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AI art "LORA TEST" featuring #Pixel art, #Pejzaż miejski, #VA-11 Hall-A: Cyberpunk Bartender Action, #Jill Stingray and #Cyberpunk
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LORA TEST

#Pixel art#Pejzaż miejski#VA-11 Hall-A: Cyberpunk Bartender Action#Jill Stingray#Cyberpunk
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Komentarze

@1041uuu, pixel_art, jaggy lines, no lineart, very wide shot, scenery, cityscape, cyberpunk, reflection, solo, 1girl, jill stingray, twintails, red coat, fur-trimmed_coat, shirt, vest, pencil skirt, smoking, facing away,
Pokaż parametry
Rozmiar
1152 x 896
Kroki próbkowania
12
Metoda próbkowania
Euler
Skala CFG
1.1
Ziarno
993805711178405
Niepożądane
letterboxed, pillarboxed, artist name, dated,

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1girl, solo, retro 16-bit pixel art, chunky visible pixel grid, low resolution pixel grid look, hard-edged stair-stepped outlines, cyberpunk lofi aesthetic, animated lofi background style, strict limited color palette, dithering, night, from behind, wide establishing shot, girl in oversized hoodie, hood down, charcoal grey fleece hoodie, black joggers, shoulder-length straight dark brown hair, leaning on railing, both forearms on the metal railing, elevated walkway, overlooking vast neon skyline, holographic billboards in cyan and magenta, flying cars with light trails, distant city lights as clusters of glowing pixels, teal and magenta haze, cityscape, no text Seen from behind: a single girl fills the lower-left of the frame, standing at the railing of an elevated walkway, her whole back to the camera, the wide establishing shot keeping her small against the drop beyond. She leans at an easy angle, hips settled back, both forearms laid along the top rail so her weight presses forward into the metal, hands loose and hanging over the far edge, shoulders hunched up inside the oversized charcoal grey fleece hoodie. The hood is down, bunched thick at her nape, and the hoodie's bulk swallows her frame, one sleeve cuff fallen over her knuckles; loose black joggers break over her shoes, one heel hooked on the bottom rail. Her shoulder-length straight dark brown hair falls forward over the shoulders toward the city, the strands pixel-chopped into stair-stepped blocks, a few tips stirring in the updraft from the street far below. Her head is tilted slightly down and out, gaze dropped onto the miles of skyline rather than anything in the frame. The railing is a run of cold grey metal bars crossing the lower third of the image from the left edge toward the right, its top rail catching a thin magenta rim from the signs behind. Beyond and below it the walkway lip falls away into depth, and the skyline opens out in stacked layers: near towers with lit window grids as clusters of glowing pixels, mid towers wearing holographic billboards in cyan and magenta — one tall cyan panel banded with magenta, another magenta panel cross-hatched with cyan, their lettering reduced to illegible blocks at this scale — and far towers dissolving into teal and magenta haze where the atmosphere eats the detail. Flying cars cross the upper midground on three diagonal light trails, cyan on one pass, magenta on the other, the trails longest nearest the camera and shortening with distance. Lighting comes from the city itself: the cyan and magenta signs are the only sources, washing the girl's back with a magenta edge along her right shoulder and sleeve and a cyan sheen along her left, her hoodie's folds falling into near-black shadow. The sky above the skyline is a deep indigo gradient, dithered into teal at the horizon. Every gradient — haze, sky, sign glow — is built from ordered dither patterns rather than smooth blends, the palette strictly limited to indigo, teal, cyan, magenta, grey and near-black, and the whole image is rasterised so the chunky pixel grid and stair-stepped outlines stay hard and visible at any size. Quiet, solitary, late-night calm.
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