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Shower time 3
W PixAI prompty są domyślnie publiczne, ale twórcy mogą je ukryć w każdej opublikowanej pracy. Autor tej pracy zdecydował się to zrobić, więc słowa użyte do wygenerowania obrazu pozostają prywatne — widzi je wyłącznie autor. Ukrycie promptu nie zmienia niczego więcej: praca nadal jest publiczna, a Ty możesz ją polubić, skomentować i udostępnić jak zwykle.
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さぱ
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kokono--
dark hair with a soft, wavy texture that cascades down past her shoulders. The hair is black and the tips are white but the inside is a bright cian blue.
The iris features a vibrant, cosmic galaxy blend of electric blue and deep indigo, surrounded by flashes of purple and magenta along its outer edges. Bright cyan and white highlights rim the inner and outer curves of the iris to create a glowing, jewel-like appearance that resembles a starry nebula galaxy. A dark, dilated pupil sits at the center, framed by thick, bold black linework that defines the eyelids and lashes.
channy
solo, 1boy, male focus, attractive japanese man, blue eyes, sharp narrow eyes, confident expression, smug lopsided smirk, one eyebrow raised, long black hair, shoulder-length hair, loose black hair strands falling over one eye, muscular, muscular male, abs, well-defined abdominal muscles, pectorals, open shirt, white button shirt, unbuttoned shirt, sleeves rolled to the elbow, open bare collar, nothing at the throat, bare chest, slim-fit indigo jeans, low-rise jeans, belt loops empty, bare feet, leaning back, arm support, from below, low angle, cowboy shot, foreshortening, looking down at viewer, one knee bent, head tilted back, standing on rooftop, night, city lights bokeh, chain-link fence, wind, hair blown back, shirt billowing open, moonlit rim light, half-closed eyes
The camera sits low, near the level of his knees, tilted up so his whole length leans over the viewer: a lean Japanese man in his mid-twenties caught at the instant he settles his weight back onto one hand planted flat on a concrete parapet, hips slung forward, right knee bent with the bare foot hooked over his left ankle. His long black hair is shoulder-length and loose, lifted off his neck by wind coming over the roof so that strands sweep sideways past his jaw and a few fall across one eye; the rest spills over the collar of his shirt. The white button shirt is open the whole way down, both plackets blown back past his ribs, sleeves rolled to the elbow, collar standing away from a bare throat with nothing at it; the open fabric frames a hard slab of chest and a tight ridged abdomen down to the waistband. Slim indigo jeans sit low on his hips, the denim creasing sharply at the crotch and stacking at the ankles where his bare feet rest on the concrete. His chin is tipped back so he looks down the length of his own body at the lens, one eyebrow cocked, one corner of his mouth pulled up into a smug lopsided smirk, one eyelid dropped lower than the other, weight carried entirely through the planted arm and the set left leg. Behind him a chain-link fence crosses the frame at a slight diagonal, and far below and beyond it a dense city night spreads out as soft out-of-focus points of yellow and white light. The only hard light is a cold moonlit rim from the upper right that traces a bright edge down his forearm, the outer line of his jaw, one shoulder of the shirt and the top ridge of the fence wire, leaving the front of his body in cool shadow lifted only by the faint warm bounce of the city glow from below; the concrete under his hand stays matte and dark. Palette: black hair and night shadows, white shirt, indigo denim, cold blue moonlight, warm amber city specks, his irises the one saturated blue in the frame. The wind is the revealer: it presses the shirt flat against his back while the front panels stream out, and the loose hair moves one way while the smoke-grey sky above the fence stays still. Effortlessly cocky, cool.
99Power Nation
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