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AI art "爆乳機械化副腕展開空井サキ" featuring #mechanizacja, #Blue Archive, #Sorai Saki and #Sorai Saki (Swimsuit)
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爆乳機械化副腕展開空井サキ

Sztuka AI „爆乳機械化副腕展開空井サキ” autorstwa デスユ na PixAI. Tagi: Sorai Saki (Swimsuit), Blue Archive, mechanizacja. Utworzono z Haruka v2.

#mechanizacja#Blue Archive#Sorai Saki#Sorai Saki (Swimsuit)
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デスユ

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Komentarze

sorai saki, 1girl, solo, black leotard, gigantic breasts, elbow gloves, gloves, hair ornament, high leg, high leg leotard, leotard, looking at viewer, mecha musume, solo machine girl, machine face, robot joints, machine joints, robot limb, whole body machine, merged with giant mecha, robot joints, only head of giant mecha is girl, integrated with machine, white background, super giant arm, expressionless, four mechanical appendages, hands are giant chainsaws, full body, machine face, giant breasts, saki-swim, saki (blue archive), blue eyes, purple hair, short hair, halo, hat, crop top, long sleeves, zipper, pouch, sandals
Pokaż parametry
Oryginalny prompt
character:sorai saki,1girl, solo, 1girl, black_leotard, gigant breasts, elbow_gloves, gloves, hair_ornament, highleg, highleg_leotard, leotard, looking_at_viewer, mecha_musume, gigant_breasts, solo machine girl, machine face,robot joints,machine joints,robot limbwhole body machine巨大メカと合体.ロボット関節.巨大メカの頭だけ少女.機械と一体化。 背景は白。超巨大アーム。無表情。機械の副碗が四本。手が巨大なチェーンソーになっている。全体を映す。machineface。巨大爆乳
Rozmiar
768 x 1280
Kroki próbkowania
25
Metoda próbkowania
Euler a
Skala CFG
5
Niepożądane
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

Model i LoRA użyte

Haruka v2 - AI Model cover image

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Haruka v2
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[SDXL] Artist Style: Satou Kuuki/左藤空気 - AI Model cover image

LoRA użytkownika

[SDXL] Artist Style: Satou Kuuki/左藤空気
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Pony XL - Sorai Saki 空井 サキ - blue archive - AI Model cover image

LoRA użytkownika

Pony XL - Sorai Saki 空井 サキ - blue archive
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Avatar image of kita34
1girl, solo, mecha musume, female combat android, full body shot, eye-level camera, standing, looking at viewer, determined expression, confident expression, short grey hair, vivid red eyes, beautiful detailed eyes, pale-white synthetic skin, glossy skin, sleek futuristic leotard, bare shoulders, covered navel, torn fabric accents, communications headset over ears like headphones, holding massive metallic-silver cannon with both hands in front of her, mechanical panel lines, glowing energy vents, mechanical legs, thruster units instead of feet, visible exhaust nozzles, missile pods on thighs, hovering, faint thruster glow, glowing exhaust, soft shadow beneath her, plain white background, clean bright studio lighting, crisp digital anime art, ultra-detailed mechanical detail, A single female combat android stands centered against a completely plain, seamless white studio field that reaches every edge of the full-body frame; the camera sits at her eye level, dead horizontal, spaced far enough back that the crown of her head, the whole length of both mechanical legs and the space beneath her thruster units all sit inside the frame. Her short grey hair falls in blunt uneven strands to just under her jaw, one side tucked behind the headset cup and the other sweeping across the temple so the silhouette breaks asymmetrically. Both vivid red eyes look straight into the lens, lids narrowed, brows drawn down and inward, jaw set, mouth a flat closed line held firm — determined and confident, never smiling. Her pale-white synthetic skin catches the bright studio key as a fine even gloss across her forehead, the tops of her bare shoulders and her forearms, smooth as polished resin. Both first fingers rest inside the trigger guard and under the barrel shroud of a massive metallic-silver cannon held directly in front of her chest; the butt of the weapon is braced against her right hip while the long barrelled mass angles slightly left and up, so the gun crosses her torso rather than squaring it off. Both hands are visible, thumbs laid along the panel lines, the weapon's brushed silver plating detailed with recessed mechanical seams and bolted plates, and along its flanks two rows of vertical energy vents glow a hard cyan-white, light spilling onto the undersides of her bare arms. The cannon's weight tips her pelvis back a fraction and lifts her chin. Her leotard is a sleek matte near-black bodysuit with high-cut hips, a closed high neckline, and bare shoulders left open; the navel is covered by an unbroken armored panel, and the only breaks in the fabric are small frayed tears at the left hip and along one shoulder strap's edge, threads curling. The headset clamps over both ears like closed headphones, one thin boom mic reaching toward her jaw, a small indicator light burning on the left cup. Below the hips her legs are entirely mechanical — segmented silver-grey plating, exposed actuator rods at the knee, dark hydraulic lines running down the shins — and each leg terminates in a thruster unit in place of a foot, the casing flaring outward and ending in clearly visible exhaust nozzles with dark concentric rings set into their mouths. Small missile pods clamp along the outside of both thighs, ribbed cylinders with sealed hatches. She hovers a hand's width above the invisible floor, legs straight but one knee relaxed slightly inward, one ankle-limb angled a touch behind the other; a faint blue-white glow bleeds downward from the nozzles and washes the white beneath her. The studio key is a single broad soft light from the upper front-left, bright and even, throwing gentle highlights down the barrel's top edge and a soft, diffuse oval shadow directly under the thrusters on the white ground; the glow from the vents and nozzles is the only other light, cooling her jawline and the underside of the cannon. The palette is white, silver, near-black, pale skin-white and cyan, with two small vivid red accents in her irises. Everything left of the frame is empty white negative space. Crisp, confident, cleanly engineered.
kita34

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