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AI art "Choose Your Character: SandStorm"
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Choose Your Character: SandStorm

#Męski kadr#Okulary#dżins#Rozpięte ubranie#stojący#krótkie włosy#solo#Pixel art#brązowe włosy#dżinsy#wąsy#brązowe oczy#Broda#Koszula#zarost#spodnie#krótki rękaw#1 chłopak#okulary na żyłkę#niebieska koszula#czarna koszula#zamknięte usta#koszula wpuszczona w spodnie#kieszeń#Entering Y2K
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Komentarze

1boy, SandStorm, brown eyes, brown hair, eyeglasses, facial hair, mustache, black t-shirt, blue plaid button down shirt, black t-shirt under an unbuttoned blue plaid shirt, jeans, (Pixel art, retro game graphics:1.2), masterpiece, looking at viewer
Pokaż parametry
Oryginalny prompt
1boy, SandStorm, brown eyes, brown hair, eyeglasses, facial hair, mustache, black t-shirt, blue plaid button down shirt, black t-shirt under an unbuttoned blue plaid shirt, jeans,(Pixel art, retro game graphics:1.2)
Rozmiar
768 x 1280
Kroki próbkowania
28
Metoda próbkowania
Euler a
Skala CFG
5
Niepożądane
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

Model i LoRA użyte

1 private models used

Podobne obrazy

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AI artwork
al
1boy, solo, tall, upright posture, standing straight, short hair, brown hair, undercut, shaved sides, buzzed sides, green eyes, looking to the side, head tilt, hands in pockets, simple navy blue cotton t-shirt, khaki chinos, brown leather sneakers, cowboy shot, from below, three-quarter view, plain seamless warm gray studio backdrop, soft key light from upper left The image is a single-figure design piece shot from a low three-quarter angle: a tall young man stands straight and upright, seen from slightly below so that his full height reads against a completely empty warm gray seamless studio sweep that fills the frame behind him with no horizon line, no furniture and no props. His weight is settled evenly on both feet, shoulders level and squared, spine long — but the stillness is broken by one action: both hands are pushed into the front pockets of his khaki chinos, thumbs hooked over the pocket rims, which pulls the navy t-shirt taut across his chest and lets the hem ride slightly forward. His chin is tipped a little to one side, head tilted just off vertical, and his green eyes look off to the left of the frame, past the lens, not at the viewer — a quiet, level, self-contained gaze with a relaxed brow and a closed, unsmiling mouth. The haircut is the anchor of the picture: dense brown hair kept short on top, brushed slightly forward and to one side with visible strand separation, while both sides above the ears are buzzed close to the scalp, the shaved planes catching a lighter sheen than the top and showing the soft shadow of the hairline against the skin. His ears are bare and wholly uncovered by the shaved sides, and nothing is worn at the neck — the t-shirt's plain ribbed collar sits open at the throat. The navy cotton shows matte weave and a soft crease at the elbow and waist; the khaki chinos fall straight to the ankle with one shallow fold behind the knee, and the brown leather sneakers are scuffed faintly at the toe caps, laces tied flat. Light comes from a single soft key at the upper left of the frame: it brightens the left side of his face and the left shaved temple, rakes across the top of his hair, and drops the right side of his jaw, the right side of his neck and the right leg into a gentle gradation of shade, with a soft short shadow pooling under both sneakers on the seamless ground. The palette stays tight — warm gray ground, navy, khaki, brown, and the one cool green of his eyes. Crisp cel-shaded rendering with clean linework and flat, controlled shading. Calm, effortlessly clean.
Arthur LEFORESTIER

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