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AI artwork featuring #Seria Fate, #Meltryllis and #Fate/Grand Order
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Meltryllis, Seria Fate

#Seria Fate#Meltryllis#Fate/Grand Order
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character: meltryllis_(fate), copyright: fate_(series) 1girl, solo, meltryllis, very_long_hair, purple_hair, blue_eyes, blue_ribbon, hair_ribbon, wedding_dress, bridal_veil, white_dress, long_sleeves, sleeves_past_wrists, holding_bouquet, flower_bouquet, both_hands, smiling, blush, looking_at_viewer, looking_straight_ahead, facing_forward, church, stained_glass, aisle, from_below, close-up, upper_body, soft_lighting, gentle_expression, bare_shoulders, collarbone The camera looks up from just below her chin — a close-up, three-quarter upward view framed so the church's vaulted ceiling and a tall lancet window rise behind her head. She stands in the center of a stone aisle, torso turned almost square to the lens, chin level so her gaze meets the viewer straight on, eyes open and steady, a soft closed-lip smile curving one corner of her mouth upward a little more than the other. Her cheeks carry a warm flush that spreads from the apples of her cheeks toward the bridge of her nose, deepening where the light touches. Both hands grip the stems of a bouquet at the level of her sternum — fingers overlapping the wrapped bundle, the pale flowers spilling upward past her collarbone; the flowers are not announced as a separate thing but held tight against the white bodice, a weight the two arms visibly take. Her very long purple hair falls in a heavy sheet behind her shoulders and a portion of it spills forward over one upper arm, the blue ribbon tied at the back of her head trailing down her spine. The wedding dress is white and unmistakable: a fitted bodice, long sleeves that cover past the wrists, the fabric gathering at her waist and disappearing below the close-up's crop; her shoulders are bare where the dress neckline dips, the skin catching the window light. Behind her the church is a deep, cool space: pale stone columns receding into shadow, a stretch of the aisle floor, and above her a pointed arch of stained glass glowing in muted blue and amber, its colored shafts falling across the left side of her face and shoulder while the right side of her cheek sits in soft blue-grey shadow. The window's colored light lays a faint blue patch on her purple hair and a warm amber highlight along the bouquet's petals — the light source is the window behind and above her, and everything facing the camera sits in gentle reflected fill. A few loose petals rest on the stone floor at the bottom edge of the frame where the bouquet's shadow pools, darker and softer than the stems that cast it. The palette is white, purple and cool stone grey, cut by the amber and blue of the glass. Tender, quietly radiant.
Pokaż parametry
Oryginalny prompt
メルトリリス(Fate)、微笑む、頬の赤らみ、まっすぐ、両手で花束のブーケを持つ、ウェディングドレス、協会
Tryb
pro
Tag jakości
﹝Podpowiedzi﹞
Rozmiar
1104 x 1824
Metoda próbkowania
Euler
Niepożądane
lowres, worst quality, low quality, bad anatomy, explicit
Pomocnik podpowiedzi

Model i LoRA użyte

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.20k

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AI artwork
sy
character: meltryllis_(fate), copyright: fate_(series) 1girl, solo, meltryllis_(fate), very_long_hair, purple_hair, blue_eyes, hair_ribbon, blue_ribbon, wedding dress, bridal veil, white gloves, church interior, stained glass, pews, happy tears, tears of joy, crying, wet face, closed eyes, smiling, light smile, blush, hands clasped together at chest, holding bouquet, from above, upper body, looking down, soft light, 1girl, solo, wide-off-shoulder bridal gown, bare shoulders, gratitude, tenderness The camera looks down on her from a high angle, close over her head and shoulders, so the whole church opens beneath her: rows of dark wooden pews receding down the nave, a long aisle runner on the stone floor, and tall stained-glass windows ranked along the right wall. She stands at the head of the aisle, chin dipped toward her clasped hands, shoulders drawn slightly in and up as she holds the emotion in. Both gloved hands are pressed together flat at her sternum, fingers interlocked, the bouquet of white lilies and pale blue hydrangea gripped in the same clasp so the stems cross the back of her hands; her weight sits on her right leg while her left knee bends slightly inward, toes of the left satin shoe turned in. Her eyes are shut tight, lashes clumped wet, and two tears have already broken the lower lash line: one on the verge of her cheekbone, a second tracking down to the corner of her jaw. Her mouth is open in a soft, unsteady smile, lower lip trembling, a small crease between her brows from the effort of not sobbing. Her very long purple hair falls unbound save for the blue ribbon at the crown, and the veil is pinned behind it, so the sheet of translucent tulle pours back over both shoulders and drags a length across the aisle runner behind her; the hair spills free beneath, longer than the veil and darker where it passes into shadow. The dress is white satin with a fitted bodice and a soft off-shoulder line of lace, long sleeves thin enough to show the pale skin of her forearms, and a skirt that pools in gentle folds around her feet. Both ears are bare; her arms, wrists and throat are unadorned besides the gown itself. The only light is the daylight coming through the stained glass on her right, so the colour lands on her as three separate pools: a wedge of cobalt blue falling across her right cheek and shoulder, a red pane glazing the outer edge of her veil, and a warm amber streak crossing the hands at her chest. The left side of her face is in cool shadow, soft and full of reflected nave light, and the floor beneath her holds a long muted blue reflection of the window that is darker and less saturated than the glass itself. Everywhere outside the window light -- the far pews, the vaulted ceiling, the rear doors -- sinks into deep brown shadow. Palette limited to white satin, warm grey stone, purple and blue in the hair and ribbon, and the three window colours. Detail spend goes to the wet lashes, the tear tracks, the knuckles of the clasped gloves and the water beads on the lily petals. Tender, overwhelmed.
S Y
#Fate/EXTRA CCC#Seria Fate#Meltryllis
AI artwork
sy
character: meltryllis_(fate), copyright: fate_(series) 1girl, solo, meltryllis, long hair, very long hair, purple hair, blue eyes, blue ribbon, hair ribbon, wedding dress, white bridal gown, bouquet, holding bouquet, both hands, two hands, looking back, turning head, over shoulder, smile, closed mouth smile, from behind, over-shoulder composition, standing, church interior, stained glass, aisle, backlight, lace, trailing veil, cinematic lighting, depth of field Over-shoulder composition from behind her, low camera close to her waist height, lens slightly to her left: her back fills the left two-thirds of the frame and her head is turned over her right shoulder toward the lens, chin near her shoulder, eyes blue and bright under lowered lids, lips closed in a small self-satisfied smile, one brow faintly raised. Long purple hair pours down her back past her hips, glossy, a blue ribbon tied where a loose half of it gathers high behind her head, the rest falling over the white satin of the gown and catching a thin rim of window light; the ribbon's ends trail over one shoulder blade. She wears a white wedding dress — a strapless bodice fitted at the waist, long lace sleeves that cover her wrists and reach past her fingers so the lace hems hang as she grips, the skirt full and pooling at her feet on the stone aisle, a soft veil pinned low and spilling down her back over the train. Both her hands are brought together in front of her body at waist height, cradling a rounded bouquet of pale cream and lilac flowers with their green stems wrapped in white ribbon; her fingers close on the wrap and on the lace hems at the same time, and because her head is turned we see only the tops of the blossoms cresting past her right hip, while the rest of the bouquet is hidden by her body — its perfume-soft silhouette visible, her grip on it read in the tension of both forearms and in the slight pull of the lace across her knuckles. Her weight rests on her left foot, right heel lifted a little out of the stone, the skirt distorted by the shift. Around her the church opens: a long stone aisle running to a lit doorway far beyond her, rows of dark pews receding on both sides, and tall stained-glass windows along the right wall throwing deep blue and violet light patches down onto the flagstones, one patch lying across the pool of her skirt. The window light is the only source that matters — it comes from behind and to her right, so her back and the veil glow, the far side of her face falls into soft shadow, and the light scatters through the lace sleeves, printing a faint lattice of shadow onto the white satin beneath. The flagstones run dull cool grey in the foreground and warm up toward the far door; deep blue, violet and white are the whole palette, the ribbon and the glass answering each other. Shallow depth keeps the far pews soft while the lace in her hands stays sharp. Serene, quietly triumphant.
S Y
#Seria Fate#Meltryllis#Fate/Grand Order

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