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Like Mother, Like Daughter
An image of a terrifying female demon and her demonic daughter.
Pokaż parametry
- Oryginalny prompt
- an anime image of an elegant female demon opening her mouth and a snake comes out of her mouth (which she uses as a prehensile tongue) while her daughter (who is sitting in front of her) also opens her mouth from which a snake (which the daughter also uses as a prehensile tongue) comes out.
- Tryb
- pro
- Tag jakości
- ﹝Podpowiedzi﹞
- Rozmiar
- 768 x 1280
- Niepożądane
- lowres, worst quality, low quality, bad anatomy, explicit
Pomocnik podpowiedzi
Model i LoRA użyte
Podobne obrazy
Pokaż więcej
b
1girl, solo, very long hair, black hair, blunt bangs, red eyes, medium breasts, cleavage, black dress, earrings, jewelry, red nails, black nails, nail polish, closed mouth, smile, looking at viewer, hand up, sitting, sitting on throne, crossed legs, feet out of frame, snake, snake hair, red background, simple background, no lineart,
A single seated figure fills the frame in a slight low-angle close-up that crops her at mid-thigh, so her crossed legs and both feet fall below the bottom edge and stay out of frame. She sits squarely on a tall high-backed throne, spine straight, weight settled on her right hip; her right leg is crossed over her left knee, one bare foot tucked behind the opposing calf out of sight. Her long black dress pools over the seat edge and falls in heavy folds against the throne, the neckline cut low and wide across her chest to show a soft band of cleavage, the fabric painted in deep matte blacks with cool grey sheen only where the light bends over her collarbone and the slope of each medium breast. Very long black hair, blunt-cut bangs straight across her brow, pours past her shoulders and over the armrest; threaded through it, a few thin black snakes coil and rear just above her head, tongues flicking, their bodies sliding between the strands so hair and serpent share the same glossy black. A single larger snake is draped across the throne's armrest at her left, head lifted and turned toward the viewer, body looping over the carved wood and pinned there by her left elbow. Her face is turned straight to the lens: red eyes steady and level, a faint closed-mouth smile lifting one corner only, brows relaxed, lashes lowered a touch with amusement. Her right arm is raised, hand near her jaw, fingers loosely curled with the tips turned inward, the polished nails catching the light in alternating red and black. Heavy drop earrings hang from both earlobes, and a fine chain necklace with a dark stone rests just below her collarbones, glinting where the skin is brightest.
The entire image is lit by one strong red source from directly behind, saturating a flat deep crimson field that leaves no room, floor line or furniture behind the throne; the throne itself and her silhouette are rimmed in glowing red, while her face and chest are lifted out of shadow by a soft, cool frontal fill that keeps the eyes and mouth readable. Where the red rims the snake bodies and the edge of the throne, the highlights stay thin and hot; her cast shadow falls forward onto her own lap rather than behind her, and the red ground swallows all depth beyond that wall of colour. Palette is closed to black, crimson and the small warm metal of the earrings and necklace, with the red and black nails as the only other accents. Everything is painted — no outlines anywhere; forms are built purely from soft tonal masses, smooth gradients and blending, edges dissolving into one another, the snake scales rendered as sheen rather than drawn detail, the dress as shadow shape rather than contour. Self-assured, faintly sinister.
Belize
魅惑のデビルガール・玉座の間より
あーでるはいど
b
1girl, solo, very long hair, black hair, blunt bangs, red eyes, medium breasts, cleavage, black dress, earrings, jewelry, red nails, black nails, nail polish, closed mouth, smile, looking at viewer, hand up, sitting, sitting on throne, crossed legs, feet out of frame, snake, snake hair, red background, simple background, no lineart,
A single seated figure fills the frame in a slight low-angle close-up that crops her at mid-thigh, so her crossed legs and both feet fall below the bottom edge and stay out of frame. She sits squarely on a tall high-backed throne, spine straight, weight settled on her right hip; her right leg is crossed over her left knee, one bare foot tucked behind the opposing calf out of sight. Her long black dress pools over the seat edge and falls in heavy folds against the throne, the neckline cut low and wide across her chest to show a soft band of cleavage, the fabric painted in deep matte blacks with cool grey sheen only where the light bends over her collarbone and the slope of each medium breast. Very long black hair, blunt-cut bangs straight across her brow, pours past her shoulders and over the armrest; threaded through it, a few thin black snakes coil and rear just above her head, tongues flicking, their bodies sliding between the strands so hair and serpent share the same glossy black. A single larger snake is draped across the throne's armrest at her left, head lifted and turned toward the viewer, body looping over the carved wood and pinned there by her left elbow. Her face is turned straight to the lens: red eyes steady and level, a faint closed-mouth smile lifting one corner only, brows relaxed, lashes lowered a touch with amusement. Her right arm is raised, hand near her jaw, fingers loosely curled with the tips turned inward, the polished nails catching the light in alternating red and black. Heavy drop earrings hang from both earlobes, and a fine chain necklace with a dark stone rests just below her collarbones, glinting where the skin is brightest.
The entire image is lit by one strong red source from directly behind, saturating a flat deep crimson field that leaves no room, floor line or furniture behind the throne; the throne itself and her silhouette are rimmed in glowing red, while her face and chest are lifted out of shadow by a soft, cool frontal fill that keeps the eyes and mouth readable. Where the red rims the snake bodies and the edge of the throne, the highlights stay thin and hot; her cast shadow falls forward onto her own lap rather than behind her, and the red ground swallows all depth beyond that wall of colour. Palette is closed to black, crimson and the small warm metal of the earrings and necklace, with the red and black nails as the only other accents. Everything is painted — no outlines anywhere; forms are built purely from soft tonal masses, smooth gradients and blending, edges dissolving into one another, the snake scales rendered as sheen rather than drawn detail, the dress as shadow shape rather than contour. Self-assured, faintly sinister.
Belize
p
悪魔の女の子
pha-
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,beautiful light,best shadow,color blink,s[im,long bangs,long eyelashes,ethereal light,painterly,high quality,masterpiece,
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A girl with very long straight black hair and closed eyes stands in dark, rippling water, wearing a flowing white and green kimono with a floral pattern and a dark obi. Her long sleeves and skirt spread out across the surface of the water like fabric floating. Green butterflies and small white birds flutter around her, surrounded by dense blue and green flowers and lily pads, with soft light sparkling on the water.
Rich deep green, teal, and blue palette, intricate painterly detail, dreamy and ethereal mood, vertical composition.
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