W PixAI prompty są domyślnie publiczne, ale twórcy mogą je ukryć w każdej opublikowanej pracy. Autor tej pracy zdecydował się to zrobić, więc słowa użyte do wygenerowania obrazu pozostają prywatne — widzi je wyłącznie autor. Ukrycie promptu nie zmienia niczego więcej: praca nadal jest publiczna, a Ty możesz ją polubić, skomentować i udostępnić jak zwykle.
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![[Dit1+SDXL] ゴーストワイヤー東京風 [Ghost Wire Tokyo Style] - AI Model cover image](https://images-ng.pixai.art/images/thumb/f5ddd946-094d-483e-aadf-a4a5651419d4)
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n
masterpiece, best quality, ultra detailed, night parade of one hundred demons, Hyakki Yagyo, Japanese folklore, mysterious supernatural night, elegant female yōkai, captivating glowing eyes, long flowing dark hair, traditional Japanese kimono with intricate patterns, standing in the middle of an ancient Japanese street at midnight, hundreds of different yōkai surrounding her, oni, kitsune, tengu, rokurokubi, kasa-obake, nurarihyon, shadow spirits, lanterns glowing in the darkness, red torii gates, old wooden houses, full moon, thick mist, floating paper talismans, eerie blue and purple atmosphere, dramatic cinematic lighting, supernatural aura, intricate details, highly detailed creatures, dynamic composition, dark fantasy, Japanese gothic aesthetic, atmospheric perspective, depth, masterpiece, 4k
Noa
n
masterpiece, best quality, ultra detailed, night parade of one hundred demons, Hyakki Yagyo, Japanese folklore, mysterious supernatural night, elegant female yōkai, captivating glowing eyes, long flowing dark hair, traditional Japanese kimono with intricate patterns, standing in the middle of an ancient Japanese street at midnight, hundreds of different yōkai surrounding her, oni, kitsune, tengu, rokurokubi, kasa-obake, nurarihyon, shadow spirits, lanterns glowing in the darkness, red torii gates, old wooden houses, full moon, thick mist, floating paper talismans, eerie blue and purple atmosphere, dramatic cinematic lighting, supernatural aura, intricate details, highly detailed creatures, dynamic composition, dark fantasy, Japanese gothic aesthetic, atmospheric perspective, depth, masterpiece, 4k
Noa
임
A cinematic Korean urban cosmic horror scene set in modern Seoul at midnight, viewed from street level beneath a highway overpass.
In the foreground, a lone Korean man wearing a black hooded rain jacket stands with his back toward the camera, staring upward at an impossible colossal creature towering over the entire city.
The creature is absolutely enormous, hundreds of meters tall, dwarfing skyscrapers and mountains. It has an extremely thin, grotesquely elongated humanoid body with four gigantic spider-like limbs stretching across the entire skyline. Its limbs resemble twisted black tree roots, wet tendons, exposed organic fibers and ancient dead branches.
Where its head should be is a huge grotesque bouquet-shaped cluster of dozens of pale human faces fused together into one biological mass. The faces have different expressions of terror, screaming, crying and staring blankly. Long black organic tendons extend downward from every face and merge into the creature's narrow torso.
The monster must dominate the entire upper half of the composition, its limbs arching over buildings like enormous bridges.
Realistic Seoul cityscape below: dense Korean apartment buildings, old concrete buildings, elevated highway, wet asphalt, Korean traffic signs pointing toward Hangangdaegyo, Yongsan and Seoul Station, distant Namsan Seoul Tower visible beneath the monster.
Several tiny human silhouettes and emergency personnel stand along the highway and streets, emphasizing the impossible scale of the creature.
Large concrete buildings contain unsettling minimalist Korean advertisements and propaganda posters. One huge vertical billboard reads: "보이는 것이 전부가 아니다." Another illuminated billboard contains the distorted face of a woman behind cracked glass, like a corrupted emergency broadcast. Another billboard reads: "일상은 여전히 아름답다." Small cryptic messages are painted across concrete structures, suggesting that society has somehow learned to coexist with these impossible entities.
Nighttime after heavy rain. Wet streets reflecting street lamps and vehicle headlights. Abandoned cars, distant traffic, mist, light rain, drifting ash and black particles.
A huge pale full moon behind storm clouds.
The atmosphere feels oppressive, melancholic and eerily quiet rather than action-packed. Humanity looks insignificant beneath an incomprehensible living anomaly.
Korean urban fantasy, cosmic horror, surreal biological horror, liminal disaster photography, analog horror atmosphere, dystopian Seoul, realistic architecture, monumental scale, impossible anatomy, bleak cinematic composition.
Extremely wide establishing shot, low street-level camera, 24mm wide-angle lens, deep perspective, centered colossal monster, foreground human silhouette, dense midground city, gigantic creature filling the background and sky.
Desaturated charcoal black, dark gray, cold blue-gray and dirty white palette, almost monochrome. Very subtle warm orange street lights only.
Highly detailed cinematic concept art, realistic environmental rendering, atmospheric perspective, volumetric fog, rain-soaked surfaces, massive sense of scale, unsettling photorealistic creature design, dark Korean cosmic horror movie poster aesthetic.
16:10 landscape composition, (sharp lineart:0.7), thick lineart, cel shading, (flat shading), 1boy, depth of field, blurry background, (hysteric_style:0.5)
임동근
1boy, villain, masterpiece, slight smile, smug, hood up, walking down steampunk city alley, signs of industry, glowing ghostly, ink-like design, haunted glow, glowing eyes
Ai…Whut?
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