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AI art "ビルの上に立つ漆黒の甲殻類怪人" featuring #Oryginał, #potwór and #skorupiak
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ビルの上に立つ漆黒の甲殻類怪人

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#Oryginał#potwór#skorupiak
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A (masterpiece:1.5), (best quality:1.5), (ultra detailed:1.5) anime illustration of a heavy armored bio-warrior, a crustacean monster, captured in a low-angle medium shot as it stands atop a ruined skyscraper overlooking a desolate city. The creature possesses a massive, powerful build covered in deep-sea obsidian black carapace with deep blue gradients on the edges of its claws and fins. Its head is wide with a raised center and sharp delta-shaped plates, featuring iridescent black compound eyes and four jagged appendages around its jaw. The torso is shielded by thick, overlapping armor with a sharp central protrusion, while its arms are combat-specialized with shield-like forearms, three short arm-blades at the elbows, and enormous, spiked claws containing hidden bio-plasma blasters. It has multiple sets of limbs: general-purpose five-fingered arms under the armpits, and two massive rear jointed limbs ending in lance-like biophoton blaster claws held upright like spears. Its lower body is immense and stable, with jagged crab-claws at the hips, a tail ending in three serrated blades, and heavy legs with harpoon-like knee spikes and plasma jet nozzles on the soles. The scene is bathed in (soft lighting:1.5) and (cinematic lighting:1.5) with a (dreamy atmosphere:1.5), utilizing (anime coloring:1.5) and a painterly style with depth blur, blending a menacing presence with an ethereal, sophisticated aesthetic.
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甲殻類怪人こと重甲科汎節足動物属種生体強化兵が荒廃した都市跡のビルの屋上に佇み見下ろしています 魁偉でガッシリと力強い身体に、様々な形状の付属肢と強力で凄みある多種多様な生体武装を有し、頑強で重量感ある甲殻で覆う姿は、節足動物らしい非常に精密な機能美と四肢動物的生物的力強さを両立したスタイリッシュなデザインの甲殻類モンスターというべき姿です。威圧的で凶悪ながらクールな外観。 甲殻の深海の闇のような漆黒や甲羅の縁や爪やヒレが深みある青色にグラデーションする色合いは武骨ながら美しい。 頭部は幅広で中央がなだらかに盛り上がりつつ両側にとても大きく鋭く張り出すΔ型の甲皮が覆い、1対の大きめで丸い黒い複眼が虹色の光沢を湛え、側頭部から顎を覆う程大きくも平たい1対のハサミ状附属肢と2対の鋭くギザギザに尖る附属肢が生えています。 胸部は強固な甲殻が幾重にも重なり連なってできる厚みがあって中央が鋭くとがって張り出す甲羅が覆っています。腕部と背中の副腕のほかに脇下から関節肢で五指ある手をもつがっしりとした汎用作業用の副腕があります。 肩は大きく張り出した分厚い殻が2重になった甲殻が覆います。上の甲殻は丸みを帯びつつ大きく盛り上がり、下側の甲殻の縁は鋭く研ぎ澄まされたヒレのように伸びて上腕を覆います。 腕部はガッシリと太い関節肢、前腕は棘の並ぶシールドのような甲殻が覆い、肘側に3本の短くも太いフィン状のアームブレードを3本、先端にとても巨大で重厚で凶悪にトゲトゲしつつ長く尖るハサミを有した戦闘特化の腕となっています。このハサミの内側にバイオプラズマブラスターの発射孔を仕込んでいています。 重厚でギザギザトゲトゲした背甲にバイオフォトンブースターを内蔵した分厚いながら鋭利でギザギザした翼のような甲羅が1対あり、その脇から背部両側に超長大で重厚な関節肢が1対生えていて、その先端に長大でゴツイが鋭利でトゲトゲしたランスのような形状のバイオフォトンブラスタークローを有します。この関節肢を両側に折りたたんでいて、クローの切っ先を上に向けてランスのように携えます。 腰は非常にガッシリとしていて、腰から生える1対の鋭く平たく縁がギザギザしたカニのハサミが脚の膝上を覆うように垂れます。腰後部から尾が生えていて、その尾の根本両側から1対の大きく重厚ながら鋭くギザギザしたハサミを有する長大な遊泳肢が後方に広げて伸びています。このハサミの内側にバイオプラズマブラスターが仕込んでいて、尾の先端は鋭くギザギザした甲殻質のブレードが3枚あります。 脚部はとても大きく長くガッシリどっしりとしています。膝から下の部分は際立って長く大きく、足首に向かって下るにつれて幅と厚みが増す、堅牢で極めて安定感のある形状をしています。膝の甲殻が大きく太く武骨ながらも鋭く尖った銛のごとく突き出しています。太腿はトゲトゲしていて、下腿部は重厚ながらギザギザしています。足は踵を地につけたどっしりとしたとても大きく広く形状で鈍い爪が3本生える。くるぶしやアキレス腱あたりの甲殻裏と足裏の土踏まずに強力で精緻なプラズマジェットノズルがあります。踵から非常にギザギザした斧のような刃が後ろ向きに生えている。 , 1other, heavy armored bio warrior, arthropod, crustacean, shell, carapace, arthropod limbs, multiple arms, extra arms, (anime style:1.5), (anime artwork:1.5), (nfsw:1.5), soft lighting, (anime coloring:1.5), cinematic lighting, uncensor, uncensored, (masterpiece:1.5), (best quality:1.5), (ultra detailed:1.5), (very aesthetic:1.5),(absurdres:1.5), (detailed background), newest, cinematic lighting, lifelike, perfect anatomy, ai-generated, (intricate details:1.5), rich in details and textures,Colored Pencil, dreamy atmosphere, delicate colors, ethereal, depth blur, zoom blur, white details, pastel details, painterly details
Tryb
ultra
Rozmiar
912 x 1536
Niepożądane
nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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