W PixAI prompty sฤ
domyลlnie publiczne, ale twรณrcy mogฤ
je ukryฤ w kaลผdej opublikowanej pracy. Autor tej pracy zdecydowaล siฤ to zrobiฤ, wiฤc sลowa uลผyte do wygenerowania obrazu pozostajฤ
prywatne โ widzi je wyลฤ
cznie autor. Ukrycie promptu nie zmienia niczego wiฤcej: praca nadal jest publiczna, a Ty moลผesz jฤ
polubiฤ, skomentowaฤ i udostฤpniฤ jak zwykle.
Ukryte przez autora
Model i LoRA uลผyte
Podobne obrazy
Pokaลผ wiฤcejHisako Arato
Shiro406
้ ็ดๅค Kagami Sumika
ใใใใผใจ / AruArt
g
character: azki_(hololive)
1girl, solo, looking back, from below, cowboy shot, climbing, entering cockpit, mecha cockpit, open hatch, tight latex suit, skintight, latex pilot suit, glossy latex, long hair, black hair, pink inner hair, streaked hair, multicolored hair, hair intakes, double-parted bangs, bashful, blush, shy smile, hand sign, v, peace sign, holding hatch frame, mecha hangar, sci-fi interior, rim lighting, specular highlights, high-contrast lighting
A low-angle three-quarter shot captures a young woman mid-climb as she boards the elevated cockpit of a towering mecha. Her left foot steps onto the reinforced sill of the open hatchway while her right foot rests on the narrow gantry rung below, shifting her weight upward. Her gloved left hand firmly grasps the structural hydraulic hatch frame to steady herself, fingers wrapped around the matte metal casing. Twisting her upper torso back toward the camera, she raises her right hand to form a bashful two-fingered peace sign beside her shoulder. Her head turns over her right shoulder to look back down toward the viewer with a sheepish, hesitant gaze, cheeks flushed with a soft pink blush and her lips curved in an embarrassed, bashful smile. Her waist-length dark black hair, streaked with vivid magenta-pink inner locks and defined by dual hair intakes and double-parted bangs, sweeps across her back as the motion carries it. She wears a skintight, high-gloss black latex pilot suit with reinforced seams along the ribs and limbs; the taut, mirrored material stretches tight across her shoulders and hips, generating sharp tension wrinkles at the bend of her waist that catch brilliant, clean white specular highlights. Inside the open cockpit, recessed cyan telemetry screens and amber avionics consoles cast a soft ambient glow across the interior pilot seat and rim the side of her face. A subtle whisper of cold decompression mist vents from the cockpit seal seam, drifting past her ankles into the shadowed industrial hangar bay behind. Bashful anticipation.
GGG
pink hair, 1girl, solo, bodysuit, sidelocks, chatting, futuristic room, large breast, mecha pilot suit, fixer, shinkansen, hooded jacket, turquoise trim, zumizumi1254, endfield uniform
ๆจใฆใใ
Odkryj wiฤcej
Polecani uลผytkownicy
Moลผe Ci siฤ spodobaฤ
yoimiya!
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
Mine / ็งใฎใใฎ
ใฟใผใกใใ
โฆ โ โน ๐
(mai)
โโโฆโ๐๐๐! ๐๐จ๐ฎ ๐ฐ๐๐ง๐ง๐ ๐๐จ๐ฆ๐ ๐ข๐ง?โฌฉโคโ
๐๐ข๐๐๐โ็งๅณ ้ฌผ็ซ~๐ป
the queen
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
the lancer
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
๐ตSurtur
helanx
ใใทใฅ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
์์
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
์๋ญ์ง ์๋์ ๋ค์ ๋ถ๊ณ๋ง๋ฌ
๐ง๐
Janet reno
เป๊ฑยท ๏พโผ๏ธ
็้ญ2(Raw Fish 2)
Gojo & Geto's Playful Selfie! โจ
Momo
The Empress of the Violet Abyss ๐๐
wisely
๐ป ๐ฌ ๐
(mai)
โโบโโ๐ช๐ฏ๏ธโโบโโ
(mai)
(โ -โ _โ -โ )โ ๐ฌโก๏ธ
(mai)
(ใฃ.โ แด โ.)ใฃ๐ซง๐
(mai)
๐ฉ๏ธโ๐พ(โ โธโธโ แตโ แดโ แตโ โธโธโ )โ โณ๏ธ
(mai)
โ
(mai)
่่ฝฆ
ๆ็ฉบsky
1
โ โง ๐ ๐งฃ ๐ โง
(mai)
โ (โ *โ หโ ๏ธถโ หโ *โ )โ .โ ๏ฝกโ *โ โก ๐ โ
(mai)
Komentarze