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W PixAI prompty są domyślnie publiczne, ale twórcy mogą je ukryć w każdej opublikowanej pracy. Autor tej pracy zdecydował się to zrobić, więc słowa użyte do wygenerowania obrazu pozostają prywatne — widzi je wyłącznie autor. Ukrycie promptu nie zmienia niczego więcej: praca nadal jest publiczna, a Ty możesz ją polubić, skomentować i udostępnić jak zwykle.
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Fluffy Fox Vibes in Pink!
Aline
1boy, solo, dark brown hair, very long hair, curly hair, messy curly hair, orange eyes, glowing eyes, glowing orange eyes, slit pupils, kitsune, fox ears, dark brown fox ears, white ear fluff, no human ears, smooth sides of head, claws, sharp claws, freckles, light skin, red eyeshadow, lips, sweater, oversized knit sweater, dolphin shorts, thigh-highs, bedroom, one eye closed, wink, from above, looking up at viewer, head tilt, sitting on bed, knees up, arm support, leaning back on one hand, dark brown tails, six tails, six dark brown fluffy tails, tail fluff, cozy, warm lamp light
The camera looks down from above at a boy sitting on a bed in a small bedroom, one knee drawn up, the other leg folded under him, his weight propped on one straight arm planted behind his hip so his chest leans back and his shoulders sit open. Dark brown curly hair, very long and heavy with its own weight, spills over the pillow behind him and pools in loose spirals across the duvet, a few strands stuck flat to the damp of his temple. His head tilts up toward the lens, one eye shut in a wink with the corner of that brow pushed up, the other eye wide open and glowing orange with a hard vertical slit pupil that throws a thin amber rim of light onto the skin beneath it; red eyeshadow smudges the shut lid and the open one alike, and his lips are parted on a small lopsided smirk, a scatter of freckles crossing his nose and both cheeks.
Atop his head sit two dark brown fox ears, tall and upright, each inner edge lined with a dense tuft of white fluff; the sides of his head are smooth and unbroken where human ears would sit, with nothing there at all. Six dark brown tails fan out behind and around him across the mattress, three curling to the left past his hip to hang over the bed edge, two sweeping up behind his shoulder, one draped forward across his shin so the tip rests near his knee; the fur is deep chocolate brown with faint paler banding on the last third of each tail. His propped hand presses into the mattress, fingers spread and the sheets creasing into a shallow dent around them, and the black curved claws on those fingertips catch the lamp light along their edges; his other hand rests open on his raised knee, claws tucked against the knit of the sweater sleeve.
The sweater is a thick oatmeal knit, oversized, its collar loose and slipping to bare the point of one collarbone, its cuffs swallowing his wrists, its hem bunching over the waistband of soft black dolphin shorts with their short curved side slits. Dark charcoal thigh-highs rise to mid-thigh, the knit stretched thin and slightly see-through over the front of his knee, the elastic cuff pressing a faint band into the skin of his leg.
The room is a real bedroom around him: an unmade duvet, a pillow against the headboard, a wooden nightstand at the left edge of the frame holding the single warm lamp that lights the scene, and a curtained window beyond it where the night outside stays a flat cool blue. The lamp is the only light source; it stands low and to the left, so the light climbs his face from below-left, catches the white ear fluff and the claw tips, and lets the far side of his jaw and the deep interior of the curled hair fall into soft brown shadow, with his long dark shadow and the shadows of three tails thrown across the duvet toward the right edge of the frame. Palette of warm honey and dark chocolate against the cold blue window and the oatmeal knit. The bedspread dips under his propped palm while the mattress bulges up beside it, quiet and cozy.
Teodor
1boy, solo, dark brown hair, very long hair, curly hair, messy curly hair, orange eyes, glowing eyes, glowing orange eyes, slit pupils, red eyeshadow, lips, freckles, light skin, kitsune, fox ears, dark brown fox ears, white animal ear fluff, no human ears, bare temples, six tails, dark brown tails, claws, sharp fingernails, sweater, oversized cable-knit sweater, dolphin shorts, thigh-highs, white thigh-highs, bedroom, lying down, lying on stomach, one eye closed, looking at viewer, head tilt, from above, close-up, dutch angle,
Shot from above at a slight dutch tilt, the camera hovering over the pillow end of a rumpled bed, closing in on one young man sprawled on his stomach across a dark wood bed. He lies diagonally across the mattress, chest and hips pressed down, elbows planted in the duvet with both forearms folded in front of him so his chin could rest near his wrists but doesn't — his head is turned up and back over his right shoulder toward the lens, tilted so the crown of his head points to the lower left corner of the frame. Dark brown hair, very long and curly, spills in loose heavy coils across the pillow, over the mattress edge if it reaches that far, a few ringlets falling across his brow; the curls catch the light in tight spirals around the skull and fan out in a wide dark mass behind him. His fox ears sit on top of his head, tall and dark brown, the inner fluff a starched white that rims each ear; the sides of his head where human ears would be are smooth and bare, with only the cascade of curls covering them. His left eye is squeezed shut into a single curved line, lashes pressed together; his right eye is wide open, glowing orange and lit from within, the slit pupil a narrow black blade down the middle, a crescent of red eyeshadow smoking out past the outer corner. Freckles scatter across the bridge of his nose and both cheekbones, faintly visible through the warmth of the light. His lips are parted in a lazy half-smile, lower lip caught between his teeth just slightly, one corner pulled up higher than the other. His fingers curl over the duvet, claws pushing into the fabric and leaving small dimples in the cloth, the tips of the claws pale against the dark brown and the duvet bunched up under his knuckles. Behind and around him, six dark brown tails fan out in a wide arc across the bed, some draping over the mattress edge and one curling up near his hip; the fur ruffles with a faint static lift where the duvet is disturbed. He wears an oversized cream cable-knit sweater that bunches at his wrists and rides up slightly at the waist, the knit cables heavy and shadowed. Below it, dark grey cotton dolphin shorts with white piping, then white thigh-high stockings pulled up high, a strip of bare thigh between the shorts hem and stocking top. The bed is a real bedroom: a dark wood headboard just visible at the top edge of frame, a pillow crumpled under his chest, a sheet twisted at the foot, and the glow of a small warm lamp from the left edge of frame falling across the mattress. The lamp is the only light source; it lights the left side of his face, the edge of the pillow, the white ear fluff on his left ear, and leaves the right side of his face and the tails falling into shadow. His cast shadow falls away to the right, over the bunched duvet, and the slit of light through the ear fluff glows where it catches. Warm cream, dark brown, white and the orange of his glowing eye — nothing else. Cozy, teasing, lazy afternoon light.
Teodor
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Love live! School idol maid - Hanayo koizumi
AMnatsu
character: tenma_tsukasa
"", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
character: kagamine_rin, copyright: vocaloid
lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
໒꒱· ﾟ◼️
生魚2(Raw Fish 2)
✦ ₊ ⊹ 🌑
(mai)
🎵Surtur
helanx
✦ ₊ 🪞 🗝️ 🫧 ₊ ✦
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음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
Mine / 私のもの
みーちゃん
⋆𐙚 🎃 🫖 🍁 ✧
(mai)
![AI art "Ceres [41]"](https://images-ng.pixai.art/ji/thumb/0654320c-4126-41e2-b133-d4998b21982f)
Ceres [41]
snow
6
🩵🪽.⋆𝜗𝜚
生魚2(Raw Fish 2)
37
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
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the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
dz
Midnight Aesthetic: Monochrome Vibe
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The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
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The Enchantress of the Violet Blossomsーシャンプー
moon221B
👁️🗨️🦇🗝️🕯️
(mai)
Halloween
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