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ハエの王BB
Pokaż parametry
- Oryginalny prompt
- Striped underwearStriped underwearStriped underwearStriped underwearbymarukidou,mouki bachou \(ikkitousen\), dark brown hair, long hair, sidelocks, ponytail, hair ornaments, brown eyes, school uniform, necktie, collar, skirt, pink fingerless gloves, socks, heels, large breasts, 1girl, solo,breasts on glass,cheek on glass,blurry foreground,((Angle to see inside from outside)),((The train was jam-packed during rush hour, Men-only train was crowded to capacity,Crowd males tightly surrounded her,Commuters are pressed close around her)),
- Rozmiar
- 768 x 1280
- Kroki próbkowania
- 23
- Metoda próbkowania
- DDIM
- Skala CFG
- 3
- Niepożądane
- bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, censored, artist name, signature, watermark
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満員電車の通学路・制服女子
amatias#0
ゆ
character: nishizumi_miho, copyright: girls_und_panzer
from behind, female child, solo focus, nishizumi_miho, brown hair, short hair, straight bob cut, brown eyes, tareme, large breasts, slender body, narrow waist, ooarai school uniform, white sailor shirt, sailor collar, green pleated skirt, white socks, brown loafers, crowded train, train interior, handrail, strap hangers, commuter crowd, older man behind her, both hands gripping skirt hem, skirt pulled down at the bottom edge, head bowed, looking down, expression of shame, blush, downturned eyes, clenched jaw, trembling, hunched shoulders, arms at sides, sweat, cramped standing pose, overhead fluorescent light, dutch angle, cowboy shot, adult staging, seductive_smile no, heavy atmosphere, motion lines faint
The camera sits behind and slightly above the pair, tilted a few degrees off level, in a tight cowboy shot that keeps both the girl and the man on screen. We see the back of her head and the nape of her neck, her brown hair a short straight bob ending just below the jawline, the fringe hidden from this side. Below the collar the white sailor shirt stretches taut across her back and shoulders, the fabric pulled tight between the shoulder blades, and the green pleated skirt falls from her waist. Her slender silhouette narrows at the waist and rounds into the hips, and from this rear angle the fullness of her chest shows as the shirt fabric drawn forward and out of sight around her ribs, the hem lifting slightly at the sides where the bust pushes the front out of view.
Directly behind her, pressed close in the dense standing crowd, an older man in a plain dark jacket stands with his chest near her back. Both of his hands are down and forward at the bottom edge of her skirt: his fingers are curled into the fabric of the hem on each side, knuckles bent, gripping the green cloth and drawing it slightly downward so the pleats flare and a small gap of white sock appears between the hem and her knees. His wrists and forearms disappear into the crowd of dark coats around them.
Her head is bowed, chin tucked toward her chest, the line of her neck exposed from behind. Her eyes are lowered and unfocused, peering down at the floor between the feet and the train doors, eyes lowered, the far side of her face out of sight. Her shoulders are hunched up and inward, her arms held stiffly at her sides, both hands limp near her thighs, fingers slightly curled and not touching anything. Her weight has shifted onto one foot, the other slightly lifted at the heel, and her jaw is tight, mouth hidden from this angle in the lowered head. The shame reads in the dropped neck, the arms hanging tense, the flare of her shoulders, the stillness of the lowered gaze.
Around them the carriage interior is packed: rows of dark-suited commuters crowd shoulder to shoulder up the length of the train, hanging straps swaying in a row overhead, handrails running the length of the ceiling, a window at the far end smeared and grey with tunnel darkness outside. The composition is dense at the edges and open at the center, the girl held in the narrow gap of space the crowd has left her. No figure other than the girl and the man is detailed; the surrounding passengers are simplified into coats, shoulders, swaying hands on the straps.
The only light is the flat cool overhead fluorescent strip, greenish-white, falling from above and slightly in front of the pair; it pools on the crowns of heads and the shoulders of coats and leaves the space between bodies in shadow. The light strikes the back of her white shirt and the green skirt so the fabric shows its weave and pleat ridges, and it throws a narrow shadow of the two of them onto the carriage door in front. A small gap of white sock shows between hem and floor, where the skirt has been pulled down. Clean digital linework with smooth gradients and a polished standardized commercial illustration finish, palette of white, green and dark navy with sallow fluorescent highlights. Quiet dread.
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Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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