島風さん
ぶんぶん
W PixAI prompty są domyślnie publiczne, ale twórcy mogą je ukryć w każdej opublikowanej pracy. Autor tej pracy zdecydował się to zrobić, więc słowa użyte do wygenerowania obrazu pozostają prywatne — widzi je wyłącznie autor. Ukrycie promptu nie zmienia niczego więcej: praca nadal jest publiczna, a Ty możesz ją polubić, skomentować i udostępnić jak zwykle.
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A medium shot from a slightly elevated angle looking down into a small wooden cubby, where a young woman is confined within a narrow wooden shelf compartment. The woman, with long brown hair and a neutral expression with eyes slightly open, is lying on her side in a slightly curled position, completely wrapped in multiple layers of grey duct tape in a mummification style. Her arms are taped tightly to her body and her legs are bound together, rendering her immobile and stored like an object. She is dressed in simple attire that is now entirely covered by the tight, silver-grey adhesive tape. The setting is a dim wooden room with detailed wood grain textures on the shelves and floor, creating a suffocating and confined atmosphere. The lighting is dim and moody, emphasizing the realistic materials of the rough-hewn wood and the reflective, crinkled surface of the duct tape, with a shallow depth of field focusing on the bound figure.
Bertrand Poil
響さん
ぶんぶん
A medium shot from a slightly elevated angle looking down into a small wooden cubby, where a young woman is confined within a narrow wooden shelf compartment. The woman, with long brown hair and a neutral expression with eyes slightly open, is lying on her side in a slightly curled position, completely wrapped in multiple layers of grey duct tape in a mummification style. Her arms are taped tightly to her body and her legs are bound together, rendering her immobile and stored like an object. She is dressed in simple attire that is now entirely covered by the tight, silver-grey adhesive tape. The setting is a dim wooden room with detailed wood grain textures on the shelves and floor, creating a suffocating and confined atmosphere. The lighting is dim and moody, emphasizing the realistic materials of the rough-hewn wood and the reflective, crinkled surface of the duct tape, with a shallow depth of field focusing on the bound figure.
Bertrand Poil
