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AI art "Tsubaki3テスト" featuring #Haruhi Suzumiya, #Tsuruya, #Melancholia Haruhi Suzumiyi, #Kyon, #Mikuru Asahina and #Żuraw origami
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Tsubaki3テスト

涼宮ハルヒのキャラを再現できるかの生成です。 ※千羽鶴・折り鶴を的確に生成してきたことに驚きました。 鶴屋さんは問題なかったのですが、 キョンの妹ちゃん。喜緑さん。森さん。 が無理でした。まだまだAIさんの学習不足を感じます。 アニメ系の生成サービスだと思いますので、がんばってほしいところです。 Tsubaki3 Test This is a test to see if the AI ​​can accurately recreate characters from *The Melancholy of Haruhi Suzumiya*. * I was surprised that it successfully generated the *senbazuru* (thousand paper cranes) and individual origami cranes. Tsuruya-san turned out fine, but... Kyon's little sister, Kimidori-san, and Mori-san... ...were unsuccessful. I feel the AI ​​still needs more training. Since this appears to be an anime-style image generation service, I really hope to see further improvements.

#Haruhi Suzumiya#Tsuruya#Melancholia Haruhi Suzumiyi#Kyon#Mikuru Asahina#Żuraw origami
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A warm and cheerful anime scene inside a large traditional Japanese tatami room in an elegant mansion. Exactly four characters from The Melancholy of Haruhi Suzumiya are present: Tsuruya, Kyon's little sister, Emiri Kimidori, and Sonou Mori. Accurately preserve each character's recognizable anime appearance, hairstyle, facial features, and personality. The four characters are sitting comfortably on four separate zabuton cushions placed directly on the tatami floor, arranged around one low traditional Japanese wooden table. All four characters are clearly visible and naturally positioned around the same table. The tabletop is covered with many sheets of colorful square origami paper in various bright colors. Some sheets are still completely flat and unfolded, while others are partially folded. All four characters are happily making origami cranes together with their own hands. Clearly show their fingers carefully folding and creasing the square origami paper step by step. Their expressions are cheerful, relaxed, and friendly, as if they are enjoying a peaceful afternoon together. Several completed origami cranes are neatly placed on the table. Every finished crane must have the correct real-world Japanese origami crane structure: one head with a pointed beak, one tail, two symmetrical wings, a properly folded central body, clean sharp creases, and realistic paper construction. No malformed cranes, no bird-like animals made of paper, no extra wings, no extra heads. From the ceiling hangs exactly one completed senbazuru decoration: a single large suspended bundle composed of many small colorful origami cranes threaded together vertically with strings. It is clearly hanging above and behind the group and does not obstruct any character's face. Traditional Japanese mansion interior, spacious tatami room, shoji screens, wooden pillars, elegant Japanese architecture, soft natural daylight entering through the shoji, peaceful domestic atmosphere. The composition emphasizes friendship and teamwork: four friends sitting together around one table, smiling, folding colorful paper cranes, surrounded by the gentle atmosphere of a traditional Japanese room. Authentic Japanese origami, anatomically correct hands, precise finger placement, realistic paper folds, clean origami geometry, highly detailed anime illustration, beautiful cinematic composition, warm and wholesome atmosphere, polished animation-film quality. character: tsuruya, kimidori_emiri, mori_sonou, copyright: suzumiya_haruhi_no_yuuutsu
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A warm and cheerful anime scene inside a large traditional Japanese tatami room in an elegant mansion. Exactly four characters from The Melancholy of Haruhi Suzumiya are present: Tsuruya, Kyon's little sister, Emiri Kimidori, and Sonou Mori. Accurately preserve each character's recognizable anime appearance, hairstyle, facial features, and personality. The four characters are sitting comfortably on four separate zabuton cushions placed directly on the tatami floor, arranged around one low traditional Japanese wooden table. All four characters are clearly visible and naturally positioned around the same table. The tabletop is covered with many sheets of colorful square origami paper in various bright colors. Some sheets are still completely flat and unfolded, while others are partially folded. All four characters are happily making origami cranes together with their own hands. Clearly show their fingers carefully folding and creasing the square origami paper step by step. Their expressions are cheerful, relaxed, and friendly, as if they are enjoying a peaceful afternoon together. Several completed origami cranes are neatly placed on the table. Every finished crane must have the correct real-world Japanese origami crane structure: one head with a pointed beak, one tail, two symmetrical wings, a properly folded central body, clean sharp creases, and realistic paper construction. No malformed cranes, no bird-like animals made of paper, no extra wings, no extra heads. From the ceiling hangs exactly one completed senbazuru decoration: a single large suspended bundle composed of many small colorful origami cranes threaded together vertically with strings. It is clearly hanging above and behind the group and does not obstruct any character's face. Traditional Japanese mansion interior, spacious tatami room, shoji screens, wooden pillars, elegant Japanese architecture, soft natural daylight entering through the shoji, peaceful domestic atmosphere. The composition emphasizes friendship and teamwork: four friends sitting together around one table, smiling, folding colorful paper cranes, surrounded by the gentle atmosphere of a traditional Japanese room. Authentic Japanese origami, anatomically correct hands, precise finger placement, realistic paper folds, clean origami geometry, highly detailed anime illustration, beautiful cinematic composition, warm and wholesome atmosphere, polished animation-film quality.
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ultra
Rozmiar
2048 x 2048
Niepożądane
lowres, worst quality, low quality, bad anatomy, bad hands, text, error, missing fingers, jpeg artifacts, signature, watermark
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character: furude_rika, sonozaki_shion, sonozaki_mion, houjou_satoko, ryuuguu_rena, copyright: higurashi_no_naku_koro_ni pov, from below, looking up, worm's-eye view, 5 girls, five girls, circle, surrounded, low angle, foreshortening, ceiling far above, dim underground tatami room, tatami mats, wooden beams, paper lantern, warm lighting, amber light, orange glow, shadows, pointing at viewer, outstretched arm, outstretched hand, pointing, index finger, laughing, open mouth, smug, smug face, mocking smile, evil smile, grin, sadistic, covering mouth, hand over mouth, giggling, holding fan, folding fan, holding, dominant pose, standing over viewer, arms up, looking down, looking at viewer, intense eye contact, direct eye contact, staring, long orange hair, short hair, purple bow, hair between eyes, blue eyes, green hair, long hair, twintails, sidelocks, parted bangs, green eyes, hair ribbon, yellow ribbon, short blonde hair, black hairband, purple eyes, fang, long blue-purple hair, hime cut, blunt bangs, hair flower, hair ornament, red bow, kimono, hakama, wide sleeves, school uniform, pleated skirt, seated on floor, floor pov, claustrophobic, psychological, oppressive, dramatic shadows, cinematic lighting, high contrast, masterpiece, best quality, anime style The camera is low, nearly lying on the tatami, staring up from the floor as if the viewer's back is pressed into the woven mat and there is no room to sit up. Five girls ring the viewer in a tight circle, heads tilted down toward the lens, and every pair of eyes lands on the viewer — five sets of eyelids lowered, chins tipped so they look along their noses, lips already curling. Nearest the viewer on the left, a girl with long orange hair cut short and a purple bow sits back on her heels, one arm thrust forward and downward, index finger aimed straight at the lens, her other hand half-covering a laugh; her sailor-collared white dress and blue pleated skirt spread across the mat, a short sleeve sliding up her forearm as she points. Behind her shoulder and further right, a girl with waist-long green hair in twintails and a yellow ribbon in the school uniform stands taller than the rest, one finger up and pointing down at the viewer, a smug mocking smile pulling one corner of her mouth wide, her pleated skirt hanging straight as she leans in. Beside her, a short blonde-haired girl with a black hairband and a single fang showing through her open-mouthed laugh jabs her finger at the viewer, other hand on her hip, blue shorts and belt pouch at her waist, her stance cocked on one leg. Crouched closer and slightly forward, a girl with long blue-purple hime-cut hair, blunt bangs, a hair flower and a red bow leans over the viewer with wide sleeves dropping and red hakama folding under her knees, one hand raised to cover her mouth as she giggles, the other still pointing. At the right edge, a second green-haired girl with long loose hair and a ribbon raises a folding fan in one hand, holding it open and fanning herself slowly, chin lifted, looking down with a heavy-lidded sadistic smirk, her skirt spilling beside another's knee. Their bodies crowd in until they obscure the room, but beyond them the dim underground tatami room reads: a low wooden ceiling with dark beams, paper lanterns hanging warm and low, a single lantern near the back washing orange light across shoulders, faces, and the tops of heads. That warm light is the only obvious source, and it falls from behind and above the circle so the girls' faces glow while the space around the viewer sinks into deep brown shadow. The tatami mats recede from the viewer in strong perspective, their border stripes converging up toward the ring of standing figures, each mat seen edge-on and heavily foreshortened. Colors stay in a warm register — orange, amber and deep umber for light and wood, the girls' greens, blues, oranges and reds glowing out of the gloom. Every arm points down in a fan of converging lines toward the viewer, and the fan's shadow falls across the nearest girl's collarbone. Oppressive, theatrical.
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