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AI art "Optimus prime walking in a flaming city" featuring #Transformers and #Optimus Prime
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Optimus prime walking in a flaming city

Prime is walking through the flamimg city while searching fo decepticons

#Transformers#Optimus Prime
Avatar image of Gaia Zenox

Gaia Zenox

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character: optimus_prime portrait, 1boy, solo, from side, cowboy shot, walking, mid-stride, mecha, robot, humanoid robot, blue helmet, antennae, red and blue armor, red chest plates, window chest, truck grille torso, smokestacks on shoulders, blue forearm armor, yellow forearm fins, silver hips, blue thighs, red shins, heavy boots, blue eyes, glowing eyes, determined expression, facing right, neon palette, magenta neon, cyan neon, acid green neon, violet neon, flaming city, burning buildings, fire, embers, smoke, night, backlighting, silhouette rim light, low angle, high contrast, halftone dots, graffiti marks, thick outlines, pop-graphic composition A tight portrait-format side view, low camera looking up, captures the robot mid-stride crossing frame left to right, heavy right boot planted flat on cracked asphalt and the left knee lifted forward with the left foot still off the ground, the walking mass carried by that one planted leg. The head sits in a tall blue helmet with two antennae rising from the brow ridge and swept slightly back, blue eye-lights throwing a faint glare forward; the chin plate is level, no turn toward the lens. The torso is a mass of red plates over a grille-like chest, twin smokestacks standing up from the shoulders and darkening against the burning sky. Both forearms are angled, the near arm swung forward with the yellow forearm fins catching light, the far arm drawn back behind the hip and half hidden by the torso. He walks out of a corridor of burning buildings, dividing the frame, flames breaking from the window rows above and behind him at three and four storeys, each fire a source of warm orange rise, and when a gust bends the flames sideways the smoke and the ember trail are dragged the other way, the whole glowing column leaning as if the air itself is being pulled along. His plate edges, the antennae tips and the smokestack rims carry a magenta and cyan neon spill from the unbroken signage running behind the fire; the neon outlines the silhouette without tinting his face. The fire is the only real light -- it strikes his near side, hard orange on the red chest, the blue thigh and the planted boot, while the far edge of him is a clean black rim against the brighter flames. Smoke lies low across the road and the light beneath the flames pools on the wet asphalt in long vertical streaks, brightest under the burning walls and thinning to black in the foreground. Palette is magenta, cyan, acid green and violet neon over the scorched orange and black of the fire and ash; the only warm area in the frame is the burning city itself. High-contrast graphic rendering, hard cel edges, bold halftone dot fields in the smoke and the asphalt, thick black outlines biting into every plate, coarse graffiti marks and digital noise scuffed across the ground and the far wall, pop-graphic composition with the figure kicking off a heavy black ground. Steady, blazing, unstoppable.
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A neon portrate of optimus prime walking through a flamimg city
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pro
Styl
Neon Poster
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﹝Podpowiedzi﹞
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1104 x 1824
Niepożądane
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Styl: Neon Poster
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Avatar image of เอกฤทธิ์ มะสีหา
character: optimus_prime, copyright: transformers 2boys, 2 mecha, robot mecha, autobot, transformers, pointing hand, pointing at viewer, outstretched arm, from below, dutch angle, low angle, wide shot, blue hair, double bun, hair bun, blue eyes, red jacket, blue fingerless gloves, crop top, goggles on head, bare ears, unadorned hair, red armor, blue armor, silver chest plating, window glass, split composition, Shot from below on a hard dutch tilt, two enormous Autobot mecha stand shoulder to shoulder on a wet concrete rooftop deck at night, the camera almost at deck level so both bodies tower and converge toward the top of the frame. On the left, the taller of the two: a broad red-armored Autobot with a silver chest plate and stacked smokestacks rising behind each shoulder, standing square-planted with weight on his right leg, right arm folded down at his side, left arm thrust out across the frame with the forearm plated in blue, hand closed into a fist with the index finger extended, the pointing arm foreshortened and slightly out of true because of the tilt, a short cape of exhaust haze trailing off the stacks. His head is a wide crested helm with a blue faceplate; a blue hair-bun mass of cable bundles is coiled and pinned at the back of the helmet crown, twin double buns sitting high above the nape, and the blue eyes glow behind the visor slit. Where a human head would wear goggles, a pair of round optical lenses is clamped up on the helmet brow, unused, riding above the eye-line. On the right, the second Autobot, shorter and leaner, built from patched white and orange panels with exposed hydraulic ribbing at the waist; a red cropped plate seals only the upper chest and leaves a band of bare dark alloy midriff between chest and pelvis, and both hands are wrapped in blue gauntlets cut off at the knuckle so the bare metal finger-joints show through. That second mecha mirrors the gesture, pointing low and slightly forward with the right arm, elbow locked, the finger aimed past the near shoulder of the first, his head tipped down and eyes fixed on the same far point. Both gazes land on the same off-frame target ahead and below -- a speck of lit city between the rooftops -- and the taller one's chin is angled back as he follows his own pointing line. Contact is all explicit: feet flat on the deck, the shorter mecha's left heel braced against a roof vent lip, his hip almost touching the other's forearm plate without touching it, the two pointing lines crossing in air above the gap between them, and no other body in the frame. The light source is a single sodium work-lamp on a pole behind and left of them; it rims both silhouettes in warm orange along the left edge of every panel, drops their faces into deeper shadow on the right, and throws two long fused shadows forward across the wet deck, where the only sharp reflections are the broken vertical streaks of the lamp in standing water between the seams. Palette limited to red, blue, silver and orange against a night sky of deep indigo, with the white-orange second body reading lighter against it. The rooftop's edge drops away behind them into a flat field of distant windows reduced to illegible pinpricks. Quiet, imposing tension.
เอกฤทธิ์ มะสีหา
#Męski kadr#stojący#Niebo

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Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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