Pokaż parametry
- Oryginalny prompt
- 古代東方貧民窟髒污窄巷，泥濘濕滑、垃圾與污水，陰暗紀實電影感，手機隨手抓拍，16:9，拍攝腳踝以上，無文字。 成年中國極致艷麗禍國殃民型美人：小巧緊緻短鵝蛋臉，額飽滿，眉骨柔和立體，眼窩略深，高顴不突，頰飽滿柔軟，下頜自然收窄，短小圓尖下巴微前伸。大而狹長含情桃花眼，眼裂修長開合大，圓潤眼頭，外眼角微上揚，清晰雙眼皮，自然飽滿臥蠶，深棕黑水潤瞳。上瞼微垂視鏡頭，即使昏迷仍帶慵懶嫵媚與若即若離的危險從容。纖細挺直鼻樑，小巧微翹鼻尖，窄鼻翼。唇寬適中，唇峰清，上唇微翹，下唇豐潤，嘴角微揚，雙唇微張露極細齒線。細長柳葉眉，眉眼距略近。冷白真實肌膚紋理，低飽和酒紅棕殘妝，冷玫瑰紅頰，石榴紅與暗莓紅漸層唇，下唇中央少量釉光。烏黑長髮散亂垂落貼頰，頭側偏，下巴微收。 白衣仙女穿白色廣袖流仙裙，破損嚴重約八成，廣袖與裙幅撕裂拖地，布料沾滿血污塵土與污泥。重傷昏迷癱倒在髒巷地面，四肢無力攤開，呼吸微弱，楚楚可憐。真人寫實，高級電影感。 負面：長臉、方下頜、錐子臉、過度削骨、瞪眼、呆滯、可愛無辜、未指定服裝、文字水印、現代物件。
- Tag jakości
- high quality, year_2025, year_2024, ﹝Podpowiedzi﹞
- Rozmiar
- 1280 x 720
- Kroki próbkowania
- 25
- Metoda próbkowania
- Euler
- Skala CFG
- 4.5
- Niepożądane
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
Model i LoRA użyte
Podobne obrazy
Pokaż więcej
e2
A mature Chinese woman of ethereal, mesmerizing beauty with a small, compact oval face, full forehead, soft and defined brow ridge, slightly deep-set eyes, high but not protruding cheekbones, full and soft cheeks, naturally narrowing jawline, and a short, round, slightly pointed chin that protrudes slightly. Her large, elongated peach blossom eyes have a long eye slit with a large opening, rounded inner corners, and slightly upturned outer corners, featuring clear double eyelids and naturally full eye bags. Her deep, brown-black eyes are moist and glossy, with drooping upper eyelids gazing at the camera. Even in unconsciousness, her expression carries a sense of lazy sensuality and detached, dangerous composure. Her nose is slender and straight with a small, slightly upturned tip and narrow nostrils. Her lips are of moderate width with clear peaks, a slightly pouting upper lip, and a full lower lip, the corners turned up in a faint smile, slightly parted to reveal a fine line of teeth. Her long, slender willow-leaf eyebrows are set slightly close to her eyes. Her complexion is pale and realistic in texture, with low-saturation wine-red and brown residual makeup, cool rose-red cheeks, and a gradient lip color transitioning from pomegranate red to dark berry red, with a slight glossy sheen on the center of her lower lip. Her long, raven-black hair is disheveled, hanging loosely against her cheeks, with her head tilted to the side and chin slightly tucked.
She wears a white, wide-sleeved celestial gown that is severely damaged, with about eighty percent of the fabric torn, the wide sleeves and skirt panels shredded and trailing on the ground. The white fabric is heavily stained with blood, dirt, dust, and mud. She is gravely injured and unconscious, collapsed on the filthy ground of a narrow alley in an ancient Eastern slum, her limbs limp and splayed out, breathing faintly, presenting a pitiful and fragile figure.
The setting is a narrow, dirty alley in an ancient Eastern slum, muddy, slippery, littered with garbage and sewage, with a dark, documentary film-like atmosphere, resembling a casual, impromptu shot from a mobile phone in a 16:9 aspect ratio. The shot is framed from above the ankles, capturing the gritty realism and high-end cinematic feel of a real-life, dramatic scene.
e2
8k, detail illustration, clean outlines, masterpiece, best quality, a sexy female nakai in a loose kimono, polished wooden corridor, hand holding the sleeve.
Elegant semi-realism, moist texture, horizontal creases floating on the silk, the taiko shape of the obi not collapsing on the back, the tightness of the obijime knot, the depth of the overlap of the collar, the color of the juban peeking from the sleeve cuffs, the height of the vessels lined up on the tray are uniform, the shadow of the hand reflected in the lacquer, the roundness of the fingertips, thin vellus hair on the nape of the neck, the hairline where the hair is tucked behind the ear, capturing the fineness of the skin texture, the blood color at the edge of the lips, the shadow of the shoji lattice falling on the shoulder, the hem of the kimono stopping just above the floor, the gloss and white edges of the nails, a small shadow falling on the tip of the hairpin, the shape of the fingers pressing the sleeve, the kimono tightening once under the obi, a thin line of light running along the edge of the tray.
Weak light through shoji on a rainy day, creating almost no shadows, the background submerged in light gray, light entering uniformly from the front, only the luster of the silk glows quietly, the air is moist and heavy, the distant corridor is dark, bright areas limited to half of the screen.
Composed of indigo, unbleached silk, and lacquer vermilion, saturation kept low, only the vermilion of the tray and the gold of the edge glow, shadows are light blue-gray, no green, no primary colors.
Face placed near the top of the screen with the crown of the head within the frame, gaze looking straight here, the overlap of the collar placed in the center of the screen, the tray cut at the edge of the screen, white space left on only one side, the screen is not symmetrical, the line of the shoulders slightly tilted from the horizontal, background elements limited to two, the four corners of the screen darkened, from the knees up, front view, large breasts, sexiness, masterpiece.
にゃん
slim, long bangs, long eyelashes, puffy tear bags, prominent aegyo sal, yandere eyes, yami-kawaii eyes, obsessive stare, jitome / dead eyes, masterpiece, highly detailed, exquisite details, sharp focus, high resolution, delicate fine linework, soft painterly anime rendering, translucent skin, silky glossy hair, ethereal delicate aesthetic, oiran. Red eyes, black eyelashes, drooping eyebrows, upturned eyes, oiran hairstyle, black hair, oiran clothing, gorgeous and sexy colors, dark brown footwear, old era street, woman, standing, one hand placed on her mouth. Nighttime city street.
おんや
OBRI
Komentarze