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Locked Victorique
Pokaż parametry
- Oryginalny prompt
- Victorique from Gosick. Front view, sits on floor, looks down a bit, tilt head, mature, stares into the void, black dress, endless staircase near, books of various colors on the floor, light particles, high quality, sunlight coming from top right to bottom left, room with tall windows, tall bookcase filled with books, dust, mouth slightly open, tear on right eye
- Tryb
- pro
- Rozmiar
- 1104 x 1824
- Niepożądane
- lowres, worst quality, low quality, bad anatomy, explicit
Pomocnik podpowiedzi
Model i LoRA użyte
Podobne obrazy
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1girl, solo, young girl, long blonde hair, grey eyes, sitting, sitting on floor, stacked books, lots of books, pile of books, surrounded by books, lost in thoughts, calm expression, closed mouth, half-closed eyes, looking down, blue dress, sleeveless dress, pleated skirt, extravagant room, tall bookshelves, cool tones, blue palette, from below, low angle, cowboy shot, heavy atmosphere, dust motes, volumetric light, hand on book, head tilt, knees up
Low camera placed near the floor, tilted up: the girl sits in the middle of a ring of stacked hardcovers, knees drawn up and turned to her left, her weight settled on her right hip and right thigh flat on the parquet, left knee higher, left foot tucked under the right calf. Her right hand rests palm-flat on the top board of the nearest stack beside her hip, fingers just over its fore-edge; her left forearm lies across her raised knee, the hand loose and empty. Her blonde hair falls in two long curtains over her shoulders, one lock slipping forward across her collarbone, the ends pooling on the floorboards among the books. She wears a sleeveless blue dress in plain cotton, its pleated skirt fanned and creased where it presses the floor, the hem riding up over her right knee. Her head tilts slightly toward her lowered left shoulder; grey eyes are half-lidded and cast down and away to the lower right, unfocused on anything, fixed on the gap between two book spines; lips closed and relaxed, brows level, no smile -- thought that has gone quiet and a little far away. The stacks surround her at uneven heights, some waist-high, spines worn at the corners, a few volumes open face-down to hold a place, one leaning tower ready to topple. Extravagant room behind and above: a coffered ceiling with gilt moulding, a tall arched window at the left, carved panelling climbing into shadow, the tops of the shelves lost beyond the upper edge of the frame. Cool key light pours in from that window in one broad shaft, catching the blonde hair, the near cheek, the top edges of the book pages and the upper folds of the dress; everything below and to the right of her falls into blue-grey shadow, and her small cast shadow lies stretched across the boards toward the camera. The light shaft is thick with drifting dust, each mote bright and the air around them visibly hazy, so the beam reads as a solid pale-blue volume of air. Palette held to cool tones only: dusty blue, slate grey, silver-gilt trim, cold pale skin, no warm accent admitted. Impasto-influenced anime painting with pronounced lighting highlights, luminous highlights against rich muted tones, a subtle retro flair mixed with Western illustration, textured visible brushwork in the gilt and the fabric. Quiet, heavy, contemplative.
fishyfishyfish
1girl, solo, blonde hair, long straight blonde hair, grey eyes, calm expression, pensive, lost in thought, sitting, sitting on floor, knees up, arms wrapped around shins, chin resting on knees, looking down, gaze lowered, half-closed eyes, stacked books, lots of books, piles of books, leather-bound hardcover books, navy blue pleated skirt, white high-collared blouse, puffed sleeves, extravagant room, ornate interior, cool tones, from above, high angle, wide shot, dutch angle, heavy atmosphere, dust motes in light beam, tall arched window, deep shadow, impasto-influenced anime painting, luminous highlights, muted cool palette.
The camera looks down from a high angle, tilted slightly off the vertical in a slow dutch angle, so the girl reads small at the base of a room that rises around her. She sits on the floor with her back to the base of a tall carved bookcase, both knees drawn up and her shins crossed at the ankle; her arms wrap around her shins with her hands clasped over one another against the outside of her left knee, her chin resting on the top of her knees. Her blonde hair falls straight and heavy past her shoulders, pooling slightly where it slips over the knee she rests on, a few strands caught against her blouse collar. She wears a high-collared white cotton blouse with puffed sleeves, the collar buttoned to the throat and the cuffs buttoned at her wrists, and a pleated navy blue wool skirt that fans and creases against the floor beneath her hips. Her grey eyes are lowered and unfocused, gone soft and slightly away from the lens, lids half-lowered, lips closed and quiet — a calm, inward face with no smile and no tension.
Around and behind her the floor is heaped with towers of leather-bound hardcover books stacked haphazardly to varying heights, some leaning against the bookcase, one low pile beside her hip within reach of her elbow, deeper drifts of books receding into the shadowed middle ground and losing their edges in dimness. The room is extravagant and tall: coffered ceiling out of frame, dark fluted pilasters, gilded cornice catching a thin line of light, a massive arched window at the left casting a single long taper of cool daylight across the floor to her side, illuminating the upward faces and spines of the nearest books while leaving the undersides and the seams between stacked volumes in deep shadow. Every surface that faces up catches pale cool light; the rest sinks into blue-grey darkness. The stacks throw long soft shadows sideways toward the right of frame, and fine dust hangs visible in the beam, drifting, settling on the tops of the book piles and the crown of her hair. Nothing warm enters the palette — blonde gold and parchment cream against blue-grey shadow, navy wool, white cotton, and thin gold leaf on the cornice; the darkness beyond the beam is absolute and weighty. Quiet, heavy, still.
fishyfishyfish
ひじき
1girl, solo, young girl, long blonde hair, grey eyes, sitting, sitting on floor, stacked books, lots of books, pile of books, surrounded by books, lost in thoughts, calm expression, closed mouth, half-closed eyes, looking down, blue dress, sleeveless dress, pleated skirt, extravagant room, tall bookshelves, cool tones, blue palette, from below, low angle, cowboy shot, heavy atmosphere, dust motes, volumetric light, hand on book, head tilt, knees up
Low camera placed near the floor, tilted up: the girl sits in the middle of a ring of stacked hardcovers, knees drawn up and turned to her left, her weight settled on her right hip and right thigh flat on the parquet, left knee higher, left foot tucked under the right calf. Her right hand rests palm-flat on the top board of the nearest stack beside her hip, fingers just over its fore-edge; her left forearm lies across her raised knee, the hand loose and empty. Her blonde hair falls in two long curtains over her shoulders, one lock slipping forward across her collarbone, the ends pooling on the floorboards among the books. She wears a sleeveless blue dress in plain cotton, its pleated skirt fanned and creased where it presses the floor, the hem riding up over her right knee. Her head tilts slightly toward her lowered left shoulder; grey eyes are half-lidded and cast down and away to the lower right, unfocused on anything, fixed on the gap between two book spines; lips closed and relaxed, brows level, no smile -- thought that has gone quiet and a little far away. The stacks surround her at uneven heights, some waist-high, spines worn at the corners, a few volumes open face-down to hold a place, one leaning tower ready to topple. Extravagant room behind and above: a coffered ceiling with gilt moulding, a tall arched window at the left, carved panelling climbing into shadow, the tops of the shelves lost beyond the upper edge of the frame. Cool key light pours in from that window in one broad shaft, catching the blonde hair, the near cheek, the top edges of the book pages and the upper folds of the dress; everything below and to the right of her falls into blue-grey shadow, and her small cast shadow lies stretched across the boards toward the camera. The light shaft is thick with drifting dust, each mote bright and the air around them visibly hazy, so the beam reads as a solid pale-blue volume of air. Palette held to cool tones only: dusty blue, slate grey, silver-gilt trim, cold pale skin, no warm accent admitted. Impasto-influenced anime painting with pronounced lighting highlights, luminous highlights against rich muted tones, a subtle retro flair mixed with Western illustration, textured visible brushwork in the gilt and the fabric. Quiet, heavy, contemplative.
fishyfishyfish
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