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AI artwork featuring #Eris Boreas Greyrat and #Mushoku Tensei: Jobless Reincarnation
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Eris Boreas Greyrat, Mushoku Tensei: Jobless Reincarnation

#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
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Shylpfiette greyrat

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character: eris_greyrat, copyright: mushoku_tensei 2girls, 1girl, 1boy, eris_greyrat, red_hair, very_long_hair, long_hair, ahoge, black_hairband, hair_between_eyes, red_eyes, thick_eyebrows, huge_breasts, pregnant, visibly_pregnant_belly, puffy_dress, frilled_dress, overly_ornate_dress, tacky_dress, too_much_lace, excessive_ruffles, too_many_bows, overdecorated, puffy_skirt, huge_skirt, long_skirt, oversized_dress, glitter_fabric, sequins, ridiculous_ornaments, silver_and_white_dress, red_and_white_dress, tiara, colossal_earrings, colossal_engagement_ring, engagement_ring, crying, tears, streaming_tears, sad, scared, frightened_expression, furrowed_brows, trembling_lip, facing_viewer, docile_posture, arms_lowered, hands_on_own_belly, hug_from_behind, man_behind_her, hand_under_belly, rococo_style, ornate, elaborate_curving_lines, opulent_gold_accents, pastel_colors, male_focus, tall_man, dark_hair, formal_coat, grief, protective, dutch_angle, cowboy_shot, from_below, blurred_background, dim_room, cold_light, sad_atmosphere, heartbreaking Camera looks up at both figures from slightly below and to the right, a Dutch angle of a few degrees, framed from mid-thigh to just above the tiara so the enormous skirt fills the bottom of the frame. A red-haired young woman stands dead front, facing the viewer, her huge pregnant belly pushing the silver-white fabric out before her. The dress is a catastrophe of ornament: the huge long puffy skirt balloons past her knees and floods across the floor, silver satin layered with white lace tiers, puffs of ruffles at every seam, and dozens of white and red bows of every size clinging to the bodice, the sleeves and the hem. Glitter fabric and sequins stipple the whole surface so the light breaks into dry points everywhere the fabric folds. A tall black-haired man stands pressed close behind her, chest against her back, both arms wrapping her from behind. His right hand slides under her belly, pressing the enormous ring on her finger against the taut fabric; his left hand lies flat over her middle. Her arms hang low; she rests both hands on his lower hand on her belly, the fingers of her right hand curling gently around the curve. The colossal engagement ring glints at her right hand; the colossal earrings hang shaking at her jaw beneath the silver tiara. Her red eyes are wet and staring straight at the viewer, tears streaking her cheeks and pooling at her chin; her mouth is pulled back in a scared grimace, jaw trembling. The man's face is buried against her shoulder, his gaze fixed on her cheek. Behind them the room dissolves into a dim rococo hall of gold scrollwork and pink plasterwork, edges lost in shadow from a single cold light above the man's shoulder that picks out the tears, the sequins and the man's coat, gold accents catching the shine. Her red hair spills over the man's coat, strands lifted by his breath, and a ribbon sliver of her hair has come loose from the tiara. heartbreaking, ornate, unsettling.
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Eris boreas greyrat,red hair,mushoku tensei,red eyes,huge breast,pregnant,puffy dress,frilled dress,engagement ring,red and white dress,,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,silver and white dress,scary,sad,cry,tears,la chica esta de frente,(((la chica esta en una postura docil con los brazos bajos colocados en su vientre,tiara,1 man,hug from behind,el hombre pone la mano debajo del vientre de la mujer,rococo style
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pro
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﹝Podpowiedzi﹞
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1104 x 1824
Metoda próbkowania
Euler
Niepożądane
lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
eb
character: eris_greyrat, copyright: mushoku_tensei 2girls, 1boy, 2+boys? no — 1girl, 1boy, frontal view, girl facing viewer, from front, standing, pregnant, visibly pregnant belly, huge breasts, red hair, very long red hair, long hair, ahoge, black hairband, hair between eyes, thick eyebrows, red eyes, crying, tears, tear streaks on cheeks, sad, trembling lower lip, docile posture, arms lowered, hands resting on pregnant belly, man hugging girl from behind, hug from behind, man's hand covering girl's mouth, hand over mouth, one hand on her belly, silver and white dress, red and white accents, overly ornate dress, tacky gaudy dress, excessive lace, excessive ruffles, many bows, overdecorated dress, oversized dress, puffy dress, puffy skirt, huge skirt, long skirt, glittery fabric, sequins, ridiculous ornaments, tiara, colossal earrings, colossal engagement ring, engagement ring on ring finger, crying while held, indoors, dim room, window light A young woman stands squared to the viewer, taken at chest-height in a straight frontal medium shot, her whole body turned to the lens and unable to turn away: a man stands directly behind her, his chest pressed flat against her back, his left arm hooked around her waist so his palm settles under the swell of her pregnant belly, his right hand clamped palm-first over her mouth, fingers spread across her jaw and cheek so her lips are sealed under skin, his chin hovering just above her right shoulder. Her very long red hair spills over both his forearms and down her back; a short ahoge curls up from her crown behind the tiara, and a black hairband sits pushed back in the red mass. Thick red brows draw together over wide wet red eyes that look straight down the lens and slightly up, wet and pleading, lashes clumped with tears; tears have already run from both eyes down her cheeks and one drop hangs at the corner of the hand covering her mouth. Her arms hang low and sedate, both hands folded and resting on the front of her huge belly. She wears an absurd overbuilt silver-and-white gown: a puffy, frilled bodice crusted with tier upon tier of lace, ruffles stacked on ruffles, bows knotted at every seam until they become a texture, sequins and glitter fabric catching the light in hard white sparks, ridiculous clustered ornaments and faux jewel cabochons pinned into the ruffles, and a skirt so enormous and puffy and long that it bellies out around her and pools at her feet, swallowing her hips and the man's stance behind her. The skirt is silver and white with red ribbon bands and red bows, overdecorated until the silhouette itself is ridiculous. On her head a small ornate tiara sits in the red hair; enormous colossal earrings drag her earlobes down and swing against her neck; on her left hand, folded on her belly, a colossal engagement ring rises like a paperweight over the finger. A single cold window light comes from the left, raking across her tear-tracked cheek and lighting the sequins so each one throws its own pinpoint highlight; the man behind her is a dark shape, his face mostly hidden behind her hair and his hand, only his jaw and the shadow of his brow visible, and his dark sleeve and dark coat are plain and unadorned so the dress reads as the one gaudy object in the frame. The skirt's fabric dimples where his hip and knee press into it from behind, the only place the huge volume deforms. Palette limited to silver, white, red and the dim brown-grey shadow around them; no other colour admitted. Atmosphere: quiet dread, captive tenderness.
Eris Boreas greyrat
#Eris Boreas Greyrat#Rudeus Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
eb
character: eris_greyrat, copyright: mushoku_tensei 2girls, 1boy, 2+girls, male focus, eris greyrat, red hair, hair up, updo, red eyes, heart-shaped pupils, blush, huge breasts, pregnant, visibly pregnant belly, puffy dress, frilled dress, pink and white dress, silver and white dress, mixed-color dress, overly ornate dress, tacky dress, excessive lace, intricate gold-trimmed lace, excessive ruffles, too many bows, overdecorated dress, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments on dress, tiara, colossal earrings, colossal engagement ring, slave collar, metal collar, docile posture, hands on own belly, facing forward, standing, ugly man, older man, balding, crooked nose, side hug, hug from beside, hand on belly, hand under belly, rococo style, ornate rococo interior, gold and pastel opulent aesthetic, seductive smile? no, displeased, forced smile, uneasy blush, sweat on temple, stiff shoulders, looking to the side, eye contact avoided, heart-shaped speech bubble, spoken heart Straight-on frontal medium-wide shot at slightly above belly height. Eris Boreas Greyrat stands square to the camera, weight sunk onto her right hip, shoulders pulled in small and stiff. Her red hair is gathered up and away from her neck, frizzing into loose strands that tremble against her temples; her red eyes are wide and glazed, each pupil swollen into a glossy heart shape that throws a hard sparkle back at the lens, though the corners of her mouth are pulled down and her jaw is tight. The bodice strains hugely over her breasts; a heavy, very visibly pregnant belly pushes the fabric into a taut dome. Both arms stay low and tucked, curving forward to rest her clasped hands over the front of her belly. Her dress is a rococo confection of pink, white and silver, overdecorated to the point of parody — gold-trimmed lace layered in ruffles on ruffles, satin bows stacked at every seam, glitter fabric and sequins flaring sparks where the light hits, ridiculous ornaments and lace fans and coiled ribbon roses crowded all over the skirts. A puffed skirt, hugely wide and long, pools satin over the floor. A slim tiara sits in the piled hair; enormous earrings hang like chandeliers and swing slightly as she stands; a monstrous many-faceted engagement ring is a massive point of light on her clasped hand; a slave collar, narrow and worked with lace, circles her throat. Beside her, an ugly man — pale, balding, jowled, broken nose — presses into her left side, one shoulder wedging against hers, his arm curving about her, his thick-fingered hand laid flat beneath her belly, cupping its underside. He leans in and looks at her; she tilts her face just past his shoulder and looks toward the corner of the frame. The room is rococo — a gilded overdoor, a mirrored panel catching the dress, and a warm honey light from a high window, with shadow gathering beneath the skirt. High, opulent, uneasy.
Eris Boreas greyrat
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
bb
character: eris_greyrat, copyright: mushoku_tensei 2girls, 1girl, 1monster, eris greyrat, red hair, long hair, very long hair, ahoge, black hairband, red eyes, thick eyebrows, huge breasts, pregnant, visibly pregnant belly, puffy dress, frilled dress, red and white dress, silver and white dress, overly ornate dress, tacky dress, excessive lace, excessive ruffles, many bows, overdecorated, ridiculous dress ornaments, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, tiara, slave collar, hearts in eyes, heart-shaped pupils, blush, reluctant expression, unhappy, clenched teeth, furrowed brow, front view, facing viewer, docile posture, arms down, hands on own belly, hug from behind, monster, ugly monster, long tongue, tongue out, licking cheek, hand on belly, monster hand on pregnant belly, rococo style, from front, cowboy shot, heavy_breathing, sweat, trembling, spoken_heart She stands square to the camera in a full front view, a red-haired young woman whose very long hair spills over her shoulders with one ahoge curling up and a black hairband holding the mass back; her red eyes are transformed into two glossy heart-shaped pupils that pulse pink at their cores, and the blush across her nose and cheeks is deep and feverish. Her mouth is pulled into a small, strained line, the lower lip caught between her teeth, brows knitted — the face of someone enduring a thing she does not want, and the hearts in her eyes sit there like an ornament she cannot remove. Her arms hang low and docile, both hands folded and resting flat on the swell of her visibly pregnant belly under the dress, fingers splayed and still. The dress is an oversize confection of red and white and silver-white satin, puffed at the shoulders, huge and long so its skirt balloons out at her sides and pools where it meets the floor; lace erupts at every hem and cuff, ruffles stack in tier after tier, bows cluster at the bodice, the waist and each puff, and sequins and glitter fabric scatter pinpoint gleams across the cloth among a clutter of ridiculous little ornaments — ribbons, ribbon rosettes, tiny enamelled charms sewn on so thickly they almost hide the fabric. A tiara of white filigree and pearls sits in her hair; colossal hoop earrings hang almost to her collarbones, swinging slightly; on her left ring finger a colossal engagement ring with a huge glittering stone sits prominent and heavy, tilting her hand. Around her throat is a plain metal slave collar, tight and unornamented — a cold, brutal band against all that lace. The monster is behind her: a hunched grey-green shapeless brute, sagging folds of skin, a wide lumpy jaw with a few crooked teeth, small dull eyes, no visible clothing; its long thick tongue is a wet purple rope laid flat along her right cheek from jaw to cheekbone, and its drool runs a slick line down her jaw to her chin. One of its big knuckled hands is pushed under the front of her belly, the palm flat beneath the swell, the fabric of the dress bunched around its wrist — its other arm locks across her chest, pinning her back against its torso. The dress's oversize bulk presses and deforms against the monster's bulk behind her, fabric stretched into creases where the two bodies meet. Camera at chest height, slightly below eye level, framed from mid-thigh up so the whole skirt fills the lower frame and the tiara clears the top edge. Light comes from one high soft source in front of her — a warm gilt key that makes the sequins flare in tiny specular starbursts and catches the wet of the tongue and the drool on her cheek; the monster behind stays in a cooler shadow so its ugliness recedes. Palette is a rococo confection: ivory, rose, powder blue and warm gilt, ornament everywhere, with the red of her hair the single saturated anchor. Ornate decorative elements crowd every surface, elaborate curls and flourishes wind through the lace and the gilt frame behind her, highly ornamental textures on silk and wallpaper alike, the whole hall around her a pastel salon of cartouches, acanthus scrolls and gilded moulding in soft focus. The glitter and the tears of saliva on her cheek share one specular highlight, so the dress and her distress catch the light the same way. Sumptuously miserable.
Brago bloodfallen
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
al
character: eris_greyrat, copyright: mushoku_tensei 2girls, 1girl, 1boy, orc, adult woman, adult orc male, red hair, very long hair, long hair, ahoge, hair between eyes, black hairband, red eyes, thick eyebrows, huge breasts, pregnant, visibly pregnant belly, sad, crying, tears, streaming tears, furrowed brows, indignant, angry, glare, scary expression, clenched teeth, colossal earrings, colossal engagement ring, colossal bracelets, tiara, pink and white dress, oversized dress, enormous dress, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous dress ornaments, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, floor-length skirt, bare shoulders, bare arms, from below, dutch angle, close-up on faces, two-shot, looking at another, grabbing another's wrist, forced marriage, wedding, towering, muscular male, green skin, tusks, looming, low angle, dramatic lighting, high contrast, red and gold palette, pink and white palette, ominous atmosphere From a low, tilted angle, the frame looks up at an enormous pale-pink hall where a huge skirt fills the lower half of the picture. On the left, the woman is half-turned toward the right shoulder of the frame, weight dropped onto her back foot so the giant skirt bunches and drags across the polished marble, glitter and sequins flaring in hard points where a cold overhead chandelier light rakes the fabric. Her red hair is long and tangled, the black hairband knocked crooked, one ahoge springing free; her red eyes are wide and wet, tears breaking loose and running in shining tracks down her cheeks, thick eyebrows crushed together, mouth open in a snarl of indignation even as her chin trembles, a violent angry-sad expression. The dress is a heap of excess: pink and white, an oversized bodice straining at her huge breasts, lace foaming at the neckline, ruffles layered over ruffles, bows climbing the sleeves, ridiculous ornaments of fake flowers and beads jutting everywhere, colossal bracelets heavy on both wrists, colossal hoop earrings swinging, a tiara slipping sideways in her hair. Her visibly pregnant belly rounds the front of the dress under the ornamented sash, one hand splayed protectively over it, the other arm wrenched up and out to the right, wrist caught in the orc's fist. The orc fills the right side of the frame and leans down over her, his mass blocking the chandelier so a shadow falls across her face while the light still catches her tears; he is broad-shouldered, green-skinned, tusked, wearing a dark formal coat stretched over his bulk, and his small eyes are fixed down on her face, his grip squeezing her wrist so the skin dents white around his fingers and the colossal engagement ring on that hand glints. Her gaze is locked upward on his face, defiant. The colossal ring on her finger is oversized and garish, its stone throwing a hard sparkle. Fabric fibers and loose glitter drift in the air between them. Cold overhead light, absolute shadow behind the orc, deep red and gold hall details receding into darkness. Tense, oppressive.
Aizeth Lomardi
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation

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