, legs spread, x-shaped pose, pinned to wall, against wall, staples, staple through clothing, neck fixed, torso pinned, restrained, immobile, from below, looking down, strained expression, half-closed eyes, gritted teeth, parted lips, sweat, trembling, motionless, heroine in peril, wall background
Shot from below and slightly to the side, looking up at a figure fixed flat against a bare concrete wall that fills the entire frame; the camera tilts so the wall recedes in perspective and the outstretched limbs are foreshortened toward the lens. One girl hangs in a wide X against the wall: long pink hair falling free with a single side braid hanging straight down past her shoulder, its tip swinging slightly, a pink ribbon bow and a white ribbon bow sitting in her hair; green eyes looking down toward the viewer with tight, held breath, brows drawn, lips parted, a sheen of sweat at the temple and collarbone. She wears a white dress with frilled hem and skirt, white elbow gloves reaching past the elbow, a pale aqua ascot ribbon at her throat, small earrings at both ears. Both arms are flung up and out, palms open flat to the wall, fingers splayed and stiff; both legs spread wide and slightly bent at the knees, feet turned out, the whole body pulled taut into the 大の字 shape, weight hanging from the shoulders and hips. Many half-rectangular metal staples — U-shaped loops wider than a hand — are driven through the wall and close over her: pairs straddling each glove and forearm, pairs bent across the fabric of each sleeve and the skirt near each hip, a wide loop curving over the bodice and collar to hold the torso, and one curved loop around the base of her neck, the metal biting the frills and pulling them into small creases where it crosses. The staples sit slightly proud of the concrete, their outer legs sunk into the wall, each casting a short hard shadow down and to the left; a faint crack radiates from the wall around each anchor point and a little plaster dust has fallen along the base of the wall below her gloves. A single cold overhead light rakes down the concrete, catching the upper edges of each metal loop and leaving the underside of her chin, the inner folds of skirt and hair, and the seams of the wall in shadow; the concrete texture reads as coarse, mottled grey with the grid of form-tie holes, while her white dress and pink hair stay the only warm, clean values in the frame. Cool, pale palette of concrete grey, white, and pink, pressed and claustrophobic.
純斗
純斗
character: cure_prism
prone, face down, full body, 1girl, solo, magical girl, long pink hair, pink hair spread across the floor, hair ribbon, white ribbon, pink bow, braided sidelocks, green eyes, white dress, frilled dress, elbow gloves, white gloves, ascot, aqua ribbon at the collar, bare earlobes visible, both arms at her sides, arms pinned against her body, hands at stomach level, palms facing toward her feet, both legs flat and apart on the floor, chin on the ground, torso flat against the floor, cheek against the ground, pinched expression, distressed, grimacing, clenched teeth, squeezed-shut eyes, trembling, sweat on her brow, black-orange honey, sticky honey covering her whole body, honey dripping, wet clothes clinging, black-orange electric aura, crackling sparks, electricity, paralysis, unable to move, stinger piercing her back, insect stinger in her back, venom injection, from above, high angle, wide shot, dutch angle, full body visible, dark floor, foreground blur, spoken_heart, half-closed eyes, heavy_breathing
The camera looks down from a high three-quarter overhead angle, tilted slightly on a dutch angle so the floor runs diagonally under her, and the whole of her body stays inside the frame from the crown of her head to both flat soles. She lies face down and spreadeagled flat on a dark polished stone floor, prone along the diagonal of the frame: her chin and jaw are pressed to the stone with her cheek flattened against it, her torso lies flush along the floor so the white dress and its frills are squashed and rucked under her weight, and both long legs are stretched out flat behind her, the thighs, knees and shins all touching the ground, the toes of both feet splayed out. Both arms are pinned along her sides, pressed between her ribcage and the floor, the white elbow gloves wrinkled where they bunch at the crook of each arm; both hands are drawn in level with her stomach, and her gloved palms are turned flat and open toward her own feet. Behind the small of her back both hands are welded together by a thick wad of set honey, a gluey amber-black-orange lump locking wrist to wrist, and the fingers are stiff inside it.
A glossy black-orange poisonous honey coats every part of her: it sheets over her cheek and jaw where they touch the stone, runs in slow ropes over the white dress, clings in a translucent film across the gloves, beads and drips from the hem and from the ends of her long pink hair fanned out around her head. Where the honey pools on the floor it spreads and holds the individual strands of hair fast in a wet fan. Her white ribbon and the braid beside her ear are soaked dark and flattened. Her face is turned just enough for the camera to catch it: brow crumpled, one eye squeezed shut and the other slit open and watering, teeth bared in a pinched grimace, a bead of sweat at her temple. A small hand-drawn heart floats in a tiny speech bubble beside her cheek.
Over all of it crawls a black-orange electrical discharge — thin branching arcs skittering over her shoulders, down her back, along the backs of her thighs, snapping brightest where the honey film is thinnest, and throwing a faint flickering orange glow onto the polished stone around her. From a point above and behind her, the bee witch's abdomen reaches down out of the upper frame and drives its dark segmented stinger straight into the small of her back; the chitin pierces the dress fabric at the entry point, the skin around it puckers, and a thin line of black-orange venom is welling and running down her side from the wound. Her head is locked forward, eyes pointed at the floor just past her own chin, unable to turn.
The single key light comes from the high upper right, cold and bluish, striking her back, the top of her head and the swell of the honey, and dropping the far side of her body and the floor beneath into a deep shadow; the only warm light in the frame is the crackling discharge and the gloss on the honey. Palette of white, pink and bare stone against nothing but black and orange. Heroine in peril, defeated, hopeless.
純斗
ジ
ピュアな心を抜かれているときの反応を検査中のミュウイチゴ
ジールドラ
a2
aki2026did
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