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W PixAI prompty są domyślnie publiczne, ale twórcy mogą je ukryć w każdej opublikowanej pracy. Autor tej pracy zdecydował się to zrobić, więc słowa użyte do wygenerowania obrazu pozostają prywatne — widzi je wyłącznie autor. Ukrycie promptu nie zmienia niczego więcej: praca nadal jest publiczna, a Ty możesz ją polubić, skomentować i udostępnić jak zwykle.
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Tsubaki.3 - AI Model cover image

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2girls, duel, western, gunfight, facing each other, aiming gun, firing gun, revolver, six-shooter, horseback, riding, two horses, chestnut horse, black stallion, wilderness, desert, dramatic angle, from below, dutch angle, wide shot, dynamic composition, long auburn hair, ponytail, brown cowboy hat, tan leather vest, cream shirt, blue denim, short blonde hair, black cattleman hat, black duster coat, dark red shirt, black chaps, dust cloud, muzzle flash, gun smoke, intense expressions, gritted teeth, narrowed eyes, cinematic, motion blur on hooves A low, tilted camera looks up from just above the cracked desert floor at the two riders, the horizon cutting a slanted line behind them so that both women loom against the pale sky. On the left, the auburn-haired rider has her chestnut horse wheeled broadside and half-reared, front hooves pawing air above a burst of kicked-up dust; she leans forward over the saddle horn in a dusty blue-denim and tan-vest silhouette, cream shirt gripping her shoulders, low ponytail snapping out sideways, one gloved hand hauling the reins down while the other levels a silver six-shooter across her horse's neck, muzzle flash blooming in a star shape. On the right, the short-blonde rider sits low and braced on her black stallion, duster coat flaring back and cracking like a flag, dark red shirt dark in the shadow under her flat-brimmed black cattleman hat; her horse is planted and skidding to a stop, chaps creaking, one boot firm in the stirrup, and she fires level across the gap with a flat, hard expression, eyes locked on her opponent's face. The two horses frame a narrow channel of empty sage and dust between the women, and each rider's gun arm points straight across that channel at the other, so that the two barrels nearly define the picture's diagonal. Dust turns in the wind between them, a single tumbleweed rolling loose under the near horse's belly. Warm low sun rakes in from the left edge, rims each figure in gold, casts long hard shadows stretching right across the parched earth, and leaves the right rider's face in cool shadow beneath her hat brim. Dust and gunsmoke hang in the air, dimming the far mesas to a flat purple silhouette. Palette is bone-white sky, dun earth, deep horse-chestnut and tar-black, with the red shirt and the flash's orange as the only hot notes. Clean linework with smooth glossy skin and expressive, wide eyes narrowed in fierce focus, motion blur only along the horses' hooves and the puff of dust. High-stakes, hard-edged.
YuuG
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2girls, duel, western, gunfight, facing each other, aiming gun, firing gun, revolver, six-shooter, horseback, riding, two horses, chestnut horse, black stallion, wilderness, desert, dramatic angle, from below, dutch angle, wide shot, dynamic composition, long auburn hair, ponytail, brown cowboy hat, tan leather vest, cream shirt, blue denim, short blonde hair, black cattleman hat, black duster coat, dark red shirt, black chaps, dust cloud, muzzle flash, gun smoke, intense expressions, gritted teeth, narrowed eyes, cinematic, motion blur on hooves A low, tilted camera looks up from just above the cracked desert floor at the two riders, the horizon cutting a slanted line behind them so that both women loom against the pale sky. On the left, the auburn-haired rider has her chestnut horse wheeled broadside and half-reared, front hooves pawing air above a burst of kicked-up dust; she leans forward over the saddle horn in a dusty blue-denim and tan-vest silhouette, cream shirt gripping her shoulders, low ponytail snapping out sideways, one gloved hand hauling the reins down while the other levels a silver six-shooter across her horse's neck, muzzle flash blooming in a star shape. On the right, the short-blonde rider sits low and braced on her black stallion, duster coat flaring back and cracking like a flag, dark red shirt dark in the shadow under her flat-brimmed black cattleman hat; her horse is planted and skidding to a stop, chaps creaking, one boot firm in the stirrup, and she fires level across the gap with a flat, hard expression, eyes locked on her opponent's face. The two horses frame a narrow channel of empty sage and dust between the women, and each rider's gun arm points straight across that channel at the other, so that the two barrels nearly define the picture's diagonal. Dust turns in the wind between them, a single tumbleweed rolling loose under the near horse's belly. Warm low sun rakes in from the left edge, rims each figure in gold, casts long hard shadows stretching right across the parched earth, and leaves the right rider's face in cool shadow beneath her hat brim. Dust and gunsmoke hang in the air, dimming the far mesas to a flat purple silhouette. Palette is bone-white sky, dun earth, deep horse-chestnut and tar-black, with the red shirt and the flash's orange as the only hot notes. Clean linework with smooth glossy skin and expressive, wide eyes narrowed in fierce focus, motion blur only along the horses' hooves and the puff of dust. High-stakes, hard-edged.
YuuG
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Atak Tytanów#Mikasa Ackerman
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