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Contest Entry
PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
W PixAI prompty są domyślnie publiczne, ale twórcy mogą je ukryć w każdej opublikowanej pracy. Autor tej pracy zdecydował się to zrobić, więc słowa użyte do wygenerowania obrazu pozostają prywatne — widzi je wyłącznie autor. Ukrycie promptu nie zmienia niczego więcej: praca nadal jest publiczna, a Ty możesz ją polubić, skomentować i udostępnić jak zwykle.
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1girl, solo, black hair, long black hair, blue eyes, short jumper skirt, purple-gray dress, grayish-purple JSK, sleeveless dress, thin shoulder straps, detached sleeves, white detached sleeves, frilled detached sleeves, ruffled sleeves, arm coverings not connected to bodice, bare shoulders, black choker, tight choker, large satin ribbon bow at throat, front bow, black thighhighs, zettai ryouiki, platform shoes, Mary Jane shoes, black footwear, professional photo studio, seamless studio backdrop, softbox lighting, standing, weight on one leg, hip cocked, hands clasped behind back, leaning slightly forward, head tilt, charmed smile, closed-mouth smile, one eyebrow slightly raised, blush, looking at viewer, from above, cowboy shot, high angle, studio portrait, eye-level falloff, gray and white palette, deep black accents, purple-gray focus, elegant, charming
The camera looks down from a slightly raised angle, a high-angle three-quarter view that catches the top of her head and follows the long black hair falling past her shoulders down to her waist. She stands on a seamless pale-gray studio sweep, her weight settled on her right leg with the left knee slightly bent and the toe of that platform Mary Jane just touching the floor — the chunky black shoe with its strap across the instep and rounded toe. Her short JSK in purple-gray falls to mid-thigh; the thin straps lie flat against her shoulders, leaving her upper chest and arms bare until the detached white sleeves begin mid-upper arm. Those frilled white sleeves are clearly separate, their ruffled top and bottom edges floating away from the dress bodice, covering her arms without joining the garment. The tight black choker sits snug at her throat, and the large satin bow at its front catches the light in crisp folds, its loops standing proud against the white of her skin.
Her hands are clasped together behind her back, elbows slightly flared, which pulls the straps taut and tilts her shoulders forward a little. She leans just a touch toward the camera, chin dipped, tipping her face up under her brow so her blue eyes meet the lens directly. Her expression is charming and self-possessed: a closed-lip smile that lifts one corner higher than the other, a faint blush across the cheeks, one eyebrow arched a fraction. Her black hair is smooth and straight, a strand slipped forward over her right collarbone, the rest falling behind her shoulders with a soft shift where the tilt turns her head.
The studio is a professional setup: the pale-gray seamless background curves down to the floor without a crease, and a large softbox at camera left throws a broad, even light across her face, lighting the left cheek and the bow while the right side of her jaw and the far side of her neck fall into gentle shadow. A second, weaker fill from the right keeps the shadow open, and a rim light from high behind her outlines the black hair and the shoulders of the white sleeves. Her shadow pools softly on the floor behind and to her right, short and diffused under the high key. The palette is disciplined: purple-gray in the dress, crisp white in the detached sleeves, and deep black in the hair, choker, thigh-highs and Mary Janes, all against the neutral gray ground. A soft catchlight sits in each blue eye; the satin bow's highlight is a hard, narrow glint where the fabric folds, not a diffuse sheen. Charming and poised.
oconer44414
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Leviathan
1girl, solo, black hair, long black hair, blue eyes, short jumper skirt, purple-gray dress, grayish-purple JSK, sleeveless dress, thin shoulder straps, detached sleeves, white detached sleeves, frilled detached sleeves, ruffled sleeves, arm coverings not connected to bodice, bare shoulders, black choker, tight choker, large satin ribbon bow at throat, front bow, black thighhighs, zettai ryouiki, platform shoes, Mary Jane shoes, black footwear, professional photo studio, seamless studio backdrop, softbox lighting, standing, weight on one leg, hip cocked, hands clasped behind back, leaning slightly forward, head tilt, charmed smile, closed-mouth smile, one eyebrow slightly raised, blush, looking at viewer, from above, cowboy shot, high angle, studio portrait, eye-level falloff, gray and white palette, deep black accents, purple-gray focus, elegant, charming
The camera looks down from a slightly raised angle, a high-angle three-quarter view that catches the top of her head and follows the long black hair falling past her shoulders down to her waist. She stands on a seamless pale-gray studio sweep, her weight settled on her right leg with the left knee slightly bent and the toe of that platform Mary Jane just touching the floor — the chunky black shoe with its strap across the instep and rounded toe. Her short JSK in purple-gray falls to mid-thigh; the thin straps lie flat against her shoulders, leaving her upper chest and arms bare until the detached white sleeves begin mid-upper arm. Those frilled white sleeves are clearly separate, their ruffled top and bottom edges floating away from the dress bodice, covering her arms without joining the garment. The tight black choker sits snug at her throat, and the large satin bow at its front catches the light in crisp folds, its loops standing proud against the white of her skin.
Her hands are clasped together behind her back, elbows slightly flared, which pulls the straps taut and tilts her shoulders forward a little. She leans just a touch toward the camera, chin dipped, tipping her face up under her brow so her blue eyes meet the lens directly. Her expression is charming and self-possessed: a closed-lip smile that lifts one corner higher than the other, a faint blush across the cheeks, one eyebrow arched a fraction. Her black hair is smooth and straight, a strand slipped forward over her right collarbone, the rest falling behind her shoulders with a soft shift where the tilt turns her head.
The studio is a professional setup: the pale-gray seamless background curves down to the floor without a crease, and a large softbox at camera left throws a broad, even light across her face, lighting the left cheek and the bow while the right side of her jaw and the far side of her neck fall into gentle shadow. A second, weaker fill from the right keeps the shadow open, and a rim light from high behind her outlines the black hair and the shoulders of the white sleeves. Her shadow pools softly on the floor behind and to her right, short and diffused under the high key. The palette is disciplined: purple-gray in the dress, crisp white in the detached sleeves, and deep black in the hair, choker, thigh-highs and Mary Janes, all against the neutral gray ground. A soft catchlight sits in each blue eye; the satin bow's highlight is a hard, narrow glint where the fabric folds, not a diffuse sheen. Charming and poised.
oconer44414
1girl, solo, black hair, long black hair, straight hair, blue eyes, short jumper skirt, grayish purple dress, purple-gray JSK, thin shoulder straps, white detached sleeves, short detached sleeves, frilled sleeves, top frills, bottom frills, bare shoulders, visible gap between sleeve and bodice, black choker, tight collar, large satin ribbon bow at throat, front ribbon bow, black thighhighs, black platform Mary Jane shoes, mary janes, platform footwear, full body, standing, from below, low angle, foreshortening, looking down at viewer, head tilt, hand on own head, hand in hair, breeze, looking to the side, light smile, half-closed eyes, dutch angle, outdoors, stone stairway, overcast daylight
The camera sits low at the foot of a stone stairway and tilts a few degrees off vertical, so the single girl towers a little and the steps recede up and behind her; she is seen from below in mild foreshortening, her left foot planted flat on the lower step and her right foot set one riser higher, which swings her right hip up, the short grayish-purple jumper skirt hanging from two thin shoulder straps and flaring slightly with the twist. Her black hair, long and straight, is caught mid-lift by a cross-breeze and sweeps to her right, several strands crossing her cheek and one strand catching between her lips. Her white detached sleeves are completely separate pieces: a narrow bare band of shoulder and upper arm shows between each sleeve's upper frill and the dress strap, each sleeve's double scalloped frill at top and bottom lifting off the skin with the air, and her arms themselves are what the fabric rides on as she lifts her right hand and sinks it into the hair above her right ear, elbow out, the sleeve's lower frill bunching at her forearm. Her left hand hangs loose, fingers brushing the hem of the skirt. Around her throat the tight black collar sits snug against the skin, and the large satin bow at its front has one long tail lying flat across her collarbone and the other flicked up at the edge by the wind, its satin facing holding a hard pale highlight along the fold. Black thigh-high stockings band the top of each thigh with a taut elastic line pressed just into the skin there, and the black platform Mary Janes sit heavy on the stone, one ankle strap slightly displaced by her weight on the higher riser; the flat of the lower step is clean, the far steps hold a scatter of tiny leaves in their corners. The light is flat overcast daylight coming from above and behind the camera, cool and shadowless on her face, with a slightly colder blue in her skin's shaded side and the big dark mass of the staircase behind her keeping the upper half of the frame quiet; the girl's own cast shadow is faint and short, falling directly beneath her planted left shoe. The palette is held to grayish purple, white, black and cool stair-stone gray, with the only blue pulling through the iris and a single satin sheen on the bow. Her gaze drops down past the lens to the viewer, chin tipped, one corner of her mouth pulled up, lashes low; unhurried and a little teasing.
oconer44414
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