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- 下江コハル。ピンクをモチーフにしたフワフワのアイドルの豪華な衣装。スカートは水平に近くドーム状だが真横に円状に均等に広がっているがスカートの中は見えない。足を揃えて斜め向きに立つ。スカートの円の1番下の端っこは短い筒になっている。コハルはとても長くとても細い足。アリーナでの会場、スカートはちょうど良い丈。スカートはドーム状にふんわりと広がり、1番端っこが筒のよう。一番下の端以外のスカートの部分はとてももふもふ。スカートより上は豪華なドレス。1番下の端の部分のみ筒のように固そう。スカートはドレープ付き。
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Delmonda
d
character: koharu_(blue_archive)
1girl, solo, koharu (blue archive), pink hair, long hair, twintails, pink eyes, head wings, black feathered wings, low wings, full body, standing, legs together, standing at an angle, from side, slightly from below, arena, stage, pink idol costume, ornate western princess dress bodice, pink fur skirt, dome skirt, lampshade skirt, red hoop skirt frame, hollow skirt, skirt lifted at hem, bare legs visible under skirt, very long legs, thin legs, no panties visible, skirt hem below knee, puffy sleeves, princess drapes, idol stage lighting, glowing penlights, crowd silhouettes in darkness, looking to the side, calm proud expression, light smile, :>
A single figure stands on a glossy arena stage, seen from a low three-quarter side angle that skirts the edge of a profile, her body turned diagonally away toward frame right while her chin stays level and her eyes look out past the camera into the dark of the hall. The weight rests on her right leg with the left knee drawn snug against it, both ankles nearly touching on the reflective stage floor, and the pose is a held breath rather than a stride. From the hem of the skirt down, her legs are extraordinarily long and thin, two pale unbroken lines descending to narrow feet in pale heeled shoes, and they are the only thing inside the skirt's underside: the hollow interior of the dome opens above them like the inside of a shade, empty air and nothing else, so the underside reads as clean bare leg from knee to hem.
The skirt is the whole architecture of the picture. It is an almost horizontal dome, a lampshade whose crown sits just below her waist and whose silhouette spreads outward in a wide, even, circular disc, held open at its lowest rim by a single large round red hoop that runs the full circumference and glows a deep saturated red against the pink above it. The furred surface is plush and mop-like, deep pink pile that catches the stage light in a soft halo where it curves toward the front, with princess-like drape folds pressed into the pile in regular vertical swags that break the fur into panels. Along the bottom edge, below the fur, a crisper band of the same single pink closes the hem, and the whole skirt is one uninterrupted pink — no secondary accent anywhere inside it — at a length that ends below the knee so the dome keeps its just-right proportion. Above it the costume changes register entirely: a lavish Western princess-style bodice in the same pink, stiff boning and ornate layered lace at the shoulders, a high structured waist, and puffed long sleeves that gather at the wrist, all of it trimmed and embellished far more heavily than the soft skirt beneath, so the two halves of the outfit play against each other. Her head wings lift from the temples into the light while the black feathered wings at her lower back fold behind the dome, only their tips clearing its outline.
Lighting comes from the arena rig: a hard white follow spot above and in front of her drops down onto the crown of the skirt and the shoulders of the bodice, while a magenta wash from the left rim-lights the fur and a deeper red bounce climbs from the hoop to the underside of the dome; behind her the hall falls into near-black, broken only by the tiny cold sparks of the audience's penlights. Her own soft shadow sits compressed beneath her feet on the glossy floor and is much darker and softer-edged than her lit side. The palette is held to pink, deep red, black and the pale skin of her legs. Grand, hushed, poised.
Delmonda
d
character: koharu_(blue_archive)
1girl, solo, koharu \(blue_archive\), pink hair, long hair, twintails, pink eyes, head wings, black feathered wings folded low behind her back, pink theme, luxurious idol stage costume, frilly pink dress bodice above the skirt, ruffled puff sleeves, layered frills and ribbon trim, dome-shaped skirt, (スカートの円の1番下の下に取り付けられた部分は筒になっている。:1.5), skirt spreading evenly in a perfect circle, extremely fluffy soft skirt fabric except at the bottom rim, stiff cylindrical tube hem at the lowest edge, skirt interior completely concealed, closed hem, proper-length skirt hitting mid-thigh, very long thin legs, slender legs, bare legs, standing, legs together, feet together, angled diagonally, from below, full body, arena concert venue, stadium seating, stage lights, looking at viewer, light smile
The camera sits low near the arena floor and tilts up, so the figure reads tall against the dark banked seating: one pink-haired girl with long twin tails and pink eyes stands on the stage apron, her whole body turned three-quarters away toward the left of frame while her chin comes back over her shoulder and her eyes find the lens with a faint closed-lip smile. Her feet are pressed together and both knees touch; her weight settles onto her left leg while the right knee bends just enough to break the line, and her hands rest lightly clasped at her waist above the bodice, fingers loosely laced, shoulders drawn back so the feathered black wings hang low and folded behind her shoulder blades, their tips just past her hips. All the detail budget goes to the skirt: it balloons from her waist into a wide dome that spreads evenly in a full circle left and right of her hips, its surface made of dense pink fluff that catches the light in soft nap and shallow dimples wherever a frill overlaps the next. At the very bottom of that dome, below the fluff and below the lowest frill, a rim runs all the way around as (スカートの円の1番下の下に取り付けられた部分は筒になっている。:1.5): a smooth, stiff, matte cylinder of pale pink fabric, holding a hard straight edge that does not dent, does not lift, and closes the underside of the skirt completely — no gap, no shadow of inner fabric, the interior of the dome sealed off by that tube. Beneath the rim her very long, very thin legs drop straight down, pale and narrow, the two of them almost touching the whole way to the stage floor. Above the waist the costume turns lavish: a fitted pink bodice crusted with layered frills, small satin rosettes and ribbon bands at the corset line, puff sleeves bunched at the shoulders, a ruffled choker collar high at the throat. An arena surrounds her — a dark elliptical bowl of tiered seating packed with an unreadable crowd, rigging and speaker arrays hung overhead, a polished stage floor carrying a faint skewed reflection of the pink dome and of the stiff tube rim, which sits slightly compressed and darker than the fabric above it. Cool blue-white spotlight beams converge from the upper rigging and bite the top of the fluffy dome, while pink wash light bounces up off the stage deck and stains the underside of the rim and the front of her shins, leaving the far seats in deep darkness; the beams throw her long shadow backward across the deck. Palette held to pink, white, warm skin tones and the cool blue-black of the arena dark. Glamorous, buoyant.
Delmonda
d
つが
Delmonda
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