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紫髪の貴婦人・玉座の肖像
深い赤のドレスに身を包み、玉座にゆったりと腰掛ける彼女の姿に、思わずため息が漏れてしまいました。その冷ややかで知的な眼差しに、私もすっかり心を奪われています。気に入っていただけたら、いいねやフォローをしていただけると嬉しいです！コメントでの感想もお待ちしています。
Pokaż parametry
- Oryginalny prompt
- 紫色のロングヘア、ハーフアップ、赤目、赤紫色の豪華なドレス、冷たい視線、豪華なソファに座る、美女
- Tryb
- pro
- Styl
- Chromatic Pencil
- Rozmiar
- 768 x 1280
- Niepożądane
- lowres, worst quality, low quality, bad anatomy, bad hands, text, error, missing fingers, jpeg artifacts, signature, watermark
Styl: Chromatic Pencil
Model i LoRA użyte
Podobne obrazy
Pokaż więcej
1girl, solo, sitting on throne, seated, leaning back, crossed legs, hands on armrests, long violet hair, straight hair, hair past waist, violet eyes, glowing eyes, eye glow, luminous violet irises, pale skin, light smile, closed mouth smile, faint smile, looking at viewer, half-closed eyes, deep purple velvet gown, gold embroidery, high collar, long sleeves, gold cuffs, bare earlobes, no hair ornaments, unadorned hair, from below, low angle, foreshortening, throne room, dark hall, stone columns, tall arched windows, night, moonlight, cool palette, deep purple, gold, black, cold blue moonlight, dramatic lighting, rim light, cinematic, no text, no speech bubble
The camera sits low at the foot of the dais and tilts up, so the throne's tall back rises behind her and the armrests sweep in toward the lens in foreshortening. She is dropped back against the throne's upholstered back rather than perched upright: her spine against the padded panel, one shoulder lower than the other where she has let it slide, legs crossed with the upper knee over the lower and the lower foot hanging free with the toe of one velvet slipper just off the dais step. Her right palm rests flat on the right armrest and her fingers curl over its carved end, the gold ring of the armrest pressing a pale groove into her fingers; her left forearm lies along the left armrest with the wrist slack. The gown pools around her hips and spills over the seat's edge, its deep purple velvet catching a napped sheen where the cloth breaks over her thigh, and gold embroidery traces the high collar and the wide turned-back cuffs, the thread flaring where light hits the raised stitches.
Her chin is tipped down toward the low camera while her eyes come up under half-lowered lids to meet the lens — a faint closed-lip smile, one corner a fraction higher than the other, the lower lip pressed and released once as if she were holding back a word. Her hair falls straight past her waist, some of it forward over the gown's shoulder and some of it caught behind her shoulder against the throne back.
Her eyes are the light of the picture, and their glow is the revealer: the violet irises carry their own luminous core, and that light runs down onto the tops of her cheekbones and the bridge of her nose, and lays a cool violet sheen along the inner edges of the armrests where nothing else reaches. The only other source is moonlight through the tall arched windows behind and to her left — a hard cold blue edge on her shoulder, the collar's gold, and the armrest's crest, while her face's lower half and the hollow of the throne stay in a clean shadow that the eye glow pushes gently back. Beyond the dais the hall falls away into black stone columns and floor, unlit and absolute.
Palette held to deep violet, tarnished gold, black and cold blue moonlight, with the eye glow as the single warm-cool anomaly inside it. Crisp cel linework with flat shadow shapes and a velvet nap rendered in soft gradation, quiet and regal.
Lady Lilith
1girl, solo, sitting on throne, seated, leaning back, crossed legs, hands on armrests, long violet hair, straight hair, hair past waist, violet eyes, glowing eyes, eye glow, luminous violet irises, pale skin, light smile, closed mouth smile, faint smile, looking at viewer, half-closed eyes, deep purple velvet gown, gold embroidery, high collar, long sleeves, gold cuffs, bare earlobes, no hair ornaments, unadorned hair, from below, low angle, foreshortening, throne room, dark hall, stone columns, tall arched windows, night, moonlight, cool palette, deep purple, gold, black, cold blue moonlight, dramatic lighting, rim light, cinematic, no text, no speech bubble
The camera sits low at the foot of the dais and tilts up, so the throne's tall back rises behind her and the armrests sweep in toward the lens in foreshortening. She is dropped back against the throne's upholstered back rather than perched upright: her spine against the padded panel, one shoulder lower than the other where she has let it slide, legs crossed with the upper knee over the lower and the lower foot hanging free with the toe of one velvet slipper just off the dais step. Her right palm rests flat on the right armrest and her fingers curl over its carved end, the gold ring of the armrest pressing a pale groove into her fingers; her left forearm lies along the left armrest with the wrist slack. The gown pools around her hips and spills over the seat's edge, its deep purple velvet catching a napped sheen where the cloth breaks over her thigh, and gold embroidery traces the high collar and the wide turned-back cuffs, the thread flaring where light hits the raised stitches.
Her chin is tipped down toward the low camera while her eyes come up under half-lowered lids to meet the lens — a faint closed-lip smile, one corner a fraction higher than the other, the lower lip pressed and released once as if she were holding back a word. Her hair falls straight past her waist, some of it forward over the gown's shoulder and some of it caught behind her shoulder against the throne back.
Her eyes are the light of the picture, and their glow is the revealer: the violet irises carry their own luminous core, and that light runs down onto the tops of her cheekbones and the bridge of her nose, and lays a cool violet sheen along the inner edges of the armrests where nothing else reaches. The only other source is moonlight through the tall arched windows behind and to her left — a hard cold blue edge on her shoulder, the collar's gold, and the armrest's crest, while her face's lower half and the hollow of the throne stay in a clean shadow that the eye glow pushes gently back. Beyond the dais the hall falls away into black stone columns and floor, unlit and absolute.
Palette held to deep violet, tarnished gold, black and cold blue moonlight, with the eye glow as the single warm-cool anomaly inside it. Crisp cel linework with flat shadow shapes and a velvet nap rendered in soft gradation, quiet and regal.
Lady Lilith
ラ
紫色の髪の貴婦人・赤いドレスの肖像
ラナンキュラス
1girl, solo, sitting on throne, seated, leaning back, crossed legs, hands on armrests, long violet hair, straight hair, hair past waist, violet eyes, glowing eyes, eye glow, luminous violet irises, pale skin, light smile, closed mouth smile, faint smile, looking at viewer, half-closed eyes, deep purple velvet gown, gold embroidery, high collar, long sleeves, gold cuffs, bare earlobes, no hair ornaments, unadorned hair, from below, low angle, foreshortening, throne room, dark hall, stone columns, tall arched windows, night, moonlight, cool palette, deep purple, gold, black, cold blue moonlight, dramatic lighting, rim light, cinematic, no text, no speech bubble
The camera sits low at the foot of the dais and tilts up, so the throne's tall back rises behind her and the armrests sweep in toward the lens in foreshortening. She is dropped back against the throne's upholstered back rather than perched upright: her spine against the padded panel, one shoulder lower than the other where she has let it slide, legs crossed with the upper knee over the lower and the lower foot hanging free with the toe of one velvet slipper just off the dais step. Her right palm rests flat on the right armrest and her fingers curl over its carved end, the gold ring of the armrest pressing a pale groove into her fingers; her left forearm lies along the left armrest with the wrist slack. The gown pools around her hips and spills over the seat's edge, its deep purple velvet catching a napped sheen where the cloth breaks over her thigh, and gold embroidery traces the high collar and the wide turned-back cuffs, the thread flaring where light hits the raised stitches.
Her chin is tipped down toward the low camera while her eyes come up under half-lowered lids to meet the lens — a faint closed-lip smile, one corner a fraction higher than the other, the lower lip pressed and released once as if she were holding back a word. Her hair falls straight past her waist, some of it forward over the gown's shoulder and some of it caught behind her shoulder against the throne back.
Her eyes are the light of the picture, and their glow is the revealer: the violet irises carry their own luminous core, and that light runs down onto the tops of her cheekbones and the bridge of her nose, and lays a cool violet sheen along the inner edges of the armrests where nothing else reaches. The only other source is moonlight through the tall arched windows behind and to her left — a hard cold blue edge on her shoulder, the collar's gold, and the armrest's crest, while her face's lower half and the hollow of the throne stay in a clean shadow that the eye glow pushes gently back. Beyond the dais the hall falls away into black stone columns and floor, unlit and absolute.
Palette held to deep violet, tarnished gold, black and cold blue moonlight, with the eye glow as the single warm-cool anomaly inside it. Crisp cel linework with flat shadow shapes and a velvet nap rendered in soft gradation, quiet and regal.
Lady Lilith
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