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AI artwork featuring #Przepis na jedno kliknięcie na 4. rocznicę PixAI
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Przepis na jedno kliknięcie na 4. rocznicę PixAI

#Przepis na jedno kliknięcie na 4. rocznicę PixAI
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maid, apron, two side up, long hair, hair over one eye, headdress, smile, parted lip, one eye closed, purple, pink, frills,,
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1840 x 1104

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character: francoise_(eurasia) (higigi_style:1.7), flat cel-shading, hard edge shading, bold lineart, smooth linework, matte coloring, masterpiece, manga digital illustration, official art, tenere_mix, cinematic, vibrant color, interesting composition, colored bold lineart, colored thick linework, francoise_eurasiaw, maid outfit, huge chest, slender waist, expressionless, knee on table,single outstretched arm, single support on table, one third view from above, face closeup, simple color background in frame,
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AI artwork
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character: rem_(re:zero), emilia_(re:zero), echidna_(re:zero), ram_(re:zero), copyright: re:zero_kara_hajimeru_isekai_seikatsu 1girl, solo, fusion of four women, tall slender figure, very long flowing hair, purplish silver hair, iridescent hair with silver light blue and pink strands blended, hair between eyes, butterfly hair ornament, x hair ornament, flower hair ornament, side braid, mismatched eyes, one purple eye and one blue eye with red-rimmed iris, white eyelashes, large breasts, busty, arms spread wide, open arms, welcoming pose, standing, from below, slight dutch angle, looking at viewer, half-closed eyes, faint knowing smile, black and white layered dress, maid apron, detached sleeves, purple ribbon at collar, bare shoulders, frilled hem, dark stockings, thigh boots, dark background, dim chamber, faint glow, Low camera looking up at her from knee height, tipped a few degrees off level so the horizon of her spread arms slants; she stands alone in an empty dark stone chamber, no other figures in frame, and the low eye raises her above the vanishing point so the open arms arc across the top of the image. Her very long hair falls past her hips and is the first thing the picture commits to: one continuous mass, not streaks glued on, in which silver strands carry the length, light blue sits in the shadowed under-layers, and pink runs warmest along the outer edges, all of it reading together as a purplish silver that shifts hue as the cloth-like strands twist; a white butterfly ornament is pinned over her right temple, a small crossed pin over her left, and a short crown braid with a single pale flower is tucked along the left side of her part, while the center lock drops between her brows to the bridge of her nose. Her face holds the four of them at once without splitting: her right eye is clear purple with white lashes, her left eye pale blue rimmed in dark red, both half-lidded, and her mouth carries a faint closed smile, chin slightly dipped, so she looks down the long axis of the lens and waits. The dress is one garment sewn from four attitudes: a white Emilia-style bodice with bare shoulders and a purple ribbon knotted at the throat, over which a black witch's overdress with a high dark collar hangs open front, and a white maid apron with frilled bib and waist ties strapped across the black layer; detached white maid sleeves bell at the elbow and end where her forearms emerge, and the frilled white hem rides over dark stockings tucked into thigh boots. Her chest is full and leans forward, the apron bib stretched taut across it and the neckline of the white bodice cut low, the black overdress pushed apart by the bust so it opens in a wide V. Both arms are spread wide and slightly back from the vertical, palms open and turned forward at shoulder height, fingertips relaxed and separated, elbows soft; her weight is on her right hip with the left knee eased forward, so the hem swings and a few pink-tipped strands lift off her left shoulder where her arm has raised them. The chamber is a shallow void: a fitted dark stone floor with faintly reflective polish beneath her boots, behind her a plain black wall that swallows detail, no furniture, no window. A single dim pale source from above and just behind her right shoulder lays a thin rim on her hair and the tops of both forearms, and the only other light is the low greenish-white glow seeping up through the polished floor around her boots; where that underlight strikes the undersides of the apron frills and the inner faces of her spread arms it lights them, and everything above her collarbones is lit only by the weak rim, so her face sits in soft shadow with the shine of her mismatched eyes the brightest points in the picture. Her long shadow is thrown forward at the camera's feet on the reflective floor, and the small puddle-like glow spreads in widening rings from each boot sole — the polish dimming her reflection and softening it rather than mirroring it. Palette held to dark stone, white, black, and the silver-blue-pink of her hair and eyes. Quiet, expectant, slightly unsettling.
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