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AI art "男の石人形を破壊する女" featuring #Czarne włosy, #Włosy blond, #broń, #Uśmiech, #Otwarte usta, #samozadowolona twarz, #1 dziewczyna and #1 chłopak
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男の石人形を破壊する女

男が作った石人形を破壊する女

#Czarne włosy#Włosy blond#broń#Uśmiech#Otwarte usta#samozadowolona twarz#1 dziewczyna#1 chłopak
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案架

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comic, manga page, multi-panel, full color, colored manga, panel borders, large central panel, 1boy, 1girl, sequential art, eye cut-in, cut-in window, dramatic framing, sparkling eyes, beaming smile, crying, tears, weeping, clean unblemished face, flat chest, fully covered chest, thick opaque clothing, unbroken skin, no blood, no wounds, stone quarry, stone carving, giant cute stone statue, rubble, debris, war hammer, crystalline greatsword, spiked flail, no axe, japanese text, english text, onomatopoeia, sound effects, foreground typography A dynamic full-color manga page structured into a narrative multi-panel layout with clean black gutter borders and vibrant anime cel-shading. In the furthest background layer behind the panels, massive bold English sound effects and shouting letters stretch across the open sky and quarry rock walls reading "SHING!", "CLANG!", "KRAAASH!", "BOOOOM!", and "WAAAAAH!". Floating in the absolute nearest foreground layer, emphasized above everything else in clean, crisp Japanese display typography sized at twice the height of the characters' heads, are the exact attire and hairstyle names: "ポンパドール" and "ロパペイサ" above the man, and "ポニーテール" and "トレンチコート" above the woman. Panel 1 occupies the top tier: A sweeping perspective of an expansive terraced stone quarry under bright morning daylight. A lean-chested man with completely clear, unblemished facial skin and a swept-up pompadour hairstyle runs vigorously from one end of the limestone shelf to the other, his boots kicking up clouds of chalky dust. His chest is fully covered in a thick patterned Icelandic wool lopapeysa sweater over heavy canvas trousers. His eyes sparkle with dazzling celestial star-burst reflections as he wields a massive twin-headed steel war hammer and a long stonecutting chisel to slice straight through monumental blocks of rock in a single sweeping dash. Directly overlapping the upper corner of this panel is a sharp horizontal ocular cut-in window providing an intense, widescreen close-up of his gleaming, radiant eyes filled with ecstatic determination. Panel 2 is a magnificent large panel dominating the center of the page: The man stands completely alone amidst an array of enormous, delightfully rounded, cute stone-carved monuments—whimsical chubby stone colossi, miniature smiling sphinxes, and stylized curved monoliths polished to a satin sheen. His posture is relaxed yet triumphant, hands planted firmly on his hips with his chest held high. An overflowing, radiant smile spreads across his face, mouth wide in joyous laughter with flushed rosy cheeks. Gentle daylight casts soft, clean shadows beneath the curving overhangs of the freshly carved statues, while airborne stone dust floats like powdered sugar in the warm ambient sunbeams. Panel 3 is an explosive lower-left action panel: A young woman out for a casual afternoon stroll enters the scene, dressed in an elegant cream-colored belted trench coat over a pleated walking skirt, her long hair tied into a bouncy high ponytail that whips across the frame. With effortless martial dominance, she swings a colossal, glowing obsidian greatsword and a spiked iron flail, cleanly detonating the enormous cute stone structures into showers of fractured stone shards and flying limestone pebbles. A dramatic horizontal ocular cut-in window slices diagonally across her panel, capturing an intense close-up of her focused, sharp eyes brimming with devastating power. Panel 4 concludes the strip in the lower-right: The man falls to his knees upon the shattered stone fragments, tears gushing from his eyes in exaggerated, comic anime torrents as he clutches his head in total comedic despair before the broken ruins. Fractured pieces of stone settle with chalky white impact rings around his trembling knees, illuminated by the fading golden-orange light of dusk. Vibrant, chaotic, expressive comic drama.
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世界のいろんな石場で、世界のいろんな服を着たいろんな年齢の男性が1人で目を輝かさせて世界のいろんな武器を持って、流血しない、乳首を露出しない、胸の脂肪が少ない、顔に印が無い、石を切断して端から端へ走り回る場面と、 大きなコマ割で世界のいろんな上達の動きで石をいろんな世界の可愛い大きな石造の建造物に加工して男が1人で溢れる笑顔になった場面と 散歩で着た いろんな髪型のいろんな服の女1人がいろんな最強の武器を持っていろんな方法で石造を破損して 男が泣く 場面に分割。 斧以外を使用する。 男女の着ている服の名前と髪型の名前 の注釈を頭の2倍の大きさで一番手前に表示して崩れない日本語で教えて。 服の名前と髪型の名前を日本語で一番強調して表示する。 ｢服の名前｣以外の服の名前を日本語で表示する。 ｢髪型の名前｣以外の髪型の名前を日本語で表示する。 男女の目を強調する窓を表示。 激しい掛け声と効果音を英語で一番背景に表示。全体を着色する。
Tryb
pro
Rozmiar
768 x 1280
Metoda próbkowania
Euler
Niepożądane
lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Atak Tytanów#Mikasa Ackerman
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