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From a steep low angle at her feet the camera tilts up, so her high-heeled boots fill the bottom of the frame and her body rises away from the lens, foreshortened, her white-gray hair sweeping back off her shoulders into the rain. She stands in a combat stance: weight sunk onto her back right leg, front left knee bent and turned out, hips shifted so the long line from shoulder to hip reads as one drawn curve against the neon-fogged street behind her. Her left hand is raised half-open at chest height in a guard, gloved fingers relaxed and slightly curled; her right fist is low at her hip, thumb tucked. The open back puts the long flat of her spine and the shifting muscle of her shoulders into the frame, and the deep neckline sits as a black cut against her chest.
Her face is a mask: a dark fitted mask covers everything below the violet eyes, leaving only the band of skin and the eyes themselves; the neon purple glasses ride just over them, tinted lenses catching two small cold highlights without hiding the gaze. Only the eyes act -- lids narrowed, irises violet and steady, looking slightly down the tilted street past the lens with a hard, unamused focus. Above, the headband's purple antennae lean back in the wind, tips trembling with each gust, and the rain beads on the glossy shells.
Her gray clothing is drenched and saturated to a darker charcoal-gray; the purple patterns down the flanks and along the sleeve seams glow faintly where the neon hits them. The protective sleeves wrap her forearms, the mesh panels over them pinched open in a grid, and rain runs through the weave in thin threads before dripping from her elbows; the fingerless gloves leave her fingertips bare and wet.
Behind her, a narrow wet street recedes: signage in blurred illegible neon script stacked up both sides, a distant crossing, and a sheet of rain that the light catches in every seam. The left side of her face and the outer edge of her left arm take cold blue neon from an unseen sign; the warm orange of a streetlight behind her right shoulder rims her hair, her right sleeve and the curve of her hip, and lays a long orange-tinged shadow across the wet pavement ahead of her feet. Between the two sources the shadows deepen into near-black, and the glossy ground answers the neon with stretched, broken reflections that ripple where drops strike the puddles. Droplets hang on her hair, glasses, shoulders and boots where the light catches them as small separate points of brightness. Cinematic lows, wet and dangerous.
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