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AI art "走っているまひろを見つめているもみじたちを作りたかったけど失敗" featuring #Onimai: I'm Now Your Sister!, #Mahiro Oyama and #Momiji Hozuki
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走っているまひろを見つめているもみじたちを作りたかったけど失敗

Sztuka AI „走っているまひろを見つめているもみじたちを作りたかったけど失敗” autorstwa もみまひは至高なのですよ! na PixAI. Tagi: Mahiro Oyama, Momiji Hozuki, Onimai: I'm Now Your Sister!. Utworzono z Tsubaki.

#Onimai: I'm Now Your Sister!#Mahiro Oyama#Momiji Hozuki
も

もみまひは至高なのですよ!

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copyright: onii-chan_wa_oshimai!, character: oyama_mahiro, In the foreground, three characters are silhouetted against the sunset, standing in the shadow of a school building as they watch Oyama Mahiro running in the distance. The three characters are dressed in school uniforms, with two of them having their backs turned to the viewer, and the third character, Hozuki Momiji, is covering her mouth with her hand as she watches. Oyama Mahiro, a girl with long pink hair and an ahoge, is wearing a red track suit and a headband as she runs across the school's athletic field. The sky is a vibrant orange and red, with the sun setting in the distance. The school building is visible in the background, and the entire scene is bathed in the warm, golden light of the sunset.
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Oryginalny prompt
まひろ画面奥でグラウンドを走っている。 お兄ちゃんはおしまい！，緒山まひろ。 体操服姿，女子用の赤いジャージ上下を着ている，頭に鉢巻が巻いてある，まひろ学校のグラウンドを走っている。 画面手前に走るまひろを見つめる三人の後ろ姿，3人とも制服姿，3人とも校舎の影に隠れるようにしてまひろを見つめている，桜花あさひ穂月もみじに口を押さえられている。 学校のグラウンド，夕焼けに染まるグラウンド。
Tag jakości
high quality, year_2025, year_2024, ﹝Podpowiedzi﹞
Rozmiar
1024 x 1024
Kroki próbkowania
25
Metoda próbkowania
Euler
Skala CFG
4.5
Niepożądane
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name

Model i LoRA użyte

Tsubaki - AI Model cover image

PixAI DiT.1

Tsubaki
8.85k

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character: yoshimoto_shizuka, yakuzen_kusuri, i-19_(kancolle) 3 girls, multiple girls, yoshimoto_shizuka, yakuzen_kusuri, i-19_(kancolle), long hair, hair between eyes, very long black-blue hair, blue eyes, white collared shirt, long sleeves, grey sweater vest, red neck ribbon, armband, purple hair, antenna hair, white bow, medium hair, short bangs, white shirt, blue denim shorts, black kneehighs, blue hair, tri tails, white hair ribbons, red eyes, fang, black shirt, blue jacket, blue shorts, from below, wide shot, dutch angle, standing back to back, three-point composition, low angle, looking at viewer, smug, grin, one eye closed, open mouth, :d, hair blown sideways, wind, rooftop, dusk, city skyline, lens flare, dramatic sky, no text, empty hands at sides, mid-turn Camera sits low on the roof membrane, tilted a few degrees off level so the skyline runs diagonally behind the three figures; the three stand shoulder to shoulder in a loose back-to-back triangle at the parapet, seen from below so their bodies stack tall against the open sky. On the left, the girl with very long black hair that falls past her hips, blue eyes, a white collared shirt under a grey sweater vest with the red neck ribbon knotted at her throat and the armband on her sleeve: her weight is on her right foot with the left knee bent forward, one hand pushing the loose hair back from between her eyes and the other pressed flat against the parapet ledge, chin tipped down toward the camera with a faint closed-lipped smile, lashes lowered. In the center, the shorter girl with purple medium-length hair and two short bangs sticking up like antennae, the small white bow clipped at one side: she is caught mid-turn, hips swung one way and shoulders the other, both hands clasped behind her back, head tilted, one eye squeezed shut and the other wide with a mischievous open-mouthed grin showing the tip of her tongue, white shirt and blue denim shorts wrinkled by the twist, black kneehighs bunching at the ankle. On the right, the girl with blue hair tied into three tails by white ribbons, red eyes, a small fang at the corner of her smirk, black shirt under an open blue jacket, blue shorts, her stance wide and planted, thumbs hooked at her waistband, looking straight down the lens with a lopsided, confident smirk, a stray wisp of hair whipping across her cheek. The camera's low vantage puts the parapet edge as a hard horizontal line cutting behind their knees, the rooftop gravel and seam lines receding in foreshortened diagonal perspective; behind them the dusk sky dominates two-thirds of the frame, a gradient from deep indigo at the top to orange and dusty rose near the horizon where the city's blocky silhouettes stack in diminishing scale, distant roofs and antennas simplified to flat dark shapes, a few windows catching the last warm light. Wind moves from camera-left across the roof: hair streams to the right, the white shirt collars and jacket flap toward the right edge, and the hem of the denim shorts lifts and ripples — the direction is consistent across all three and across the loose red ribbon ends. The sun sits low behind the buildings at frame right, a single warm source that rims the three figures' hair and shoulders with thin orange edge light, throws long stretched shadows forward onto the gravel toward the camera, and leaves their faces in soft cool reflected light from the sky; a broad anamorphic flare streaks horizontally across the upper right, only where the sun clips the parapet. Palette is disciplined to indigo, orange and dusty rose in the sky, cool grey concrete, the white shirts and black garments of the figures, with the red ribbon and the red eyes as the only hot accents. A plastic convenience-store bag is caught on the parapet corner, snapping taut and relaxing with the gusts, its crinkle the visible gauge of the wind. Crisp cel-shaded linework, clean flat shading with a single hard shadow tone, saturated dusk palette, subtle atmospheric haze in the far skyline. Exhilarated, effortlessly cool.
Maksim Lp

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4#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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