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AI art "睦月" featuring #Kantai Collection, #Mutsuki and #Mutsuki Kai Ni
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睦月

Sztuka AI „睦月” autorstwa 鯛茶漬け na PixAI. Tagi: Kantai Collection. Utworzono z Tsubaki.3.

#Kantai Collection#Mutsuki#Mutsuki Kai Ni
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鯛茶漬け

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character: admiral_(kancolle), mutsuki_(kancolle), copyright: kantai_collection character: admiral_(kancolle), mutsuki_(kancolle), copyright: kantai_collection 2girls, over-the-shoulder composition, from behind, pov from behind the seated man, admiral seated in a chair with his back to the viewer, girl standing facing him, standing in front of a closed door, holding own skirt, pinching skirt hem, lifting skirt hem slightly, skirt held up, smile, grinning, looking up at another, upturned eyes, coaxing gaze, flirtatious, head tilt, short brown hair, bob cut, hair between eyes, short-sleeved jacket, white collared shirt, red neckerchief, pleated skirt, black pantyhose, loafers, admiral's office interior, window, sunlight, backlighting, sunbeam, dust motes in light, desk, documents, bookshelf, wooden floor, The view is over the seated admiral's right shoulder: his broad back and the back of his head fill the lower-left foreground, out of focus, while beyond him the girl stands small and bright against the office door, turned to face him. The admiral sits square in his chair, both feet planted on the floor, one forearm resting along the desk edge, the other hand on the armrest; his shoulders are a dark silhouette rimmed with light because the tall window is behind him, out of frame to the viewer's left, and its low afternoon sun lands flat across his back and shoulder blades, running down his spine and spilling past his elbows in long diagonal bars that fall on the floorboards and climb a little way up the door panel beyond him. His grey-brown hair is cropped short at the back with a few longer strands at the nape, and the collar of his dark uniform is turned up against the light. He is not shown from the front at all; only his back, his shoulder and the edge of one ear are in the picture. Her: short brown bob, straight fringe cut level above her brows but parted to show a small strand falling between her eyes; she is slim and short, standing with her weight eased onto her left hip and her right knee slightly bent, one shoulder tipped back against the door so its edge presses the fabric of her jacket flat. Both hands are at her waist: the fingers of her right hand pinch the pleated skirt hem just off her left hip, drawing the pleats a little open so a wedge of black pantyhose shows at the outer thigh, while her left hand rests loose at her side with the cuff of her short-sleeved jacket brushing the skirt's waistband. Her chin is tipped down and her eyes are rolled up under her lashes toward the seated man's face, the brows lifted at their inner ends, the corners of her mouth drawn up in a coaxing, pleased smile with her lips parted just enough to show the bottom teeth; the sunlight catches her cheekbone, the tip of her nose and the shine on her hair, and the far side of her face falls away into a soft cool shadow with the door's dark panel behind it. The red of her neckerchief and the white of her collar are the two brightest points against the dim wood of the corridor-side wall. Lighting: the window is the single source. It comes from behind and left of the admiral, so his back is a stripe-lit ridge and his shadow is thrown forward, long and soft-edged, across the floor toward the door and up her legs, though her skirt and her face are inside the lit path and stay fully illuminated. The wall behind her is in shade, the desk lamp is unlit, and the office beyond the desk—shelves of files, a chart pinned to the board, a stack of papers held down by a brass weight—is compressed into a shallow, warm, dim background. Palette: warm amber daylight, dark navy-brown uniform, cream walls and floorboards, and her brown-and-red-and-white uniform as the one fresh accent in the middle of the frame. Quiet, sunlit, teasing.
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character: admiral_(kancolle), mutsuki_(kancolle), copyright: kantai_collection 2girls, over-the-shoulder composition, from behind, pov from behind the seated man, admiral seated in a chair with his back to the viewer, girl standing facing him, standing in front of a closed door, holding own skirt, pinching skirt hem, lifting skirt hem slightly, skirt held up, smile, grinning, looking up at another, upturned eyes, coaxing gaze, flirtatious, head tilt, short brown hair, bob cut, hair between eyes, short-sleeved jacket, white collared shirt, red neckerchief, pleated skirt, black pantyhose, loafers, admiral's office interior, window, sunlight, backlighting, sunbeam, dust motes in light, desk, documents, bookshelf, wooden floor, The view is over the seated admiral's right shoulder: his broad back and the back of his head fill the lower-left foreground, out of focus, while beyond him the girl stands small and bright against the office door, turned to face him. The admiral sits square in his chair, both feet planted on the floor, one forearm resting along the desk edge, the other hand on the armrest; his shoulders are a dark silhouette rimmed with light because the tall window is behind him, out of frame to the viewer's left, and its low afternoon sun lands flat across his back and shoulder blades, running down his spine and spilling past his elbows in long diagonal bars that fall on the floorboards and climb a little way up the door panel beyond him. His grey-brown hair is cropped short at the back with a few longer strands at the nape, and the collar of his dark uniform is turned up against the light. He is not shown from the front at all; only his back, his shoulder and the edge of one ear are in the picture. Her: short brown bob, straight fringe cut level above her brows but parted to show a small strand falling between her eyes; she is slim and short, standing with her weight eased onto her left hip and her right knee slightly bent, one shoulder tipped back against the door so its edge presses the fabric of her jacket flat. Both hands are at her waist: the fingers of her right hand pinch the pleated skirt hem just off her left hip, drawing the pleats a little open so a wedge of black pantyhose shows at the outer thigh, while her left hand rests loose at her side with the cuff of her short-sleeved jacket brushing the skirt's waistband. Her chin is tipped down and her eyes are rolled up under her lashes toward the seated man's face, the brows lifted at their inner ends, the corners of her mouth drawn up in a coaxing, pleased smile with her lips parted just enough to show the bottom teeth; the sunlight catches her cheekbone, the tip of her nose and the shine on her hair, and the far side of her face falls away into a soft cool shadow with the door's dark panel behind it. The red of her neckerchief and the white of her collar are the two brightest points against the dim wood of the corridor-side wall. Lighting: the window is the single source. It comes from behind and left of the admiral, so his back is a stripe-lit ridge and his shadow is thrown forward, long and soft-edged, across the floor toward the door and up her legs, though her skirt and her face are inside the lit path and stay fully illuminated. The wall behind her is in shade, the desk lamp is unlit, and the office beyond the desk—shelves of files, a chart pinned to the board, a stack of papers held down by a brass weight—is compressed into a shallow, warm, dim background. Palette: warm amber daylight, dark navy-brown uniform, cream walls and floorboards, and her brown-and-red-and-white uniform as the one fresh accent in the middle of the frame. Quiet, sunlit, teasing.
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Tag jakości
﹝Podpowiedzi﹞
Rozmiar
1104 x 1824
Metoda próbkowania
Euler
Niepożądane
lowres, worst quality, low quality, bad anatomy, explicit, signature,sigh.text.

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character: celica_a._mercury 2girls, 1boy, male focus, from front, front view, eye-level, medium shot, celica_a._mercury, brown hair, long hair, ponytail, hair ribbon, red ribbon, ahoge, brown eyes, red eyes, school uniform, pleated skirt, cape, skirt, both arms up, arms raised, raised hands, open hands, surprised, wide-eyed, blush, embarrassed, flustered, sweatdrop, parted lips, looking at viewer, startled, man, short brown hair, white button-down shirt, rolled-up sleeves to the elbows, navy blue trousers, both hands gripping her skirt, leaning slightly forward, room interior, wooden floorboards, plaster wall, window with pale daylight, positive state: her ears bare and unadorned, her hair held only by its ribbon, positive state: her hands hold nothing, no speech bubbles, no lettering anywhere in the frame The camera sits at eye level, straight on, framing both figures from mid-thigh up in a vertical medium shot: the girl faces the viewer squarely, dead center, while the man stands just off her right shoulder, his body angled toward her hip so that his shoulder partly overlaps her arm and one of his shoes is hidden behind her skirt hem. Her line of action is a small backward recoil -- weight rocked onto her back foot, hips drawn an inch away from him, chest lifted, shoulders pulled up around her ears -- and both her arms are flung straight up above her shoulders, elbows slightly bent, palms open and empty, fingers splayed, nothing gripped in either hand. Her ponytail swings out and up behind her right shoulder from the recoil, its red ribbon trailing, the long tail of hair lifting clear of the cape that hangs from her shoulders; the short ahoge at her crown flicks forward. Her face is fully toward the lens: eyes wide and round, both irises catching the window light, brows lifted high, mouth open on a caught breath, a hot blush spread across both cheeks and the bridge of her nose, one sweatdrop at her temple. Her gaze is fixed straight on the viewer, caught mid-startle. The man's head is turned in profile toward her, chin down, eyes on the fabric in his fists, so his look lands on the point of contact rather than the lens; his eyebrows are drawn level in plain concentration. He leans in from behind and to her right, knees slightly bent, and both of his hands close on the side panel of her pleated skirt at hip height -- thumbs over the cloth, knuckles raised, the fabric bunched and creased between his fingers and pulled subtly toward him, so that the pleats fan open on that side and the hem lifts an inch off her thigh. The room is a plain interior: bare plaster wall in cool grey-beige, a strip of varnished wooden floorboards with visible seams running toward the viewer, a tall window at frame left. Daylight from that window is the only light source, cool and soft, striking the left side of her face and the left side of his shirt; the right side of both figures falls into gentle shade, and two soft cast shadows stretch across the floorboards to the right, hers bulky with the skirt's spread, his narrow and cut off by the frame edge. Palette: the warm browns of her hair and his, the pure red of her ribbon as the single saturated accent, her navy-and-white uniform against the cream of his shirt, all grounded on grey plaster and honey-toned wood. The detail budget sits on her face, her splayed open hands, and the compressed fabric in his fists, including the fine creases radiating from his knuckles where the pleats bunch. Bright, flustered, comedic.
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character: celica_a._mercury 2girls, 1boy, male focus, from front, front view, eye-level, medium shot, celica_a._mercury, brown hair, long hair, ponytail, hair ribbon, red ribbon, ahoge, brown eyes, red eyes, school uniform, pleated skirt, cape, skirt, both arms up, arms raised, raised hands, open hands, surprised, wide-eyed, blush, embarrassed, flustered, sweatdrop, parted lips, looking at viewer, startled, man, short brown hair, white button-down shirt, rolled-up sleeves to the elbows, navy blue trousers, both hands gripping her skirt, leaning slightly forward, room interior, wooden floorboards, plaster wall, window with pale daylight, positive state: her ears bare and unadorned, her hair held only by its ribbon, positive state: her hands hold nothing, no speech bubbles, no lettering anywhere in the frame The camera sits at eye level, straight on, framing both figures from mid-thigh up in a vertical medium shot: the girl faces the viewer squarely, dead center, while the man stands just off her right shoulder, his body angled toward her hip so that his shoulder partly overlaps her arm and one of his shoes is hidden behind her skirt hem. Her line of action is a small backward recoil -- weight rocked onto her back foot, hips drawn an inch away from him, chest lifted, shoulders pulled up around her ears -- and both her arms are flung straight up above her shoulders, elbows slightly bent, palms open and empty, fingers splayed, nothing gripped in either hand. Her ponytail swings out and up behind her right shoulder from the recoil, its red ribbon trailing, the long tail of hair lifting clear of the cape that hangs from her shoulders; the short ahoge at her crown flicks forward. Her face is fully toward the lens: eyes wide and round, both irises catching the window light, brows lifted high, mouth open on a caught breath, a hot blush spread across both cheeks and the bridge of her nose, one sweatdrop at her temple. Her gaze is fixed straight on the viewer, caught mid-startle. The man's head is turned in profile toward her, chin down, eyes on the fabric in his fists, so his look lands on the point of contact rather than the lens; his eyebrows are drawn level in plain concentration. He leans in from behind and to her right, knees slightly bent, and both of his hands close on the side panel of her pleated skirt at hip height -- thumbs over the cloth, knuckles raised, the fabric bunched and creased between his fingers and pulled subtly toward him, so that the pleats fan open on that side and the hem lifts an inch off her thigh. The room is a plain interior: bare plaster wall in cool grey-beige, a strip of varnished wooden floorboards with visible seams running toward the viewer, a tall window at frame left. Daylight from that window is the only light source, cool and soft, striking the left side of her face and the left side of his shirt; the right side of both figures falls into gentle shade, and two soft cast shadows stretch across the floorboards to the right, hers bulky with the skirt's spread, his narrow and cut off by the frame edge. Palette: the warm browns of her hair and his, the pure red of her ribbon as the single saturated accent, her navy-and-white uniform against the cream of his shirt, all grounded on grey plaster and honey-toned wood. The detail budget sits on her face, her splayed open hands, and the compressed fabric in his fists, including the fine creases radiating from his knuckles where the pleats bunch. Bright, flustered, comedic.
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